Categories
Features Live Action Movies

Rimini
(Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – in cinemas from Friday, December 9th following its screening in the BFI London Film Festival 2022

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance, split between this film and Siedl’s Sparta, 2022, represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

Categories
Features Live Action Movies

My Missing Valentine
(Xiao Shi
De Qing Ren Jie,
消失的情人節)

Director – Chen Yu-Hsun – 2020 – Taiwan – 119m

*****

A woman unexpectedly finds she’s both missed Valentine’s Day and become mysteriously sunburned – charming and hilarious comedy from the London East Asia Film Festival (LEAFF), on now

A woman enter a police station to report an incident. She went to bed and woke up, but and somehow skipped a day. Also, she is mysteriously sunburned. Does it really matter?, asks the somewhat baffled officer. From her demeanour, it clearly does.

Yang Hsaio-chi (Patty Lee Pei-yu) has always lived life that little bit ahead, that little bit faster than anybody else. One day, she runs into her dad as he’s on his way out to buy some tofu pudding, and she talks him into buying one for her too. It’s the last time she or any of her family see him. He just vanished.

Hsaio-chi works at a post office counter. She and her colleague are familiar with the different types of customer. There are the wife hunters, mothers who bring their sons in so they can eye up the marriage potential. There’s the weird guy who turns up like clockwork at about the same time every day to post a letter to the same P.O.… Read the rest

Categories
Animation Documentary Features Live Action Movies

My Favorite War
(Mans mīļākais karš)

Director – Ilze Burkovska Jacobsen – 2020 – Latvia, Norway – Cert. N/C 12+ – 77m

****

Autobiographical documentary employs cut-out animation to describe a childhood in Latvia when it was part of the Soviet UnionGlasgow Film Festival Thursday, February 25th to Sunday, February 28th

In World War Two. Latvia was caught between the Nazis and the Russians. After the Nazis capitulated, the country was absorbed into the Soviet Union. Ilze’s grandfather, a small farmer, was declared an Enemy of the State and sent to Siberia because he owned a small piece of land. Her Communist Party member father became a City Manager but he was killed in a car crash leaving her mother to bring up her and her brother alone.

At age three, Ilze’s parents risk everything by taking her to a forbidden beach a few miles from their home just so their young daughter can see the sea. This is the self-proclaimed “happiest country in the world” where party officials can queue jump and take the last pack of butter, where peace is paramount but shooting lessons are mandatory at school. As Ilze grows, she must keep quiet about all sorts of things or her mother will lose her job.… Read the rest

Categories
Animation Features Movies

Kill It And Leave This Town

Director – Mariusz Wilczynski– 2020 – Poland – 88m

****1/2

From the Annecy 2020 Online Animation Festival

From its opening of a man smoking in the dark to its closing image of giants tied down on a beach like felled Gullivers in Lilliput, this is awash with the sort of gloomy imagery readily associated with East European art pictures. That’s not to say it isn’t highly effective though. Set partly in a grey, heavily industrialised town where chimneys constantly belch out smoke and partly in a seaside resort, it has a narrative through line but constantly weaves around that with a series of episodes, dreams and memories. Nevertheless it possesses its own, coherent inner logic.

An old woman (Krystyna Janda) wishes her husband (Andrzej Chyra) goodbye as he takes their son Janek (Maja Ostaszewska) out. Later she visits the shops where, although she makes a point of explaining that she has the correct change, no one seems to be interested in actually serving her. Indeed, these are strange shops. Sometimes the fishmonger’s assistant (Malgorzata Kozuchowska) guts fish and sometimes she guts little humans who are around the same size.

At one point a man (Daniel Olbrychski) whose hat conceals that he has the head of a cat delivers an unsettling line about his purposes in the world to do with power, evil and good.… Read the rest