Categories
Features Live Action Movies

The Man Standing Next
(Namsanui Bujangdeul,
남산의 부장들)

Director – Woo Min-ho – 2020 – South Korea – Cert. 15 – 113m

****

The head of the Korean CIA becomes increasingly sidelined by President Park and decides to assassinate him – in Virtual Cinemas including Curzon Home Cinema from Friday, 25th June and on Digital Download from Monday, July 5th

Adapted from a novel, part historical truth, part guesswork and invented fiction, this is the story of Kim Gyu-Peong (Lee Byung-hun from The Fortress, Hwang Dong-hyuk, 2017; The Age Of Shadows, 2016; I Saw The Devil, 2010; The Good, The Bad And The Weird, 2008; A Bittersweet Life, 2005, all by Kim Jee-woon, and Joint Security Area, Park Chan-wook, 2000), the last director of the Korean Central Intelligence Agency (KCIA) under President Park Chung-hee ( Lee Sung-min from The Good, The Bad And The Weird, 2008) who was in power in South Korea between leading a coup and winning the subsequent elections in 1963 and his assassination by Kim in 1979. Confusingly, a second character bears the same surname as the President, Kim’s predecessor at the KCIA Park Yong-gak (Kwak Do-won from The Wailing, Na Hng-jin, 2016).

It starts off in 1979 with Kim entering the presidential safe house and vowing to the gate security detail that the president “dies tonight”.… Read the rest

Categories
Features Live Action Movies

Fast & Furious 9

Director – Justin Lin – 2021 – US – Cert. 12a – 145m

***

The hero’s embittered younger brother must be prevented from assembling a device with which he can conquer the world – in cinemas from Thursday, June 24th

Latest instalment of the long running franchise features stalwart characters Dom Toretto (Vin Diesel) and Letty (Michelle Rodriguez) who at the start are living off-grid as Dom is attempting to be a good father to his small son Brian. Cue a surprisingly gripping scene where their isolated residence receives visitors and it becomes apparent that Brian has been trained to hide himself in a specially constructed trunk on such occasions while the two adults, guns at the ready, prepare for what might be coming. (Strangely, this scene has an emotional resonance rare in the rest of the film; it’s one of the best things in it.)

The visit is friendly – it’s Roman (Tyrese Gibson), Tej (Chris ‘Ludacris’ Bridges), Ramsey (Nathalie Emmanuel, exploiting her English accent to the full) and Dom’s sister Mia (Jordana Brewster), members of the crew with whom the adults have shared adventures in previous The Fast And The Furious instalments, and they lay out what’s to follow which involves further characters from previous instalments: the shady intelligence operative Mr.… Read the rest

Categories
Animation Art Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

Based on Hungarian folk legends, tells the story of three sons of the white mare who must free three princesses from their dragon husbands and restore the kingdom from chaos – from the Annecy 2021 Animation Festival in the Special Screenings – Annecy Classics section

This has a script sourced from Hungarian folk tales. While it’s very cinematic, the writing is similar to religious texts like the Bible or mythological stories like the Iliad where events are related in a paired down, straightforward way no matter how far removed from everyday experience they might be. Thus, there’s a prologue about three princes begging their father for their inheritance so they can marry, only for their foolish new brides to disobey the patriarch and explore all the castle’s locked doors until they unwittingly unleash a dragon and are sucked into its domain.

In the ensuing chaos, the only hope comes when the white mare births two sons then escapes into the woods pregnant with a third. She weans him for eight years until her milk makes him strong enough to uproot a tree. Drained of milk, she dies.… Read the rest

Categories
Animation Art Movies Shorts

Opera

Director – Erick Oh – 2020 – South Korea – 9m

*****

Compelling, Oscar-nominated schematic of a self-contained society’s infrastructure behaviour and movement of groups of people within it over a day and a night – from the Annecy 2021 Animation Festival in the Short Films In Competition section – Official 4

This feels like it ought to exist as an art exhibit in a gallery playing over and over again. Watching it online, I went back and immediately rewatched bits of it until I’d seen the whole thing about five times. It’s like a massive moving painting where the camera starts at the top and slowly works its way down to the bottom before slowly panning up again. It makes me wonder if an installation version exists without the panning where visitor can just watch the whole thing on repeat until they’ve taken it all in.

It’s a picture of a self-contained society with the ruler at the top (and a deity above him/her), an elite, the workers at the bottom and several strata in between. In the space of nine minutes, we watch the sun come up and the society go through its daily ritual from morning to night then daily renewal in the morning.… Read the rest

Categories
Dance Features Live Action Movies

In The Heights

Director – Jon M. Chu – 2021 – US – Cert. – 143m

***

Boy meets girl even as they yearn to fulfil their dreams outside the confines of New York’s immigrant-populated, urban Washington Heights district – in cinemas from Friday, June 18th

Musicals in the movies present a potentially strange world where people sing rather than talk and dance rather than walk. Set the movie in an urban setting and you have the possibility of crowds of people singing and dancing in unison. All this is a cliché, though, and in order for a movie to profoundly move us, it have to find ways of transcending such material, otherwise it’ll just feel like, we’ve seen it all before.

In The Heights ticks these boxes but sadly, most of the time, fails to transcend the clichés. It has other problems too: elements in the script which aren’t fully thought out and come across as merely confusing. The basic Boy Meets Girl plots are fine as far as they go but they don’t really go very far. The parallel countdown to a blackout looks highly significant, as though it’s going to presage some incredible change in the local community – a successful fight against greedy property developers or uncaring town planning bureaucrats perhaps – but after an incredible build up… the power goes out, people have to manage without electricity and… that’s pretty much it.… Read the rest

Categories
Documentary Features Live Action Movies

The Reason I Jump

Director – Jerry Rothwell – 2020 – UK – Cert. 12a – 82m

*****

The inner world of the autistic, explored through the writings and lives of autistic people and innovative cinematography and sound design – in cinemas from Friday, June 18th (Autistic Pride Day)

Originally this was a remarkable book in which autistic teenager Naoki Higashida communicated to the rest of the world in prose what it’s like to be autistic. It had already been widely read in Japan when author David Mitchell and his wife Keiko Yoshida, whose son is autistic, were so taken with it that they undertook an English translation. International acclaim followed. For Mitchell, the book provided the opportunity to understand his son’s interior world like nothing before it.

A film is a very different media from a book. That begs the question, if you wanted to make the book into a film, how would you go about it? Seasoned documentary filmmaker Jerry Rothwell (Deep Water, co-directed with Louise Osmond, 2006; How To Change The World, 2015) had some innovative ideas. One was to use Higashida’s writings as a through line for the film, augmenting it with the experiences of several other autistic people.… Read the rest

Categories
Animation Features Movies

Lamya’s Poem

Director – Alex Kronemer – 2021 – US, Canada – 88m

****1/2

A young Syrian girl becomes a refugee at the same time as she explores the writings of 13th century poet Rumi in her dreams – from the Annecy 2021 Animation Festival in the Official Competition section

Lamya (Millie Davis) is a young girl living with her mum (Aya Bryn) in a city in Syria, her dad having been killed when he went out on a protest. Her tutor Mr. Habadani (Raoul Bhaneja) lends her a thick book of selected poetry by Rumi knowing her to be a voracious reader who will both get much out of the book and take good care of it.

Distant bombing raids seem to come closer every day until one day everyone needs to evacuate the locality. The day in question, Lamya has begged her mum to let her go to the shops with friends. Buying treats, she puts her backpack containing the poetry book on the floor only to find it gone seconds later.

The thief, a young boy named Bassam (Nissae Isen), is reprimanded by his mother and told to return the bag. A bomb raid turns the locality upside down. Unaware of Bassam and what’s been happening with him, Lamya finds the returned bag in the wreckage.… Read the rest

Categories
Animation Art Features Movies

Snotty Boy
(Rotzbub)

Directors – Santiago Lopez Jover, Marcus H. Rosenmüller – 2021 – Austria, Germany – 95m

*****

A young artist with a predilection for large ladies with large breasts finds himself in confrontation with closet Nazi racists – from the Annecy 2021 Animation Festival in the Official Competition section

1968, the small, rural Austrian town of Siegheilkirchen. Teenage schoolboy Snotty Boy (voice: Markus Freistätter) is obsessed with members of the opposite sex. He is equally obsessed with drawing. He combines the two passions in making a flick book of newly arrived in town, large-breasted girl next door Trude (Katharina Straßer) in her underwear so he can watch her remove her bra whenever he wants.

Two boys at school, the enterpreneurial and duplicitous Spotface (Mario Canedo) and his side-kick Grasberger (Maurice Ernst) discover the book and befriend him so he can draw them pictures for sale to the town’s boys. Class swot and tell-tale Fridolin shows a purchased Trude drawing to his mother and gets Snotty Boy in trouble.

Such activities run counter to the way the authorities would have things. The school is run by a repressive priest (Juergen Maurer) who is first seen teaching his bored class of boys St. Paul’s admonition against fornication.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Archipelago
(Archipel)

Director – Félix Dufour-Laperrière – 2021 – Canada – 72m

****

A journey along an estuary traversing its archipelago, perhaps real, perhaps imagined, a trip into an obscure territory of the mind – from the Annecy 2021 Animation Festival in the Official Competition Contrechamp section

Defying easy categorisation, this is a conversation between a woman on a journey and a man trying to convince her of her non-existence. The woman’s shape first appears as a framing device – through the moving shape that defines her we see locations, places and more. Eventually we see her too, as her representation changes from a moving window shape to a simple animated line drawing defining her features against what can be seen through the window of her shape.

Numerous elements jostle for attention as the film proceeds. On one level, it’s a journey along the Gulf of St Lawrence in the French-speaking part of Canada, the estuary of the river which connects the Great Lakes with the Atlantic Ocean. A train journey is represented by the view through a carriage window. There are numerous islands, some of which may be real. There are clips from black and white and occasionally colour travelogue documentary films.… Read the rest

Categories
Animation Documentary Movies Music Shorts

Stationary
Peaceful Protest

Directors – Xhosa Cole, Shiyi Li – 2021 – UK – cert. 15 tbc – 11m

*****

Sax player Xhosa Cole recounts a #blacklivesmatter rally in Birmingham while Shiyi Li provides incredible animated images – from Sheffield DocFest 2021

There doesn’t seem to be a lot of animation at Sheffield DocFest – maybe there is and I’ve yet to find it –  but there IS this terrific little short. The soundtrack is sax player Xhosa Cole’s monologue about driving to Birmingham for a Black Lives Matter rally which people of black, white and numerous other skin hues are attending. Beforehand, he debates whether to take his horn, and does so. At the rally, he runs into his old sax teacher and the pair improvise a duet, defusing a confrontation between a black woman and a black policewoman the details of which he never knows, showing great respect for both parties.

Set against the earnest voice-over are representational images of the narrative veering towards the abstract: Shiyi Li’s kinetic coloured shapes swirl around in a manner worthy of pioneering experimental animator Len Lye, who likewise often set his visuals against jazz music. Li’s imagery flirts with infographic iconography – for example, a walk on foot into the venue traverses a carpet which is also an arrow conveying a purpose, a sense of direction.… Read the rest