Tag: mayhem

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Ghostbusters
Frozen Empire

Director – Gil Kenan – 2023 – US – Cert. 12a – 115m

****

Back in New York, running the family Ghostbusters business out of the old fire station, the Spenglers must thwart an evil entity who possesses the power to freeze things – out in UK cinemas on Friday, March 22nd

This sequel to Ghostbusters Afterlife (Jason Reitman, 2021), written by the same three-man writing team of father and son Ivan and Jason Reitman and Ghostbusters geek Gil Kenan, picks up and runs with some of the strengths of its predecessor even as it dispenses with others. One thing it dumps is the previous entry’s completely out-there originality; instead, it follows the time-honoured principle of Hollywood movie sequels: go out and make the first movie again.

It’s basically a rehash of the original Ghostbusters (Ivan Reitman, 1984) with the younger generation of Spenglers standing in for the old, and with Winston Zeddemore (Ernie Hudson), Ray Stantz (Dan Ackroyd), Janine Melnitz (Annie Potts) and Peter Venkman (Bill Murray) from the original helping the newer characters out. There is not, perhaps, as much of Bill Murray as one would like, and his heart doesn’t seem to be in it. Otherwise, though, fans of the franchise will probably be happy.… Read the rest

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A Moment
Of Romance
(Tin Joek
Yau Ching,
天若有情)

Director – Benny Chan – 1990 – Hong Kong – Cert.18 – 92m

***1/2

When a biker and gang member on the lam from a jewel heist takes a well-to-do girl hostage then falls for her, their romance is doomed – out on Radiance Blu-ray from Monday, August 21st 2023 following its screening in the London East Asia Film Festival (LEAFF) 2021

Gang member Wah (Andy Lau) is the archetypal bad boy who, in the opening sequence, speeds through a narrow gap between two lorries and wilfully breaks a wing mirror on a stationary police vehicle as he rides past. Director Chan keeps up the mayhem with a sequence of two competing lorries on a makeshift racing circuit, each with a pretty girl standing on top – until one of them crashes into a stationery car sending the falling girl through its windscreen and scattering the onlookers as the police approach.

Ascendant gang member Trumpet seems to have it in for Wah and puts him on getaway car duty for a jewel heist. Wah must improvise when cops happen by chance to turn up outside the building while the crime is in progress and during the ensuing pursuit by car, in which he gets the robbers successfully away from the scene, and on foot, his only way of escaping the cops is to take an innocent bystander hostage.… Read the rest

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The Dark Knight
The IMAX Experience

Director – Christopher Nolan – 2008 – US – Cert. 12a – 152m

*****

If you see The Dark Knight in an ordinary cinema rather than IMAX 70mm, you haven’t seen it at all – review originally published in Third Way in 2008.

The Caped Crusader is as significant a figure in the media landscape as he is on the Gotham City skyline. Ever since revisionist graphic novel The Dark Knight Returns (1986) suggested that the methods of a so-called hero who went around beating up villains might in fact be less than heroic, the complexity of the character has become increasingly apparent. In print, the high point has been the Red Rain trilogy (1991-98), which reinvented the character as a vampire! Hollywood has jumped on the bandwagon in the last two decades with two quirky Tim Burton movies, two vacuous, family-friendly Joel Schumacher sequels and two darker Christopher Nolan outings (Batman Begins and this one).

Nolan’s entries have focused on Batman / Bruce Wayne (Christian Bale) rather than simply on Batman, whose masked vigilante is less a fabrication than his everyday millionaire playboy alter-ego. Bruce is trapped between wanting to protect the city from criminals and the dubious methods he employs to do so as Batman.… Read the rest

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Vampire
Vs
Vampire
(Yi Mei Dao Ren,
一眉道人)

Director – Lam Ching-ying – 1989 – Hong Kong – Cert. 15 – 87m

***1/2

A Taoist priest must defeat various supernatural forces including a Western-style vampire occupying a coffin in an old church – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

Turned into a star by playing the Taoist priest who fights off jiangshi (hopping corpses) in the Mr. Vampire films, Lam went on to play similar characters in films and TV for the rest of his career until his death at age 44 in 1997. He directed this particular film himself, and while it sits easily alongside the ‘official’ Mr. Vampire entries, it’s a little bit different.

Once again, Lam’s Taoist priest and two bumbling assistants Hoh (Chin Siu-ho) and Fong (Lui Fong) battle with ghosts and other supernatural forces. First up is a ghost made up of excrement and teeth which escapes from imprisonment in a jar exposed to too much moonlight, which trope inverts Western vampire lore about burning up in sunlight.

Given directorial reins, Lam shows surprisingly little interest in jiangshi, their presence consisting of one friendly child (Lam Jing-wang) inspired by Mr.… Read the rest

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Mr. Vampire IV
aka
Mr. Vampire
Saga IV
(Geung See
Suk Suk,
靈幻先生)

Director – Ricky Lau – 1988 – Hong Kong – Cert. 12 – 96m

***1/2

A feud between Taoist and Buddhist neighbours, and a tentative romance between their boy and girl apprentices, are interrupted by the arrival of a coffin, from which a hopping corpse escapes – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The fourth and final ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

This once again shakes up the formula to deliver something different from its predecessors. Where the third film replaced the franchise’s jiangshi (hopping corpses) with flying ghosts, this fourth entry brings jiangshi back again and yet, curiously, they only come into play in about half of the film. The other half concerns two next door neighbours who don’t get on with one another. As with the previous films, the knockabout comedy sensibility holds the whole thing together.

The second major change is the conspicuous absence of star Lam Ching-ying who previously played the jiangshi-fighting, Taoist priest. According to the Blu-ray booklet’s helpful essay on these films by James Oliver, this appears to be down to the fact that Lam simply wasn’t available, a theory backed up by the fact that he subsequently worked again with most of those involved in the franchise.… Read the rest

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Mr. Vampire III
(Ling Wan
Sin Sang,
靈幻先生)

Director – Ricky Lau – 1987 – Hong Kong – Cert. 15 – 88m
***1/2
Stunt-filled action comedy in which a travelling con-artist in cahoots with ghosts helps a Taoist priest fight a gang of horse thieves led by an evil sorceress – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The third ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

Set in the early twentieth century of the original Mr. Vampire, this once again takes the constituent parts of the original and shakes everything up a bit to come up with something at once different yet recognisably the same.

Taoist priest Ming (Richard Ng) is not terribly good at the job, so is getting by as a con artist going from village to village banishing ghosts for anyone who’ll pay him, the con element being that he has two ghost assistants, the adult Big Pao (David Lui Fong) and the small boy Small Pao (Hoh Kin-wai from Mr. Vampire II) who act out the part of being banished. Real ghosts with a nasty habit of appearing and messing things up force him to move on.… Read the rest

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Mr. Vampire II
(Geung See
Ga Zuk,
殭屍家族)

Director – Ricky Lau – 1986 – Hong Kong – Cert. 12 – 89m

*****

After a professor unearths a family of undead corpses, the child befriends a little girl and the parents go looking for it – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The second ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

A professor (Fat Chung) leads his two hapless assistants Chicken (Billy Lau) and Sashimi (Lau Chau-sang) on an archaeological dig, sending them into a cave where they find a family of corpses (father, mother, small boy played by Cheung Wing-cheung, Pauline Wong and Hoh Kin-wai respectively) immobilised by talismans on their foreheads, and take them back to the professor’s workshop. As the professor and Sashimi are driving the child corpse, the talisman comes off, and it comes to life, later escaping to a house where it is found and befriended by a little girl Chia-Chia (Hon Kin-yu), who keeps it hidden in her room from her widowed father Mr. Hu (Woo Fung). She introduces it to her brother (Choi Man-kam) and later to four of their friends.… Read the rest

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Shazam!
Fury Of The Gods

Director – David F. Sandberg – 2023 – US – Cert. – 130m

***1/2

Three Daughters of Atlas enter present day Philadelphia to repossess a staff which contains power that has been stolen from them; immature teenager recast as adult superhero Shazam! and his six superhero companions must stop them – out in UK cinemas on Friday, March 17th

Something of an oddity in the DC Comics canon, Shazam! concerns Philadelphia teenager Billy Batson (Asher Angel) who inadvertently absorbs superpower energy which enables him to transform into the adult superhero Shazam! (Zachary Levi) by merely uttering the word “Shazam!” However, despite the adult physique, he still thinks like a teenager. Outside of superhero life, he is one of seven orphans who, since the end of the original Shazam! (David F. Sandberg, 2019), have had the same thing happen to them. So, seven children, seven superheroes. And their two put-upon foster parents, Rosa and Victor Vásquez (Marta Milans and Cooper Andrews).

To be honest, I could take or leave the title character (as played by teenager Angel and adult Levi) but the other kids are likeable enough – at least to the extent that their characters are fleshed out here… and some are fleshed out far more than others in the narrative.… Read the rest

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The Northman

Director – Robert Eggers – 2022 – US – Cert. 15 – 136m

*****

A 10th Century Viking prince vows revenge on his father king’s killer and sees it through to death – out in cinemas on Friday, April 15th

Young Viking Prince Amleth (Oscar Novak from The Batman) is thrilled when his warrior father King Aurvandil War-Raven (Ethan Hawke) returns with a line of prisoners in two to his fortified stronghold and Queen Gudrún (Nicole Kidman). Father and son are devoted to each other, participating in a private ritual involving bodily sounds and consumption of an hallucinogenic liquid that causes the boy to experience a vision of his family line: a tree of life where the trunk is a spine and branches are umbilical cords attached to grown kings as the viewpoint pans up reveal the boy attached to the highest cord. He is now prepared to take over the rule of the kingdom when his father dies.

He doesn’t seem to get on quite so well with his mother, who warns him never to enter her room unannounced. At a banquet in honour of Aurvandil, his dour brother Fjölnir (Claes Bang from The Square, Ruben Östlund, 2017) takes exception to court jester Heimir the Fool (Willem Dafoe).… Read the rest

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Detective Chinatown 3
(Tang Ren
Jie Tan An 3,
唐人街探案3)

Director – Chen Sicheng – 2021 – China – Cert. 15 – 136m

****

The Chinese franchise’s super-sleuth and bumbling sidekick join forces with their Japanese and Thai counterparts in Japan – out in cinemas on Tuesday, January 25th and 26th only

No sooner have the brilliant crime-solving sleuth Qin Feng (Liu Haoran) and his likeable if barely competent sidekick Tang Ren (Wang Baoqiang) flown in to Tokyo and met their contact there, the sharp and colourful Hiroshi Noda (Satoshi Tsumabuki), than they find themselves embroiled in one of the most seriously bonkers action sequences in the movies in recent years when members of (at least) two gangs suddenly attack in the airport to the inspired accompaniment of the pop song ‘Welcome To Tokyo’ (which gets rolled out again for a cheerful, cast of thousands, song and dance routine accompanying the end credits). Extensive mayhem ensures. A man rolls down a long flight of steps in an oil drum. Two groups of smartly uniformed and skirted women do battle (one group in red, one in blue – stewardesses from rival airlines, perhaps?). Workmen in hard hats and overalls descend from scaffolding to join the melee.

Knowing this will be an impossible act to follow, the film then throws in a pursuer Jack Jaa (Thai martial arts sensation Tony Jaa from Ong-bak, Prachya Pinkaew, 2003) on the Tokyo subway before having the trio flee him on go-karts while he comes unstoppably and hilariously after them by stealing a child’s bicycle with tiny wheels.… Read the rest