Tag: the Allies

Where Is Anne Frank

Post author By Jeremy Clarke
Post date 7 August 2022
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Sticky post

Director – Ari Folman – 2021 – Belgium, France, Luxembourg, Netherlands, Israel – Cert. PG – 99m

*****

In Amsterdam, a year from now, her imaginary friend Kitty sets out to discover what happened to Anne Frank – out in cinemas on Friday, August 12th

Amsterdam, Holland, about a year from now. Early in the morning, the usual tourist queues are assembling outside the Anne Frank House, passing a tent housing refugees on the pavement. Inside, something strange happens as a glass case shatters and the original copy of Anne’s diary is exposed to ink from a pen, affecting the ink writing on the pages and materialising Kitty (voice: Ruby Stokes), the imaginary pen-friend to whom Anne addressed her diary.

The materialised Kitty is perplexed. Where is Anne Frank? What has happened to her, to the house? The staff, too, are perplexed. They can’t let the waiting crowds in with the case broken, but those people have been queueing for hours and it seems wrong not to open up for them. After a brief debate a solution is found and the diary moved to Anne’s room where it is placed on the desk where it naturally sits. The concerns of the house staff seem trivial compared to those of Kitty.… Read the rest

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, Andrew Woodall, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, Clark Gable, crowds, defeat, dentist, dissolve, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, German soldier, glass case, Greek mythology, Greek underworld, handbags, hidden, hidden attic hideout, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, Margot Frank, Michael Moloney, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, Nell Barlow, Otto Frank, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Samantha Spiro, Sebastian Croft, Second World War, sheltering, siblings, sisters, Skye Bennett, squat, Stuart Miligan, tent, the Allies, The Third Reich, thief, tourists, Tracy-Ann Oberman, trial, Tristan Oliver, UK, Van Daan, Veronica Lake, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2

Movies

Where Is Anne Frank

Hiding from deportation

Where Is Anne Frank
Directed by Ari Folman
Certificate PG, 99 minutes
Released 12 August

Amsterdam, about a year from now. Inside the Anne Frank House, Anne’s imaginary pen-friend Kitty (voiced by Ruby Stokes) materialises out of the ink from the pages of Anne’s diary. The perplexed Kitty wants to know what happened to Anne, and starts reading her diary to find out, taking it with her when she leaves the premises where she is invisible. Outside the house, she becomes visible.

Asking police ‘Where is Anne Frank?’ she is shown the bridge, hospital, school and theatre bearing Anne Frank’s name and is told, Anne Frank is all around you. [Read the rest at Reform magazine…]

[Read my longer review…]

Trailer:

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, crowds, defeat, dentist, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, hidden, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Sebastian Croft, Second World War, sheltering, siblings, sisters, squat, the Allies, The Third Reich, thief, tourists, trial, UK, Van Daan, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2

Features Live Action Movies

Never Look Away
(Werk Ohne Autor)

Post author By Jeremy Clarke
Post date 2 July 2019
No Comments on Never Look Away
(Werk Ohne Autor)

Director – Florian Henckel von Donnersmarck – 2018 – Germany – Cert. 15 – 189m

*****

A German boy wishes to become an artist, but his desire is affected by the events of WW2 and its aftermath, in possibly the best narrative piece you will see this year – twice Oscar-nominated film is now available on VoD

What is art? Why do artists make art? These questions lie behind Florian Henckel von Donnersmarck’s latest film, like his earlier The Lives Of Others (2006) a German story exploring that country’s history and identity. It clocks in at over three hours, but don’t let that put you off because it needs that time to cover the considerable ground it does. Never Look Away spans the bombing of Dresden by the Allies in WW2, the liquidation of people considered by the Nazis inferior and therefore unfit to live and the very different worlds of post-war art schools in first East and later West Germany. This means it also spans two generations: those who were adults during the war, and those who were children at that time and became adults in post-war Germany… [Read the rest at DMovies.org…]

Never Look Away is out in UK cinemas on Friday, July 5th 2019.… Read the rest

Tags Academy Awards, Academy Awards 2018-19, Academy Awards 2019, ambulance, art, art school, art student, artist, Berlin, Berlin Wall is built, bombing of Dresden, Cai Cohrs, Caleb Deschanel, children and adults, cinematography, couple, defection, degenerate, degenerate art, doctor, Dresden, Dresden art school, Düsseldorf, Düsseldorf Kunstakademie, East Berlin, East Germany, fall in love, father, fathers and daughters, Florian Henckel von Donnersmarck, foreign language, generations, Gerhard Richter, German history, Germany, gynaecologist, history, hospital, hospital system, incarceration, Joseph Beuys, Kunstakademie, love, mental illness, modern art, mural, Nazi doctor, nude, nudity, Oscars, Oscars 2018-19, Oscars 2019, painting, parents and children, partition, patients, Paula Beer, photographs, photography, piano, post-war, post-war Germany, power of life or death, radio communication, razed to the ground, relationship, romance, Saskia Rosenthal, Sebastian Koch, sign painting, six-year-old, Socialist Realism, Stasi, student, the Allies, Third Reich, Tom Schilling, wartime, West Berlin, West Germany, World War 2, World War II, World War Two, WW2

Features Live Action Movies

Mother Night

Director – Keith Gordon – 1996 – US – Cert. 15 – 114m

*****

In this adaptation of Kurt Vonnegut’s novel, a former Nazi propagandist awaits trial in Israel for war crimes – retail VHS review from Home Entertainment, 1997

From his Israeli prison cell where he must compose his memoirs while awaiting trial for his war crimes in black and white, Howard W. Campbell, Jr. (Nick Nolte in a career-defining performance) recalls in colour flashback his rise to fame in wartime Berlin as a radio propaganda writer / broadcaster for the Third Reich, surviving that regime’s madness by devoting himself to actress wife Helga (Sheryl Lee) and their self-contained Nation Of Two.

Recruited from a park as an undercover American spy by raincoat‑wearing American top brass John Goodman (a small part, but likewise impressive), Campbell has to incorporate coded messages to the Allies in his broadcasts. In 1944, Helga dies. After the War, Campbell winds up alone in a seedy New York apartment where neighbours include fellow widower Alan Arkin and Auschwitz survivor‑turned‑doctor Ayre Gross.

When admiring right wing activists arrive at Campbell’s door, the tale (based on Kurt Vonnegut’s novel) lurches even further into surrealism. Gordon’s direction is flawless throughout.… Read the rest