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Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

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Medusa
(Medusa)

Director – Anita Rocha de Silveira – 2021 – Brazil – Cert. 15 – 127m

***

Pro-purity, fundamentalist, Christian church girl band singer indoors by day; slut-shaming, Evangelical, vigilante group member outdoors by night… a woman is haunted by a facially disfigured figure from the past – out in UK cinemas also available on PVOD and ESVOD on Friday, July 14th, and to rent on BFI Player from Friday, July 21st

Night. An exotic dancer, bent over backwards so both hands and feet touch the floor. Writhing.

A young woman, watching this on her smartphone on the bus at night. She reaches her stop, gets off and starts walking. A gang of white masked, female vigilantes on the prowl, suddenly, behind her. She walks faster, they catch her, surround her, slut-shame her, call her a homewrecker, threaten her into “serving the Lord”. Afterwards, the female vigilantes walk off in a line across the road. On the wall, posters depicting a fist and a snake.

To better herself, another young woman Clarissa (Bruna G.) is taken our of an ordinary school and sent by her aunt to an up-market, fundamentalist, evangelical Christian church school where she’s quite nervous about fitting in: but Clarissa needn’t worry – she’s soon befriended by Mariana aka Mari (Mariana Oliveira) who takes the newcomer under her wing.… Read the rest

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Fantastic Beasts:
The Secrets
Of Dumbledore

Director – David Yates – 2022 – UK – Cert. 12a – 142m

***

In the 1930s, Newt Scamander, Albus Dumbledore and others attempt to prevent the despotic wizard Grindlewald from seizing power in a wizard’s election in J.K. Rowling’s third Fantastic Beasts movie – out in cinemas on Friday, April 8th

It’s difficult to know where to start with the third of J.K. Rowling’s self-penned Fantastic Beasts productions. A plethora of characters who apart from a few main ones quickly get confusing, some genuinely fantastic beasts as you would hope and some truly great underlying ideas poorly served by a narrative that doesn’t seem to understand basic storytelling in cinema. Perhaps if I’d immersed myself in all the books and films and whatever else is out there, it would make more sense (and no doubt this is what much of the dedicated fan audience will do), but as a standalone film, even one that’s a part of an ongoing saga, it makes little sense, although certain sequences are terrific.

The big ideas here are built around a creature called a Qilin (pronounced chillin) – a beast borrowed from Chinese and Far Eastern mythology – specifically an orphaned newborn Qilin that looks a lot like a golden version of Bambi, a resemblance underscored by the fate meted out to its mother in the opening reel.… Read the rest

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Transgression
(Pagye,
파계)

Director – Kim Ki-young – 1974 – South Korea – 111m

*****

Buddhist, monastic drama. Celibacy confronts carnal desire and a new senior monk must be chosen as the incumbent nears death.

Free to view in the Korean Film Archive as part of

Korean Film Nights Online: Trapped! The Cinema of Confinement

(Friday, July 17th – Thursday, August 27th)

Viewing links at bottom of review

From its opening, a lengthy shot of a mountain hillside slope, this throws anyone unfamiliar with the more complex tenets of Buddhism in at the deep end, peppering voice-over and dialogue with words like ‘yulseong’ (“a monk that learns Buddha’s words”), ‘seonseong’ (“a monk that tries to emulate Buddha’s mind”) and ‘hwadu’ (“a kind of question that leads to seon”). A student disguises himself as a monk to gain admission to a Buddhist temple and see for himself what goes on there.

The temple monks meet to discuss their food problem. There are fifty older monks of more than twenty years’ standing and twenty younger newcomers. One of the old monks Doshim stole and sold some of the temple food. Another old monk tells newcomers that old monks are treated badly at the monastery, suffering deprivation of food, sleep and clothes.… Read the rest