Tag: Renaissance

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Animation Features Movies

The Inventor

Directors – Jim Capobianco, Pierre-Luc Granjon – 2023 – US, France, Ireland – Cert. PG – 100m

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Towards the end of his life, inventor Leonardo da Vinci goes to live in France under the patronage of the King – stop frame / drawn animation composite is out in the UK’s Vue cinemas on Friday, March 8th

Rome, Italy, 1516. Leonardo da Vinci (voice: Stephen Fry) happily shows off a giant optical system of magnifying glasses for observing the heavens to his assistant Francesco Melzi (voice: Angelino Sandri). Francesco retorts that Leonardo ought to be worried about the Pope who has spies everywhere (and sure enough, there are eyes watching from nearby peepholes). Leonardo’s other assistant, the hulking, mute Zoroastro sources corpses for him, on which the curious Leonardo performs dissections and studies what he finds through making drawings in his quest for find the animated spirit of man, a search which, in dreams and visions, often leads him into confrontation with a mysterious, gargantuan, dark-hooded figure.

The inventor is summoned to Pope Leo X (voice: Matt Berry) who wants to know, why can’t Leonardo just make pretty things? The arrival of a messenger whose helmet is half crushed by a cannonball leads Leo to suggest Leonardo fashion him machines of war.… Read the rest

Categories
Animation Art Movies Shorts

The Battle Of San Romano

Director – Georges Schwizgebel – 2017 – Switzerland – 2m 26s

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The Battle Of San Romano is the fourth of 13 Original Short Films in the Annecy Festival 2020’s selection for We Are One: A Global Film Festival.

This film is based on the eponymous painting by Paulo Uccello in London’s National Gallery which has produced this helpful filmed talk about it. The painting’s subject matter is a 1432 battle between two regional Italian armies. The camera as we know it today didn’t exist at that time and had it done so, Uccello might anyway not have been very interested in using it to record an historical record as such. He seems to be more interested in constructing representational images, forms, and the illusion of three dimensional space.

What interests Schwizgebel is not so much the subject of the painting but the painting itself. It’s a study of the painting in much the same way that painters make studies of subjects with a view to exploring them, perhaps for use in a larger composition. Whether he is employing animation in quite the right medium is debatable. When I say medium, I mean that of the short film.

This short feels less like a film with a beginning, middle and end and more like a cycling loop of images which could go on for ever, so much so that I’ve found myself going back to it and re-watching in whole or in part.… Read the rest