Category: Features

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Features Live Action Movies

Bright Star

Director – Jane Campion – 2009 – UK – Cert. PG – 119m

*****

The early nineteenth century romance between prospectless young poet John Keats and the younger Fanny Brawne – in cinemas from Friday, November 6th 2009

Bright Star‘s title comes from an 1819 love poem written by 23-year-old John Keats for 18-year-old Fanny Brawne, his next door neighbour. The poet (historical spoiler coming) contracted tuberculosis and died at the tender age of 25, before the couple could be married. Brawne subsequently mourned him for several years.

As you might expect from a filmography including both The Piano and In The Cut, Jane Campion is never one to match standard expectations and often overturns them to advantage.

There is scarce little (verbal) poetry here either spoken by the actors onscreen or in voice-over. The source materials are Andrew Motion’s biography Keats and the poems themselves. Reading Motion’s book, Campion was very taken with his material on the love relationship between the poet and Brawne and thought there could be a film there. Without any real idea as to how such a film would work at the time. She eventually opted for telling the couple’s story through the eyes of the girl.… Read the rest

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Features Live Action Movies

Pan’s Labyrinth
(El Laberinto
Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest

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Features Live Action Movies

Charlie
and the
Chocolate Factory

Director – Tim Burton – 2005 – US – PG – 115 mins

*****

UK release date 29/07/2005. Currently screening on Netflix

An adaptation of Roald Dahl’s eponymous 1964 children’s book previously filmed under the title Willy Wonka & the Chocolate Factory (Mel Stuart, 1971), this also marks the second collaboration of Burton with screenwriter / adapter John August. The duo previously made Big Fish (2003), which film had all the desired Burton trademarks (larger than life, nonconformist outsiders, sense of wonderment, distinctive and zany visuals) while sidestepping the flaws (narrative incoherence, weak characterisation) which beset many of the director’s previous films. They’ve repeated the trick with Charlie, elaborating upon and extending Dahl’s original text without ever compromising it. Lead actor Depp is something of a Burton regular, having previously appeared in Edward Scissorhands (1990), Ed Wood (1994) and Sleepy Hollow (1999).

Charlie Bucket (Freddie Highmore, current critics’ favourite child actor following his terrific turn in Finding Neverland, Marc Forster, 2004) lives with a family (Helena Bonham Carter, Noah Taylor and grandparents including David Kelly and Liz Smith) so poor they live on cabbage soup in the shadow of the Wonka Chocolate Factory. Mysterious, reclusive owner Willy Wonka (Depp) closed it years ago following his celebrated recipes’ theft by rival confectioners and hasn’t been seen in public since.… Read the rest

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Features Live Action Movies

Jurassic Park ///

Director – Joe Johnston – 2001 – US – PG – 92m

****1/2

Joe Johnston directs Jurassic Park ///, the third instalment of Steven Spielberg’s Jurassic Park franchise – out in UK cinemas from Friday, July 20th 2001

This redresses two minor omissions in Steven Spielberg’s first Jurassic Park (1993): JP///’s dinosaurs include some that interact with water (Michael Crichton’s original book contained a T.Rex swimming after its human prey, but the film didn’t) and some that fly (pteranodons). A rival giant dinosaur (here, a spinosaurus) at last fights the star predator (the T.Rex), a device used by dinosaur movies from The Lost World (Harry O. Hoyt; effects: Willis O’Brien, 1925) and King Kong (Merian C. Cooper, Ernest B. Shoedsack, effects: Willis O’Brien, 1933) through Disney’s Fantasia (Rite Of Spring segment, Bill Roberts, Paul Satterfield, 1940) to One Million Years BC (Don Chaffey; effects: Ray Harryhausen, 1966).

Gone is all the chaos theory talk and cuddly Sir Richard Attenborough. The proceedings have now been pared down to people trapped on a deserted isle – with no obvious means of escape – and dinosaurs. Guess what – this time those dastardly corporate folks at InGen have populated a third island (Isla Sorna) with dinosaurs then abandoned it.… Read the rest

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Features Live Action Movies

Gladiator
(2000)

Director – Ridley Scott – 2000 – US – 15 – 155m

*****

UK Release 12th May 2000.

Initiated by screenwriter David Franzoni (Amistad, Steven Spielberg, 1997) at DreamWorks, this picked up definitive cinematic stylist Ridley Scott, who created the seminal futuristic cityscape of Blade Runner (1982). Elsewhere, Scott’s downside is that his visuals notoriously swamp character and plot. Thelma & Louise (1991), his best film in the interim eighteen odd years, sidestepped precisely this pitfall. Gladiator, however, is more like Blade Runner. The plot is fine as far as it goes – which is far enough to deliver a halfway decent, engaging dramatic potboiler – but far more importantly it gives Scott the perfect peg upon which to hang another superlative cityscape. In short, Ridley Scott does ancient Rome.

Set-up, plot resolution, characters and even the leading man’s look are borrowed wholesale from The Fall Of The Roman Empire (Anthony Mann, 1964). Russell Crowe (looking remarkably like the original’s Stephen Boyd) plays Roman general Maximus, unhappy that the late Caesar Marcus Aurelius (Richard Harris) has been succeeded by his unsatisfactory son Commodus (Joaquin Phoenix). Treachery is afoot as Maximus is sold into slavery as a gladiator to compete in Commodus’ lavish games at Rome’s amphitheatre.… Read the rest

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The Lost World:
Jurassic Park

Director – Steven Spielberg – 1997 – US – PG – 129m

***

UK PAL laserdisc review.

Originally published on London Calling Internet.

Given the original Jurassic Park (Steven Spielberg, 1993) movie left out some of the best bits of a brilliant book, had a plot so full of holes it was virtually transparent and still elevated itself to the level of technically groundbreaking, cinematic achievement (not to mention making more money than any other movie ever) the quality of any sequel movie was nothing if not uncertain. Michael Crichton’s uninspired follow-up novel, with all the un-Spielberg-y rough edges removed, didn’t bode well and while audiences flocked to see the second film, most critics responded poorly to it. Their main criticism – it has a weak plot. Or scarcely a plot at all.

Basically, having escaped Jurassic Park, chaos theorist Dr. Malcolm (Jeff Goldblum), his ideas this time round largely reduced to the repeated phrase “life finds a way”, journeys to the second island to bring back palaeontologist girlfriend Sarah Harding (Julianne Moore), who’s there documenting the dino-wildlife for founding billionaire Hammond (Richard Attenborough) before his nephew Peter Ludlow (Arliss Howard) – who has just wrested control of the InGen company from his uncle – arrives there with an army of men and an arsenal of big game hunting weapons under the command of big game hunter Roland Tembo (Pete Postlethwaite).… Read the rest

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Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review was originally published in the Arts Centre Group‘s member’s newsletter. See also my review for What DVD.

All stills from Crash apart from the one from Videodrome.

Canadian film director David Cronenberg has a reputation for filming the unfilmable. Formerly dubbed The King Of Venereal Horror (“a small kingdom but I’m happy with it”), his debut (commercial) feature Shivers / The Parasite Murders / They Came From Within (1977) is a low budget horror outing in which high rise tenants are invaded/possessed by little slug-like creatures resembling a bloody cross between phallus and faeces.

For renowned British producer Jeremy Thomas (Bad Timing, The Last Emperor, First Love) he has adapted and directed books considered impossible to turn into movies, notably William Burroughs’ Naked Lunch (in 1991) and J.G.Ballard’s Crash.

I was first drawn to Cronenberg’s work from the special effects angle, specifically an article on prosthetics expert Rick Baker which contained some amazing production stills (the shape of a hand-held gun pushing through the unbroken membrane of a television screen) from Videodrome (1983). An image suggesting television can kill?… Read the rest

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Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

UK PAL laserdisc review.

Originally published in London Calling Internet. See also my reviews in Film And Video – The Magazine and What’s On In London.

Distributor Pioneer LDCE

Cat No: PFLEB 30781

£9.99

BBFC Certificate 18

Running Time 85 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

New York, 1953. Bug exterminator Bill Lee (Peter Weller) runs out of roach powder whilst treating an infested apartment. His initial accusations against his employers’ theft of the substance are revealed as groundless when he discovers wife Joan (Judy Davis) is using the brown powder as a drug. She persuades him to take up the habit. In a downtown interview, two narcotics detectives introduce Bill to his “Case Officer” – a typewriter sized bug with a talking orifice in its back who instructs him to kill Joan, as she is an Interzone agent.

After shooting his wife, Bill seeks counselling from Dr.Benway (Roy Scheider) who gives him a counter narcotic. A Mugwump gives Bill two air tickets to the Interzone where he meets (among others) Swiss expatriate Yves Cloquet (Julian Sands) and writers Tom and Joan Frost (Ian Holm and Judy Davis).… Read the rest

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Features Live Action Movies

Edward Scissorhands

Director – Tim Burton – 1990 – US – PG – 105 mins

*****

Burton’s first post-Batman outing is essentially a fairytale set in the modern world.

A rare fusion of big budget American Studio movie and highly personal vision, Tim Burton’s first post-Batman (Tim Burton, 1989) outing is essentially a fairytale set in the modern world. Its environment is a pastel-shaded suburbia inhabited by gossipy women, largely absent men (they’re at work during the day) and equally absent teenagers (away on a camping trip). This is clearly not so much a naturalistic representation so much as a paradigmatic equivalent, which is probably just as well since at the end of one predictable street is an equally unpredictable, gothic mansion towering into the heavens.

As Avon Lady Peg Boggs (the versatile Diane Wiest) traverses this route, she wanders about first the magnificent castle grounds – adorned with exquisitely sculptured bushes – and into the creepy interior where she finds Johnny Depp’s Edward, the boy previously described in the film’s frame story by an old aged Winona Ryder as “a boy who had scissors for hands”. He also has numerous tiny gashes on his face, to which Peg painstakingly proceeds to apply her craft!… Read the rest

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Features Live Action Movies

Edward Scissorhands

Director – Tim Burton – 1990 – US – PG – 105 mins

*****

PLOT

An old lady tells her grandchild a story: “there once was a man who had scissors for hands.” His name was Edward (Johnny Depp), and he lived in the old mansion on the hill where an inventor (Vincent Price) was refining him into a real boy. But before the inventor could add the final touch – replacing the scissors with real hands – he died.

Meanwhile, Peg Boggs the local Avon Lady (Diane Wiest) is doing her rounds when she calls at the spooky mansion to discover the strange boy with the cut face who she makes up and brings home – to arouse the curiosity of the bored, local housewife community.

Edward soon demonstrates amazing creative abilities, carving hedges into statuesque forms and cutting hair on dogs and humans in unique styles. Housewife Joyce (Kathy Baker) is smitten with lust for Edward – with catastrophic results – while the boy himself falls hopelessly in love with Peg’s daughter Kim (Winona Ryder), who is taunted by her boyfriend (Anthony Michael Hall). Disastrous consequences follow.

OPINION

Having delivered a Batman (Tim Burton, 1989) far more satisfactory than anyone dared hope, and taking the inevitable (after all the hype) fortune at the box office, director Tim Burton is given free rein to do whatever he wants.… Read the rest