Tag: US

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The Roads Not Taken

Director – Sally Potter – 2020 – US – Cert. 15 – 85m

*****

A man drifts through separate existences and times while his daughter struggles to look after him in present day New York City – in cinemas from Friday, September 11th

This is something of a disorienting experience because it slips and shifts effortlessly between separate realities. Molly (Elle Fanning) is taking the day off work in New York to spend time with her dad Leo (Javier Bardem) who lives in a crummy apartment the front access door of which opens onto a busy main street. Her plan is to get him to appointments at the dentists and the opticians in the morning, then be in work for an important meeting in the afternoon. However, it doesn’t work out like that.

At the start, the phone rings and the buzzer goes repeatedly. Molly is in a taxi and his Leo’s maid Xenia (Branca Katic) is outside his front door. Eventually they’re inside, Molly having presumably forced their way in. “Everything is open”, he says to her as he lies, in a daze, in bed. “It’s not, actually, dad,” she replies. “The front door is closed.” She brings him the photo of his late and beloved dog Nestor from the mirror across the room.… Read the rest

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Books Features Live Action Movies

The Birds
(BFI Film Classics)

Author – Camille Paglia – 2020, 1998 – BFI / Bloomsbury – £11.99

****

I immediately warmed to Camille Paglia in her 2020 introduction to the new edition of her book about Alfred Hitchcock’s avian shocker The Birds (1963), originally written in 1998, when she lambasted academic film criticism as “egregiously unhelpful, failing in the crucial humanistic mission of interpretation and enlightenment”. She talks about a shift in audiences from wanting to see film in a cinema as essential experiences in the sixties and seventies to films as one of a range of possible technological entertainments in our own time.

She then goes on to talk about her issues with #metoo and the problem of expecting great artists to live exemplary lives as a premise of Victorian moralism. And discusses in passing the one minor change she would make to the book were she to write it today. (Really? Only one?) Which is to do with interpreting one character in the film as gay.

In addition to watching the film multiple times, it’s clear that Paglia has read many of the books and articles written about the film itself of Hitchcock’s wider body of work. Robin Wood keeps coming up and there are honourable mentions for, among others, Francois Truffaut and Elizabeth Weiss.… Read the rest

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Animation Features Movies

SCOOB!

Director – Tony Cervone – 2020 – US – Cert. PG – 93m

****

Available on VoD from Friday, July 10th and BD/DVD Monday, September 28th

I grew up watching Hanna-Barbera cartoons which would play in, if I recall, the 5.20 slot on the BBC. Some were better than others. Scooby-Doo, Where Are You! (1969-70) was one of the better ones. It had five memorable characters who each week would investigate some mystery suggesting monsters or the paranormal for which there would always turn out to be a rational explanation as the perpetrator was unmasked at the end, usually with the words “and I would have gotten away with it too if it hadn’t have been for you kids.”

The original cartoon TV series (1969-70) has spawned numerous spin-offs over the years including a so-so live action / special effects theatrical feature Scooby-Doo (2002) and a sequel. Which brings us to SCOOB!, an animated theatrical movie once again bringing the franchise to the big screen.

It starts off with a couple of tried and tested big screen adaptation tropes. One, taking one of the characters and having them somehow meet up with the others for their first adventure. Two, an origin story.… Read the rest

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Features Live Action Movies

Prometheus

Director – Ridley Scott – 2012 – US – Cert.15 – 124m

*****

UK release date 02/06/2012.

Western social attitudes to women have come a long way since Ripley (Sigourney Weaver) gratuitously stripped down to her underwear prior to fending off the malevolent creature in the finale of Ridley Scott’s seminal sci-fi shocker Alien (1979), but would appear still to have a long way to go.

You might think the glass ceiling has been abolished with the expedition on spaceship Prometheus being run by ice-cool blonde Meredith Vickers (Charlize Theron), but subsequent plot twists (which we won’t reveal) suggest otherwise. Scientist Elizabeth Shaw (Noomi Rapace), impossibly pregnant with a mysterious and rapidly growing embryo, is unexpectedly forced to improvise when the automated medical operations facility with which she had hoped to perform her own Caesarian turns out programmed for male surgery only. If sisters are now doing it for themselves, plenty of male-designed hurdles are still making sure they don’t do it it that easily.

Elsewhere, as Prometheus pre-empts the Alien franchise’s “which one of the crew is an android?” gambit by introducing us to the non-human David (Michael Fassbender) walking around the ship before he awakens first Vickers then her subordinate crew members from hyper-sleep, the android male still appears to possess more final authority than anyone else on board.… Read the rest

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Features Live Action Movies

Charlie
and the
Chocolate Factory

Director – Tim Burton – 2005 – US – PG – 115 mins

*****

UK release date 29/07/2005. Currently screening on Netflix

An adaptation of Roald Dahl’s eponymous 1964 children’s book previously filmed under the title Willy Wonka & the Chocolate Factory (Mel Stuart, 1971), this also marks the second collaboration of Burton with screenwriter / adapter John August. The duo previously made Big Fish (2003), which film had all the desired Burton trademarks (larger than life, nonconformist outsiders, sense of wonderment, distinctive and zany visuals) while sidestepping the flaws (narrative incoherence, weak characterisation) which beset many of the director’s previous films. They’ve repeated the trick with Charlie, elaborating upon and extending Dahl’s original text without ever compromising it. Lead actor Depp is something of a Burton regular, having previously appeared in Edward Scissorhands (1990), Ed Wood (1994) and Sleepy Hollow (1999).

Charlie Bucket (Freddie Highmore, current critics’ favourite child actor following his terrific turn in Finding Neverland, Marc Forster, 2004) lives with a family (Helena Bonham Carter, Noah Taylor and grandparents including David Kelly and Liz Smith) so poor they live on cabbage soup in the shadow of the Wonka Chocolate Factory. Mysterious, reclusive owner Willy Wonka (Depp) closed it years ago following his celebrated recipes’ theft by rival confectioners and hasn’t been seen in public since.… Read the rest

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Features Live Action Movies

Gladiator
(2000)

Director – Ridley Scott – 2000 – US – 15 – 155m

*****

UK Release 12th May 2000.

Initiated by screenwriter David Franzoni (Amistad, Steven Spielberg, 1997) at DreamWorks, this picked up definitive cinematic stylist Ridley Scott, who created the seminal futuristic cityscape of Blade Runner (1982). Elsewhere, Scott’s downside is that his visuals notoriously swamp character and plot. Thelma & Louise (1991), his best film in the interim eighteen odd years, sidestepped precisely this pitfall. Gladiator, however, is more like Blade Runner. The plot is fine as far as it goes – which is far enough to deliver a halfway decent, engaging dramatic potboiler – but far more importantly it gives Scott the perfect peg upon which to hang another superlative cityscape. In short, Ridley Scott does ancient Rome.

Set-up, plot resolution, characters and even the leading man’s look are borrowed wholesale from The Fall Of The Roman Empire (Anthony Mann, 1964). Russell Crowe (looking remarkably like the original’s Stephen Boyd) plays Roman general Maximus, unhappy that the late Caesar Marcus Aurelius (Richard Harris) has been succeeded by his unsatisfactory son Commodus (Joaquin Phoenix). Treachery is afoot as Maximus is sold into slavery as a gladiator to compete in Commodus’ lavish games at Rome’s amphitheatre.… Read the rest

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Features Live Action Movies

The Lost World:
Jurassic Park

Director – Steven Spielberg – 1997 – US – PG – 129m

***

UK PAL laserdisc review.

Originally published on London Calling Internet.

Given the original Jurassic Park (Steven Spielberg, 1993) movie left out some of the best bits of a brilliant book, had a plot so full of holes it was virtually transparent and still elevated itself to the level of technically groundbreaking, cinematic achievement (not to mention making more money than any other movie ever) the quality of any sequel movie was nothing if not uncertain. Michael Crichton’s uninspired follow-up novel, with all the un-Spielberg-y rough edges removed, didn’t bode well and while audiences flocked to see the second film, most critics responded poorly to it. Their main criticism – it has a weak plot. Or scarcely a plot at all.

Basically, having escaped Jurassic Park, chaos theorist Dr. Malcolm (Jeff Goldblum), his ideas this time round largely reduced to the repeated phrase “life finds a way”, journeys to the second island to bring back palaeontologist girlfriend Sarah Harding (Julianne Moore), who’s there documenting the dino-wildlife for founding billionaire Hammond (Richard Attenborough) before his nephew Peter Ludlow (Arliss Howard) – who has just wrested control of the InGen company from his uncle – arrives there with an army of men and an arsenal of big game hunting weapons under the command of big game hunter Roland Tembo (Pete Postlethwaite).… Read the rest

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Features Live Action Movies

Edward Scissorhands

Director – Tim Burton – 1990 – US – PG – 105 mins

*****

Burton’s first post-Batman outing is essentially a fairytale set in the modern world.

A rare fusion of big budget American Studio movie and highly personal vision, Tim Burton’s first post-Batman (Tim Burton, 1989) outing is essentially a fairytale set in the modern world. Its environment is a pastel-shaded suburbia inhabited by gossipy women, largely absent men (they’re at work during the day) and equally absent teenagers (away on a camping trip). This is clearly not so much a naturalistic representation so much as a paradigmatic equivalent, which is probably just as well since at the end of one predictable street is an equally unpredictable, gothic mansion towering into the heavens.

As Avon Lady Peg Boggs (the versatile Diane Wiest) traverses this route, she wanders about first the magnificent castle grounds – adorned with exquisitely sculptured bushes – and into the creepy interior where she finds Johnny Depp’s Edward, the boy previously described in the film’s frame story by an old aged Winona Ryder as “a boy who had scissors for hands”. He also has numerous tiny gashes on his face, to which Peg painstakingly proceeds to apply her craft!… Read the rest

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Features Live Action Movies

Edward Scissorhands

Director – Tim Burton – 1990 – US – PG – 105 mins

*****

PLOT

An old lady tells her grandchild a story: “there once was a man who had scissors for hands.” His name was Edward (Johnny Depp), and he lived in the old mansion on the hill where an inventor (Vincent Price) was refining him into a real boy. But before the inventor could add the final touch – replacing the scissors with real hands – he died.

Meanwhile, Peg Boggs the local Avon Lady (Diane Wiest) is doing her rounds when she calls at the spooky mansion to discover the strange boy with the cut face who she makes up and brings home – to arouse the curiosity of the bored, local housewife community.

Edward soon demonstrates amazing creative abilities, carving hedges into statuesque forms and cutting hair on dogs and humans in unique styles. Housewife Joyce (Kathy Baker) is smitten with lust for Edward – with catastrophic results – while the boy himself falls hopelessly in love with Peg’s daughter Kim (Winona Ryder), who is taunted by her boyfriend (Anthony Michael Hall). Disastrous consequences follow.

OPINION

Having delivered a Batman (Tim Burton, 1989) far more satisfactory than anyone dared hope, and taking the inevitable (after all the hype) fortune at the box office, director Tim Burton is given free rein to do whatever he wants.… Read the rest

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Features Live Action Movies

Total Recall

Director – Paul Verhoeven – 1990 – US – Cert. 18 – 113m

***

UK Release: July 27th 1990

Arnold Schwarznegger’s mind has been stolen – and he’s got to go to Mars to get it back! The seeming perpetrator of this heinous crime is Recall Incorporated, a travel company with a difference: they implant memories of the required holiday destination and period in the client’s brain, and it seems to him that he’s having that holiday then. Recall’s latest deal even allows the client to take a break from his/her personality for the period purchased. Arnie opts for two weeks on Mars as a secret agent.

While the requirements of megabudget Hollywood film making often water down the end result, the premise of this film – fashioned after SF author Philip K. Dick’s We Can Remember It For You Wholesale – is not only imaginatively preposterous but also so utterly cinematic that it has a phenomenal amount going for it right from frame one.

Add to this not only Schwarznegger but his contractually binding choice of director being none other than Dutchman Paul Verhoeven (The Fourth Man, 1983; Robocop, 1987) plus a final price tag which might well be as high as $70m, and you can see why expectations on this movie are so high.… Read the rest