mother Archives - Page 4 of 4 - Jeremy C. Processing

Till We Meet Again
(Sheng Qian
Yue Si Hou,
生前约死后)

Director – Steven Ma – 2019 – Hong Kong – Cert. N/C 15+ – 97m

****1/2

A young man succumbs to a debilitating psychosis in the decade following his mother’s death – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

When Wai Wong Oli, Moritz) was three, his mother Mui (Josephine Ku) told him she’d always be there. Ten years ago, she died of cancer and Wai (Steven Ma) blames himself. He’s never been able to get past this, making himself dangerously ill. He gave up a job for a restaurant job near his parents’ home just so he’d be able to look after her. He’s a conscientious and efficient worker, so his boss gives him time off to see his mother whatever he wants, and when that doesn’t work out his grateful colleagues cover for him.

Sometimes, though, he doesn’t take the meds prescribed for him by Dr. Fung (Jennifer Yu) and goes completely to pieces. Fortunately, his schoolfriend Chi (Himmy Wong) is there for him. Thoughts of guilt and suicide are never far away.

The narrative proceeds on its course, flashing back and forth in time through Wai’s memories from when he was younger, including himself (Fong Chit Lun) at age 10 and himself in the decade leading up to his mum’s passing, in the company of both his mum and his bus driver dad Chung (Ling Hiu Wah).… Read the rest

Dead Ringers

Director – David Cronenberg – 1988 – Canada – Cert. 18 – 116m

*****

Originally published in Samhain.

When David Cronenberg was in the UK to promote The Fly late in 1986, he talked about a project called Twins which concerned two identical twins who fall in love with the same woman. At the time, no-one thought he was serious.

Two years later, the film has appeared (under the appalling title Dead Ringers, since there was another Twins in production elsewhere). Cronenberg denies that the new film is science fiction or horror, or even fantasy. Yet (if one wants to play the auteur game) parallels can be drawn with certain of his earlier films.

Dead Ringers bears a great resemblance not so much to the commercial Cronenberg schlock oeuvre as to the art films of the late sixties from which he has in recent years dissociated himself on the grounds that they were not real movie movies; however, both Stereo (1969) and Crimes Of The Future (1970) were shot on University Campuses with bleak, modernist architecture – and the same setting forms the backdrop to several Cronenberg features, most notably Scanners. Such architecture is more prominent in Dead Ringers than in any previous Cronenberg commercial feature.… Read the rest