Tag: Steven Spielberg

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Jurassic Park

(Review originally published in Third Way, May 1993.)

Director – Steven Spielberg – 1993 – US – PG – 127m

*****

A wealthy philanthropist brings dinosaurs to life from preserved fragments of their DNA to populate his island theme park – in cinemas from 16th July 1993 and back out again on Friday, September 1st 2023

“God creates dinosaurs.

God kills dinosaurs.

God creates man.

Man kills God.

Man creates dinosaurs.”

– Dr. Ian Malcolm (Jeff Goldblum), chaos theoretician.

“Dinosaurs kill man.

Women take over the world.”

– Dr. Ellie Sattler (Laura Dern), palaeobotanist.

“Creation is an act of will: next time, it’ll be flawless.”

– John Hammond (Richard Attenborough), creator of Jurassic Park.

Set to become the biggest grossing movie of all time (if it hasn’t already done so by the time you read this), Steven Spielberg’s latest offering concerns rich industrialist John Hammond’s (Richard Attenborough) theme park built around his dream to delight children with wonders come to life. The wonders are dinosaurs, cloned from dino DNA ingested by prehistoric insects subsequently drowned and preserved in amber. For more on this aspect of the story, read co-screenwriter Michael Crichton’s original (and best-selling) novel; Spielberg, who races through small chunks of plot as quickly as he can, isn’t interested in them half as much as he is in dinosaurs.… Read the rest

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The Fabelmans

Director – Steven Spielberg – 2022 – US – Cert. 12a – 151m

*****

The life and times of a young boy and amateur US movie maker whose extended family harbours an unexpected secret – out in UK cinemas on Friday, January 27th

Throughout his career, Spielberg has continued to surprise. He’s made big blockbusters which seem, very often, to be about the intimacies of family relationships. Perhaps it was inevitable that, sooner or later, he would make something like The Fabelmans.

Orson Welles once said that Hollywood was the best train set a boy could have to play with. Presented with a train set, young Sammy Fabelman (Mateo Zoryan Francis-DeFord) plays with it by staging train crashes, about which behaviour his brilliant, scientific nerd father Burt (Paul Dano) is less than pleased.

However, his mother Mitzy (Michelle Williams), after some thought, realises that her son need to see the trains crash over and over again, so secretly allows him to stage a crash and film it with the family’s Super 8 home movie camera to enable his required repeat viewing. This kindles within the boy a desire to make his own movies, and soon he’s enlisting his family, friends and neighbours in these enterprises.… Read the rest

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Everything
Everywhere
All At Once

Director – Daniels (Daniel Kwan & Daniel Scheinert) – 2022 – US – Cert. 15 – 139m

*****

Do you know kung fu? A launderette owner in trouble with the IRS is sucked into serial, parallel worlds to defeat the being who threatens to annihilate the multiverse – available on demand in the UK from Monday, June 13th

You could describe it as a Cubist take on The Matrix. Or a mother-daughter relationship drama. Or a multiverse movie. Or a film about filing taxes with the IRS. Or a (multiple set of) romance(s). Or a Michelle Yeoh action movie. Or a Chinese American movie. Or a film put together unlike any other you’ve ever seen. All these descriptions would be accurate.

Chinese American Evelyn Wang (Michelle Yeoh) runs her own business. A launderette (or laundromat in American parlance). She sits at the table in her apartment which is covered with piles of receipts. She is sorting through them in preparation for an upcoming interview with the IRS. She isn’t sure she’s ready.

This pressing issue aside, her life is not without its challenges. Her husband Waymond (Ke Huy Quan, formerly the kid from Indiana Jones And The Temple Of Doom, Steven Spielberg, 1983; The Goonies, Richard Donner, 1985) is attempting to file for divorce and wants her to sign the papers.… Read the rest

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Jurassic World
Dominion

Director – Colin Trevorrow – 2022 – US – Cert.12a – 148m

***

Sixth Jurassic movie promises then dumps a plot where humans and dinosaurs co-exist in the modern world and instead heads for a secluded valley where numerous dinosaurs are kept by a dodgy corporation – out in cinemas on Friday, June 10th

There’s a long tradition in cinema of putting dinosaurs alongside humans, as if the dinosaurs on their own wouldn’t be enough to bring in audiences. This is nonsense of course: look no further than the TV series Walking With Dinosaurs (1999), Walt Disney’s Fantasia (segment directors: Bill Roberts, Paul Satterfield, 1940) or The Animal World (effects: Willis O’Brien, Ray Harryhausen, 1956), and the high regard in which they’re held, for proof.

The genius of Jurassic Park (Steven Spielberg, 1993) was to reconstruct the dinosaurs from their DNA, providing a much better reason to put both species side by side than the lost plateau of The Lost World (effects: Willis O’Brien, 1925), the lost island of King Kong (effects: Willis O’Brien, 1933), the lost valley of The Valley Of Gwangi (effects: Ray Harryhausen, 1969) or the cavemen and dinosaurs of One Million Years B.C. (effects: Ray Harryhausen, 1966).… Read the rest

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West Side Story
(2021)

Director – Steven Spielberg – 2021 – US – Cert. 12a – 156m

*****

This reimagining of the landmark 1961 musical feels fresh and completely different, yet strangely familiar at the same time – out in cinemas on Friday, December 10th

The original adaptation of Broadway show West Side Story (Jerome Robbins, Robert Wise, 1961) is widely reckoned one of the great movie musicals. It’s basically Romeo And Juliet reworked with rival houses replaced by rival ethnic gangs, the Jets and the Sharks. From the moment a former member of one gang falls for a young girl from the other ethnic group, their romance is doomed.

As well as remarkable songs (music: Leonard Bernstein, lyrics: Stephen Sondheim), the thing people remember is the incredible, almost otherworldly choreography. If this had not been a musical but a straightforward teenage youth drama, the gangs would have walked or run through the streets in packs. Here, though, they dance and glide as a synchronised group, and the never less than magical result proves highly effective.

So if you’re going to remake West Side Story, you’d better have some pretty good ideas because a carbon copy would be pointless. Enter Steven Spielberg. Like many people, he’s grown up with the 1961 movie and knows it intimately.… Read the rest

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Jurassic Park ///

Director – Joe Johnston – 2001 – US – PG – 92m

****1/2

Joe Johnston directs Jurassic Park ///, the third instalment of Steven Spielberg’s Jurassic Park franchise – out in UK cinemas from Friday, July 20th 2001

This redresses two minor omissions in Steven Spielberg’s first Jurassic Park (1993): JP///’s dinosaurs include some that interact with water (Michael Crichton’s original book contained a T.Rex swimming after its human prey, but the film didn’t) and some that fly (pteranodons). A rival giant dinosaur (here, a spinosaurus) at last fights the star predator (the T.Rex), a device used by dinosaur movies from The Lost World (Harry O. Hoyt; effects: Willis O’Brien, 1925) and King Kong (Merian C. Cooper, Ernest B. Shoedsack, effects: Willis O’Brien, 1933) through Disney’s Fantasia (Rite Of Spring segment, Bill Roberts, Paul Satterfield, 1940) to One Million Years BC (Don Chaffey; effects: Ray Harryhausen, 1966).

Gone is all the chaos theory talk and cuddly Sir Richard Attenborough. The proceedings have now been pared down to people trapped on a deserted isle – with no obvious means of escape – and dinosaurs. Guess what – this time those dastardly corporate folks at InGen have populated a third island (Isla Sorna) with dinosaurs then abandoned it.… Read the rest

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The Lost World:
Jurassic Park

Director – Steven Spielberg – 1997 – US – PG – 129m

***

UK PAL laserdisc review.

Originally published on London Calling Internet.

Given the original Jurassic Park (Steven Spielberg, 1993) movie left out some of the best bits of a brilliant book, had a plot so full of holes it was virtually transparent and still elevated itself to the level of technically groundbreaking, cinematic achievement (not to mention making more money than any other movie ever) the quality of any sequel movie was nothing if not uncertain. Michael Crichton’s uninspired follow-up novel, with all the un-Spielberg-y rough edges removed, didn’t bode well and while audiences flocked to see the second film, most critics responded poorly to it. Their main criticism – it has a weak plot. Or scarcely a plot at all.

Basically, having escaped Jurassic Park, chaos theorist Dr. Malcolm (Jeff Goldblum), his ideas this time round largely reduced to the repeated phrase “life finds a way”, journeys to the second island to bring back palaeontologist girlfriend Sarah Harding (Julianne Moore), who’s there documenting the dino-wildlife for founding billionaire Hammond (Richard Attenborough) before his nephew Peter Ludlow (Arliss Howard) – who has just wrested control of the InGen company from his uncle – arrives there with an army of men and an arsenal of big game hunting weapons under the command of big game hunter Roland Tembo (Pete Postlethwaite).… Read the rest

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The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

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Ready Player One

Director – Steven Spielberg – 2018 – US – 12a – 140m

*****

Get your game on. Spielberg heads back to the future using Tye Sheridan as his avatar inside a visually lavish virtual world stuffed with 80s pop culture references and dirtylicious resonances – now on Netflix

Spielberg has long been happy to move between big-budget spectaculars like Jurassic Park (1993) which push the boundaries of what’s possible in film and culturally significant stories like Schindler’s List (1993) which rely less on special effects or reshaping the blockbuster medium. Following Bridge Of Spies (2015) and The Post (2017), Spielberg now brings audiences Ready Player One which represents something he’s been trying to make for years – a movie which gets into the heads of gamers.

Among his earlier forays, The Lost World: Jurassic Park (1997) felt like a funny mixture of a sequel and an attempt at realising the gamer world (think: racing through fields in vehicles surrounded by numerous running dinosaurs). Subsequent films A.I. (2001) and Minority Report (2002) both boast futuristic environments that might not look out of place in a state of the art video game. Further, the experience of watching The Adventures Of Tintin (2011) recalls the process of actually playing a computer game.… Read the rest

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The Post

Director – Steven Spielberg – 2017 – US – 12a – 116m

*****

The White House versus the press. Set in the 1970s, Steven Spielberg’s journalistic epic tells the story of The Washington Post and the Pentagon Papers – available for digital streaming

In 1971, The New York Times broke the story of the Pentagon Papers. These documents detailed how the incumbent Nixon administration and its predecessors had increased the scale of the US involvement in the unwinnable war in Vietnam for political gain rather than the national good. The administration’s response was swift and repressive: within two days, a legal injunction prevented the paper from publishing further details. The Washington Post (often shortened to The Post, as in the film title), at the time more a local paper than a national one, stepped into the breach with its reporters hunting down the New York Times’ source so that it could publish more of the story as it emerged. Having just floated on the New York Stock Exchange, the paper found itself in the tricky situation of being accountable to conservative shareholders who didn’t like the idea of exposing their investment to risks with the potential to close the paper down for good.… Read the rest