Tag: animation

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Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

A man shipwrecked on an island encounters a red turtle.

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone, save for crabs and seagulls.… Read the rest

Categories
Animation Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m (263m)

*****

(NB Extended Edition, in cinemas from Monday, August 10th 2020, 263m in cinemas due to extended frame rate = 252m version released on DVD 2004.)

This review of the 201m theatrical version was originally published in Third Way.

A much shorter review appeared in What’s On In London.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Tolkien’s The Lord Of The Rings is a labour of love by a brilliant academic obsessed by myth and language better at creating an alternate world than at story construction. Nowhere in the trilogy is this more evident than in The Return Of The King. Frodo’s trip to Mount Doom to unmake Sauron’s One Ring builds up incredibly to a climactic pivotal event running little more than a paragraph. This is followed by another hundred pages or so tying up loose ends, including a sequence in which evil wizard Saruman turns the Shire into a post-industrial dictatorship that’s trivial compared with the geographic enormity of what has gone before.

Jackson and co-writers wisely omit that sequence; indeed, in its last weeks of post-production his The Lord Of The Rings: The Return Of The King has chopped its scenes of Saruman (Christopher Lee) at Isengard – on the grounds that it slowed down the start.… Read the rest

Categories
Features Live Action Movies

The Lost World:
Jurassic Park

Director – Steven Spielberg – 1997 – US – PG – 129m

***

UK PAL laserdisc review.

Originally published on London Calling Internet.

Given the original Jurassic Park (Steven Spielberg, 1993) movie left out some of the best bits of a brilliant book, had a plot so full of holes it was virtually transparent and still elevated itself to the level of technically groundbreaking, cinematic achievement (not to mention making more money than any other movie ever) the quality of any sequel movie was nothing if not uncertain. Michael Crichton’s uninspired follow-up novel, with all the un-Spielberg-y rough edges removed, didn’t bode well and while audiences flocked to see the second film, most critics responded poorly to it. Their main criticism – it has a weak plot. Or scarcely a plot at all.

Basically, having escaped Jurassic Park, chaos theorist Dr. Malcolm (Jeff Goldblum), his ideas this time round largely reduced to the repeated phrase “life finds a way”, journeys to the second island to bring back palaeontologist girlfriend Sarah Harding (Julianne Moore), who’s there documenting the dino-wildlife for founding billionaire Hammond (Richard Attenborough) before his nephew Peter Ludlow (Arliss Howard) – who has just wrested control of the InGen company from his uncle – arrives there with an army of men and an arsenal of big game hunting weapons under the command of big game hunter Roland Tembo (Pete Postlethwaite).… Read the rest

Categories
Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

Categories
Animation Features Movies

Roujin Z
(老人Ｚ)

Director – Hiroyuki Kitakubo – 1991 – Japan – Cert. 15 – 80m

***1/2

Robot beds deal with the major Japanese social problem of caring for their burgeoning elderly populous – in cinemas

Touted as manga artist / anime director Katsuhiro Otomo’s follow up to the phenomenally successful Akira (Katsuhiro Otomo, 1988), Roujin Z was actually directed by one Hiroyuki Kitakubo. Otomo’s contribution runs to no more than original story credit and machine design. Ostensibly it’s a different type of tale which deals with the major Japanese social problem of caring for their burgeoning elderly populous.

Young, female nurse Haruko is alarmed when suits arrive to remove her aged, barely conscious and incontinent patient Mr. Takazawa from his home. Designated first subject of the government’s new ‘Roujin Z’ (Old Man Z) project – Takazawa is wired by his nerve endings into a computer-driven, mechanised bed designed to meet his every need, from vigorous walking exercise, bathing and urinating to communicating with his peers via TV screens (which also run regular network programmes) and playing Go or Chess with the computer.

Before long, Haruko starts to pick up “help” messages on her terminal sent from the Z-incarcerated Takazawa – and tries to talk back with the help of elderly hospitalized hackers using a photo of Takazawa’s late wife.… Read the rest

Categories
Animation Art Movies Shorts

Opera

Director – Erick Oh – 2020 – South Korea – 9m

*****

Compelling, Oscar-nominated schematic of a self-contained society’s infrastructure behaviour and movement of groups of people within it over a day and a night – from the Annecy 2021 Animation Festival in the Short Films In Competition section – Official 4

This feels like it ought to exist as an art exhibit in a gallery playing over and over again. Watching it online, I went back and immediately rewatched bits of it until I’d seen the whole thing about five times. It’s like a massive moving painting where the camera starts at the top and slowly works its way down to the bottom before slowly panning up again. It makes me wonder if an installation version exists without the panning where visitor can just watch the whole thing on repeat until they’ve taken it all in.

It’s a picture of a self-contained society with the ruler at the top (and a deity above him/her), an elite, the workers at the bottom and several strata in between. In the space of nine minutes, we watch the sun come up and the society go through its daily ritual from morning to night then daily renewal in the morning.… Read the rest

Categories
Animation Features Movies

Lamya’s Poem

Director – Alex Kronemer – 2021 – US, Canada – 88m

****1/2

A young Syrian girl becomes a refugee at the same time as she explores the writings of 13th century poet Rumi in her dreams – from the Annecy 2021 Animation Festival in the Official Competition section

Lamya (Millie Davis) is a young girl living with her mum (Aya Bryn) in a city in Syria, her dad having been killed when he went out on a protest. Her tutor Mr. Habadani (Raoul Bhaneja) lends her a thick book of selected poetry by Rumi knowing her to be a voracious reader who will both get much out of the book and take good care of it.

Distant bombing raids seem to come closer every day until one day everyone needs to evacuate the locality. The day in question, Lamya has begged her mum to let her go to the shops with friends. Buying treats, she puts her backpack containing the poetry book on the floor only to find it gone seconds later.

The thief, a young boy named Bassam (Nissae Isen), is reprimanded by his mother and told to return the bag. A bomb raid turns the locality upside down. Unaware of Bassam and what’s been happening with him, Lamya finds the returned bag in the wreckage.… Read the rest

Categories
Animation Art Features Movies

Snotty Boy
(Rotzbub)

Directors – Santiago Lopez Jover, Marcus H. Rosenmüller – 2021 – Austria, Germany – 95m

*****

A young artist with a predilection for large ladies with large breasts finds himself in confrontation with closet Nazi racists – from the Annecy 2021 Animation Festival in the Official Competition section

1968, the small, rural Austrian town of Siegheilkirchen. Teenage schoolboy Snotty Boy (voice: Markus Freistätter) is obsessed with members of the opposite sex. He is equally obsessed with drawing. He combines the two passions in making a flick book of newly arrived in town, large-breasted girl next door Trude (Katharina Straßer) in her underwear so he can watch her remove her bra whenever he wants.

Two boys at school, the enterpreneurial and duplicitous Spotface (Mario Canedo) and his side-kick Grasberger (Maurice Ernst) discover the book and befriend him so he can draw them pictures for sale to the town’s boys. Class swot and tell-tale Fridolin shows a purchased Trude drawing to his mother and gets Snotty Boy in trouble.

Such activities run counter to the way the authorities would have things. The school is run by a repressive priest (Juergen Maurer) who is first seen teaching his bored class of boys St. Paul’s admonition against fornication.… Read the rest

Categories
Animation Documentary Movies Music Shorts

Stationary
Peaceful Protest

Directors – Xhosa Cole, Shiyi Li – 2021 – UK – cert. 15 tbc – 11m

*****

Sax player Xhosa Cole recounts a #blacklivesmatter rally in Birmingham while Shiyi Li provides incredible animated images – from Sheffield DocFest 2021

There doesn’t seem to be a lot of animation at Sheffield DocFest – maybe there is and I’ve yet to find it –  but there IS this terrific little short. The soundtrack is sax player Xhosa Cole’s monologue about driving to Birmingham for a Black Lives Matter rally which people of black, white and numerous other skin hues are attending. Beforehand, he debates whether to take his horn, and does so. At the rally, he runs into his old sax teacher and the pair improvise a duet, defusing a confrontation between a black woman and a black policewoman the details of which he never knows, showing great respect for both parties.

Set against the earnest voice-over are representational images of the narrative veering towards the abstract: Shiyi Li’s kinetic coloured shapes swirl around in a manner worthy of pioneering experimental animator Len Lye, who likewise often set his visuals against jazz music. Li’s imagery flirts with infographic iconography – for example, a walk on foot into the venue traverses a carpet which is also an arrow conveying a purpose, a sense of direction.… Read the rest

Categories
Animation Documentary Live Action Movies Music Shorts

Blondie:
Vivir En La Habana

Director – Rob Roth – 2021 – US – 18m

*****

Watch an incredible collision of cultures as new wave band Blondie tours Havana – from Sheffield DocFest 2021

Shot in several aspect ratios by multimedia artist and Blondie collaborator Roth (Doom Or Destiny music video, cert. 18, 2017; creative director on lead singer Debbie Harry’s memoir Face It, 2019), this is a vibrant, visual account of the band’s March 2019 tour of Havana. There are clips from songs recorded at several gigs here (with Harry sporting a variety of striking outfits) that make you wish you’d been there. For some songs, the band’s sound is augmented by Cuban musicians giving the likes of The Tide Is High a completely new lease of life.

Rather than going the obvious route and simply producing a film of the concerts – which I’m sure would be well-received by the band’s admirers, among whom I number myself – Roth has mashed the digitally produced concert footage up with Super 8 and 16mm footage of both Havana itself and members of the band.

He’s also had a lot of fun augmenting numerous live action shots with 2D animation drawn directly onto the moving images adding another layer to the already complex imagery.… Read the rest