Tag: family film

The Iron Giant

Director – Brad Bird – 1999 – US – Cert. U – 88m

*****

1957. A giant robot falls out of the sky and is befriended by a young boy in Maine. However, the US government proves less sympathetic – animated feature is out in UK cinemas from Friday, December 17th, 1999

This has all the hallmarks of classic fifties sci-fi outings – giant monster, small American town, paranoid government agent, mobilised militia. For those demanding still more, it has a single working mum and a sympathetic beat sculptor, neither of whom would be out of place in a period Roger Corman cheapie.

But you shouldn’t pigeonhole The Iron Giant by genre because a further two factors mark it out as very different. Freely adapted from Ted Hughes’ marvellous children’s book The Iron Man but given a decidedly American spin by director Brad Bird (cartoon TV series The Simpsons, 2 eps, 1990-91; creator of Family Dog, 1993), this is without doubt the animated film of the year and arguably the film of the year period. We’ve grown so used to the Disney blockbuster model – cute characters (and merchandise), hit songs – that anything else (this employs neither device) comes as a shock.… Read the rest

Tags 1950s, 1957, 2D animation, adaptation, animation, atmosphere, beat sculptor, befriended, Brad Bird, children's film, children's literature, children’s book, Christopher McDonald, Cloris Leachman, coast, Earth, eat, Eli Marienthal, falls from the sky, family film, fifties, fighting machine, giant, giant monster, giant robot, Harry Connick, hideout, James Gammon, Jennifer Aniston, John Mahoney, Jr., local town, M. Emmet Walsh, Maine, mobilised militia, paranoid government agent, repair, robot, Rockwell, Roger Corman, sci-fi, science fiction, scrap metal dealer, self-awareness, SF, single mum, single working mum, small, small American town, Sputnik, Ted Hughes, The Iron Giant, The Iron Man b, train tracks, US, US government, Vin Diesel, Warner Bros., woods, working mum

Animation Features Movies

Watership Down
(new 4K restoration)

Post author By Jeremy Clarke
Post date 12 October 2024
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(new 4K restoration)
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Director – Martin Rosen – 1978 – UK – Cert. PG – 92m

*****

When a young rabbit visionary foresees doom for those who remain, some of the rabbits leave their warren in search of a safer home, encountering many life-threatening perils along the way – new 4K restoration of animated feature is out in UK cinemas on Friday, October 25th, following its World Premiere in the London Film Festival on Saturday, October 12th

LFF: Sat 12 Oct 12:20 World Premiere, Tues 15 Oct 12:15,
both BFI Southbank NFT1.

This opens with a mythological segment involving a powerful God, represented as the sun, and rabbitkind, specifically the archetypal rabbit El-ahrairah. It’s drawn and painted in an arresting, non-naturalistic style involving coloured lines animated against a white background to create the impression of moving, primitive drawings, due in large part to uncredited director John Hubley, whose vision for the film was at odds with that of producer Martin Rosen. The latter ended up firing the former as he wanted something grittier and less lightweight.

It’s arguable this has worked to the film’s advantage: the fable sequence works as otherworldly rabbit mythology, suggesting a race of intelligent creatures capable of constructing creation myths about their species much as human beings do.… Read the rest

Tags 2D animation, adaptation, animal tales, animated storytelling, animation, anthropomorphism, background, Black Rabbit of Death, British, cage, cat, children's film, children’s book, climate crisis, codified Disney style, coloured lines, countryside, creation myths, D.H. Lawrence, darkness, death, decadence, Denholm Elliot, despot, destination, dog, doom, drawing, drawn animation, English countryside, family film, fantasy, fresh food, God, Harry Andrews, hawk, illustration, in search of home, injury, intelligent creatures, John Bennett, John Hubley, John Hurt, journey, kingdom, leader, leave, leave home, lethal, LFF, LFF 2024, life and death, life crisis, life-threatening, London, London Film Festival, London Film Festival 2024, Martin Rosen, Michael Graham Cox, militarism, myth, mythology, natural history illustration, naturalism, nature, nature red in tooth and claw, non-naturalism, novel, painting, perils, power, predator, primitive drawings, rabbit, rabbitkind, Ralph Richardson, resistance, Richard Adams, Richard Briers, safe haven, seagull, sentimentality, snare, societal collapse, storytelling, sun, totalitarian regime, trauma, UK, violence, visionary, warren, watercolour, Watership Down, woods, Zero Mostel

Animation Features Movies

Tad
The Lost Explorer
And The Curse Of The Mummy
(US: Tad
The Lost Explorer And The
Emerald Tablet;
Tadeo Jones 3.
La Tabla Esmeralda;
Tadeo Jones 3.
La Taula Maragda)

Post author By Jeremy Clarke
Post date 9 September 2022
No Comments on Tad
The Lost Explorer
And The Curse Of The Mummy
(US: Tad
The Lost Explorer And The
Emerald Tablet;
Tadeo Jones 3.
La Tabla Esmeralda;
Tadeo Jones 3.
La Taula Maragda)
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Director – Enrique Gato – 2022 – Spain – Cert. U – 90m

****

In Mexico, desperate for recognition as a bona fide archaeologist, our hero unearths an Egyptian sarcophagus and unleashes a mysterious power from an Inca temple – out in UK cinemas on Friday, September 9th

Gato’s third instalment of the Tad The Lost Explorer franchise is a lot better than it sounds, chiefly because it delivers narrative coherence and picks up and runs with numerous opportunities afforded by character and script where the similarly inventive Minions: The Rise Of Gru (Kyle Balda, Brad Ableson, Jonathan del Val, 2022) failed.

Having agreed with girlfriend Sara not to go public about his previous archaeological discoveries, Tad has with her help got on to the Chicago Museum’s dig in Mexico – as a lowly assistant, even though he seems more clued-up than the three qualified archaeologists in charge. Rashly opening a secret door by pushing a part of a wall frieze, he finds himself in a vast chamber containing an Egyptian sarcophagus, his report of which is pooh-poohed by his three superiors until, after firing him, they discover it for themselves and take the credit.

This rivalry between the ‘amateur’ Tad and qualified but comparatively clueless ‘professionals’ is kept up throughout the narrative, although the professionals remain secondary characters.… Read the rest

Animation Features Movies

Minions:
The Rise Of Gru

Post author By Jeremy Clarke
Post date 1 July 2022
No Comments on Minions:
The Rise Of Gru
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Directors – Kyle Balda, Brad Ableson, Jonathan del Val – 2022 – US – Cert. U – 87m

***1/2

Three plots involving the Minions, their pre-teen, supervillain master Gru and a gang of supervillains called Vicious 6 compete with each other – out in cinemas on Friday, July 1st

This starts off bravely for a franchise entry with the introduction of a raft of six new supervillains who comprise the gang Vicious 6, their names thrown at the audience in rapid-fire vignettes too fast too absorb, suggesting the makers have half an eye on freeze-frameable, home viewing platforms and half an eye on merchandising. The fabulous, motorbiking Belle Bottom (voice: Taraji P. Henson) who appears to have wandered in from 1970s blaxploitation with enormous Afro hair and disco diva clothing is the main focus of an enthralling car chase in which she outwits the cops with incredible stunts.

Her co-villains are voiced mostly by a roster of action stars known for that rather than animation voice work: the crab-pincered Jean Clawed (voice: Jean-Claude Van Damme), the Scandinavian-sounding Svengeance (voice: Dolph Lundgren), Stronghold (voice: Danny Trejo) and nunchaku-wielding nun Nunchuk (Lucy Lawless).

(A quick aside: older readers will recall that back in the 1970s, nunchaku were a no-no for the BBFC who would prune their use or even excise them altogether, sometimes in the most innocuous of contexts.… Read the rest

Tags 1970s, action, action star, Afro hair, Alan Arkin, audience expectation, basement, blaxploitation, Bond villain, Brad Ableson, caper movies, car chase, computer animation, cops, cops and robbers, crab, crab-pincer, crocodiles, Danny Trejo, desert, disco diva, Dolph Lundgren, family, family film, family movie, franchise, franchise expectation, freeze-frame, gadgetry, gang, home viewing platforms, Illuminations, Illuminations animation, James Bond, Jean-Claude Van Damme, Jonathan del Val, Julie Andrews, Kyle Balda, Lucy Lawless, Marvel Cinematic Universe, MCU, merch, merchandising, Michelle Yeoh, minions, nun, nunchaku, passenger aircraft, pastiche, Pierre Coffin, pincer, record store, Russell Brand, Scandinavian, spy movies, Steve Carell, supervillains, surrogate family, swimming pool, Taraji P. Henson, US, vignette, voice acting

Features Live Action Movies

Pinocchio

Director – Matteo Garrone – 2019 – Italy – Cert. PG – 125m

*****

In cinemas from Friday, August 14th, on BFI Player rental from Monday, December 14th

Impoverished woodcarver Geppetto (Roberto Benigni) decides to make the greatest puppet the world has ever seen, tour the world with it and make his fortune. A wood merchant lets him have a log because it seems to have a life of its own. Unaware of its animate properties, Geppetto begins carving his puppet, a life-sized representation of the son he’s never had.

After he starts talking to it as its “Babba”, he is surprised when the puppet (nine year old Frederico Ielapi) talks back. Geppetto names him Pinocchio. No sooner has he carved the feet than Pinocchio runs out of Geppetto’s workshop to discover the world. In many ways, that defines the character and the story to come. The innocent Pinocchio is forever in pursuit of his own gratification, prey to the perils of the world around him and initially devoid of any sense of morality, something he struggles to learn throughout the course of the story in his quest to become a real boy.

There have been numerous versions of Pinocchio in film, television and theatre since it first appeared as a written serial in an Italian newspaper in 1881.… Read the rest

Tags 19th century, adaptation, cat, children's film, classic, cricket, donkey, fair, fairy tale, fairytale, family film, fox, good and evil, Italy, magic, morality, mythology, parents and children, puppet, puppetry, shark, snail, tuna, wood

Features Live Action Movies

Charlie
and the
Chocolate Factory

Post author By Jeremy Clarke
Post date 29 July 2005
No Comments on Charlie
and the
Chocolate Factory

Director – Tim Burton – 2005 – US – PG – 115 mins

*****

UK release date 29/07/2005. Currently screening on Netflix

An adaptation of Roald Dahl’s eponymous 1964 children’s book previously filmed under the title Willy Wonka & the Chocolate Factory (Mel Stuart, 1971), this also marks the second collaboration of Burton with screenwriter / adapter John August. The duo previously made Big Fish (2003), which film had all the desired Burton trademarks (larger than life, nonconformist outsiders, sense of wonderment, distinctive and zany visuals) while sidestepping the flaws (narrative incoherence, weak characterisation) which beset many of the director’s previous films. They’ve repeated the trick with Charlie, elaborating upon and extending Dahl’s original text without ever compromising it. Lead actor Depp is something of a Burton regular, having previously appeared in Edward Scissorhands (1990), Ed Wood (1994) and Sleepy Hollow (1999).

Charlie Bucket (Freddie Highmore, current critics’ favourite child actor following his terrific turn in Finding Neverland, Marc Forster, 2004) lives with a family (Helena Bonham Carter, Noah Taylor and grandparents including David Kelly and Liz Smith) so poor they live on cabbage soup in the shadow of the Wonka Chocolate Factory. Mysterious, reclusive owner Willy Wonka (Depp) closed it years ago following his celebrated recipes’ theft by rival confectioners and hasn’t been seen in public since.… Read the rest