Category: Animation

Categories
Animation Features Movies

SCOOB!

Director – Tony Cervone – 2020 – US – Cert. PG – 93m

****

Available on VoD from Friday, July 10th and BD/DVD Monday, September 28th

I grew up watching Hanna-Barbera cartoons which would play in, if I recall, the 5.20 slot on the BBC. Some were better than others. Scooby-Doo, Where Are You! (1969-70) was one of the better ones. It had five memorable characters who each week would investigate some mystery suggesting monsters or the paranormal for which there would always turn out to be a rational explanation as the perpetrator was unmasked at the end, usually with the words “and I would have gotten away with it too if it hadn’t have been for you kids.”

The original cartoon TV series (1969-70) has spawned numerous spin-offs over the years including a so-so live action / special effects theatrical feature Scooby-Doo (2002) and a sequel. Which brings us to SCOOB!, an animated theatrical movie once again bringing the franchise to the big screen.

It starts off with a couple of tried and tested big screen adaptation tropes. One, taking one of the characters and having them somehow meet up with the others for their first adventure. Two, an origin story.… Read the rest

Categories
Animation Features Live Action Movies

Capital
In The
21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest

Categories
Animation Documentary Features Live Action Movies Music

White Riot

Photo: Syd Shelton

Director – Rubika Shah – 2019 – UK – Cert. 15 – 80m

***1/2

Documentary charts the rise of the UK’s Rock Against Racism movement of the late 1970s and features among others The Clash, Steel Pulse and Tom Robinson – in cinemas and on BFI Player and Curzon Home Cinema from Friday, September 18th

Curiously prescient for our own time, the late nineteen seventies saw the rise of the far right movement in Britain characterised by the National Front and its desire to send all non-white British residents “back where they came from”. One of the other things that happened at that time in the UK was in the seemingly unrelated area of music: punk rock. Something clicked for photographer Red Saunders when the NME dispatched him to shoot Punk Night at London’s ICA venue. He saw an immediacy and an energy to what was going on, with bands the The Clash singing about social issues such as unemployment.

Fuelled by some ill-advised, vaguely Teutonic sentiments from David Bowie and, more specifically, a gig where guitarist Eric Clapton encouraged people to go and vote for racist MP Enoch Powell and everything he represented, Saunders set up the Rock Against Racism (RAR) movement to bring together youth from the UK’s various different ethnic backgrounds.… Read the rest

Categories
Animation Features Movies

Away

Director – Gints Zilbalodis – 2019 – Latvia – Cert. U – 75m
****1/2
Exclusively in these cinemas from Friday, August 28th

A boy hangs from a tree by a parachute in a wilderness. He wakes. A strange, towering black / grey figure approaches, shining as if metallic or viscous like a solidified, smooth, crude oil or tar. It picks him up. He is in a dark tunnel, light at one end. He goes the other way, is out of the giant’s clutches, runs. It slowly turns and lumbers after him. There are occasional, giant, semicircular hoops in his path. He goes through them, eventually entering a grotto which fully circular hoop the giant can’t follow. Welcome to the strange, dreamlike world of Away.

Beyond an abandoned motorbike, in the middle of the grotto, is a lake bordered with orange trees and the ocean. The boy feeds, bathes and makes the acquaintance of a shy, little yellow bird. Finding a key and a map in a rucksack, the boy learns that the semicircular hoops mark a route to a harbour. His bike will furnish him the means to get there. A flock of white birds is flying in the same direction, however the yellow bird can’t join them because it can’t fly.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Coup 53

Director – Taghi Amirani – 2019 – UK – Cert. 15 – 120m

*****

In cinemas from Friday, August 21st

Virtual premiere Wednesday August 19th, Q&A Thursday August 20th. Film available to view at https://coup53.com/

A documentary begun in 2009 interviewing many people who died before the film’s completion some ten years later, this covers the 1953 coup in Iran backed by President Eisenhower in the US and Prime Minister Churchill in the UK which replaced Iran’s democratically elected, left-wing Prime Minister Mossadegh with the Shah. The UK has never officially acknowledged its role in this coup.

Amirani’s researches lead him to a basement of documents held by Mossadech’s grandson in Paris comprising archive material from the Granada TV 1985 End Of Empire documentary series, for which he is gets access to the rushes from the BFI. Iran was included because it had been controlled by British interests for so long (because of its oil reserves). Amirani’s editor, helping pull all this together, is the legendary Walter Murch (Gimme Shelter / 1970, The Conversation / 1974, Apocalypse Now / 1979, The English Patient / 1996).

The name which keeps coming up in Amirani’s research is that of Norman Darbyshire who reportedly asked for his interview footage to be removed from the film following a pre-transmission screening at the BBC.… Read the rest

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

A man shipwrecked on an island encounters a red turtle.

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone, save for crabs and seagulls.… Read the rest

Categories
Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

Categories
Animation Features Movies

Roujin Z
(老人Ｚ)

Director – Hiroyuki Kitakubo – 1991 – Japan – Cert. 15 – 80m

***1/2

Robot beds deal with the major Japanese social problem of caring for their burgeoning elderly populous – in cinemas

Touted as manga artist / anime director Katsuhiro Otomo’s follow up to the phenomenally successful Akira (Katsuhiro Otomo, 1988), Roujin Z was actually directed by one Hiroyuki Kitakubo. Otomo’s contribution runs to no more than original story credit and machine design. Ostensibly it’s a different type of tale which deals with the major Japanese social problem of caring for their burgeoning elderly populous.

Young, female nurse Haruko is alarmed when suits arrive to remove her aged, barely conscious and incontinent patient Mr. Takazawa from his home. Designated first subject of the government’s new ‘Roujin Z’ (Old Man Z) project – Takazawa is wired by his nerve endings into a computer-driven, mechanised bed designed to meet his every need, from vigorous walking exercise, bathing and urinating to communicating with his peers via TV screens (which also run regular network programmes) and playing Go or Chess with the computer.

Before long, Haruko starts to pick up “help” messages on her terminal sent from the Z-incarcerated Takazawa – and tries to talk back with the help of elderly hospitalized hackers using a photo of Takazawa’s late wife.… Read the rest

Categories
Animation Features Live Action Movies

The Pool
(นรก 6 เมตร)

Director – Ping Lumpraploeng – 2018 – Thailand – 91m

****

Now on Shudder, 30 days FREE with promo code SHUTIN

Day (Theeradej Wongpuapan) wakes up. There’s a lot of blood. He’s at the bottom of a drained, six metres deep swimming pool with a crocodile advancing towards him. But how did he – and for that matter the crocodile – get there?

Flash back to six days earlier. Day and his girlfriend Koi (Ratnamon Ratchiratham) are working on a movie set. He looks after the swimming pool and as a bonus his dog Lucky has to heroically jump from the poolside over the water in the schedule’s very last shot. The dog leaps, the crew gets the shot, it’s a wrap, everyone’s happy. In fact, Day is so happy that when almost everyone else has gone, he dozes off on a lilo in the pool while its draining. When he wakes, the water level has gone down so far that he can’t get out. Somewhere on the ground nearby, a flier announces an escaped crocodile on the loose.

I review The Pool for DMovies.org in my LEAFF (London East Asia Film Festival) 2019 coverage. Now on Shudder.… Read the rest

Categories
Animation Features Live Action Movies

Invention
For Destruction
(Vynález Zkázy)

Director – Karel Zeman – 1958 – Czechoslovakia – Cert. U – 82m

*****

Blu-ray/DVD available from Second Run.

Review originally written as an entry for

the Aurum Film Encyclopedia: War (series editor: Phil Hardy).

Sadly, the book was never published.

Vynález Zkázy

aka

Invention For Destruction,

The Invention Of Destruction,

The Deadly Invention,

The Fabulous World of Jules Verne (1961, US version)

KRATKY FILM PRAHA | STUDIO LOUTKOVYCH FILMU GOTTWALDOV

Feature length trickfilm adaptation of Jules Verne’s novel Une Invention Diabolique is less about war itself than its causes – specifically scientists who work without regard for how their experimental research will be used by others. Professor Roche (Navrátil) is kidnapped from a sanitarium and taken by clipper (towed by a prototype submarine invisible from the surface) to the island of Back-Cup where mysterious captor Count Artigas (Holub) invites him to continue his research – a task the childlike scientist is happy to undertake. The professor’s travelling companion, research assistant and the film’s narrator Simon Hart (Tokos) wants by contrast to escape and warn the world of Artigan’s plans to attack using a giant gun.

Zeman shoots his film with an all-encompassing diversity of live action and animated techniques, mixing actors, natural history photography and studio sets (augmented by drawings of set sections matted into his locked-off frame) on the one hand with live action and stop-frame puppetry, animated models, drawings and any other method you care to name.… Read the rest