Tag: poor

No Trees in the Street

Director – J. Lee Thompson – 1959 – UK – Cert. 12 – 96m

****

An essentially honest young woman living in her parents’ East End slum fails to stop her impetuous younger brother from becoming involved in the criminal underworld – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital

Framed by a contemporary story of plain clothes policeman Frank (Ronald Howard) trying to talk sense into a knife-carrying teenager (David Hemmings), this takes place in the East End street where the latter lives some 20 years previously. The name has changed: back then, Somerset Street was known as Kennedy Street. The policeman, who is local, has always worked this beat. 20 years ago, he was trying to prevent another young man from drifting into a life of crime.

That other young man is Tommy (Melvyn Hayes), who lives with his father, mother and older sister Hetty (Sylvia Syms) in fairly basic accommodation. It’s a poor area and honest work is hard to come by. Both brother and sister would like to find a way out, into a better life. Both have less than honest ways of doing so, in the form of local ‘businessman’ Wilkie (Herbert Lom).… Read the rest

Tags 1950s, a better life, abusive, accommodation, aerial photography, attraction, British, businessman, Carole Lesley, character study, crime, criminal, David Hemmings, East End, Elstree Studios, first starring role, French New Wave, gangland girl, good girl, Herbert Lom, honest, housing, J. Lee Thompson, Joan Miller, job, Kennedy Street, kitchen sink realism, knife, Lana Morris, Lee-Thompson Godwin/Willis, Liam Redmond, living at home, London, Melvyn Hayes, music hall, object of affection, older sister, on the beat, performer, plain clothes policeman, police beat, policeman, poor, poverty, pragmatism, production company, quirky characters, romantic interest, Ronald Howard, roots, screenplay, set, siblings, slum, smooth operator, Somerset Street, Stanley Holloway, stealing, straight and narrow, Sylvia Syms, Ted Willis, teenager, theatre, torment, troubled youth, UK, underworld, unemployment, unloading a van, unrequited love, waste ground, young offenders, young woman, younger brother

Features Live Action Movies

Luminous Woman
(Hikaru Onna,
光る女)

Post author By Jeremy Clarke
Post date 25 May 2024
No Comments on Luminous Woman
(Hikaru Onna,
光る女)
Sticky post

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest

Tags accounting, Agfa, barefoot, be my wife, bereavement, bloodlust, bus, cheap clothes, circular, club, coitus, coughing, coupling, dias, drug, ecstasy, farm, fiancée, fighter, fire, fish-out-of-water, flame, flat share, fractured rib, gentle giant, Hide Demon, Hokkaido, human torch, idealised view of women, inferno, innocence and experience, innocent and corrupt, Italy, Japan, jarring, Kei Suma, land, Louis Vuitton, lowbrow and highbrow, marry, Michiru Akiyoshi, naive, naive and sophisticated, Narumi Yasuda, nightclub, outskirts, piano player, poetry, pole, poor, primal scream, private party, pro-wrestler, race, red suit, rubbish tip, rural community somersaults, sex, sexual partner, Shinji Somai, sophisticated, studying, suave, swimming pool, Takeiji Muto, Takinoue, to the death, Tokyo, tree stump, unoccupied, urban and rural, voyeurism, wheelchair, winter blizzard, writhe

Art Features Live Action Movies

Benedetta

Post author By Jeremy Clarke
Post date 16 October 2021
No Comments on Benedetta
Sticky post

Director – Paul Verhoeven – 2021 – France – Cert. tbc – 131m

*****

A 17th Century nun subject to religious visions embarks on a lesbian relationship with a novice – exclusively on MUBI from Friday, July 1st

Christianity. The Church. Religion. Treat them the wrong way, and you can get into trouble. Horror The Exorcist (William Friedkin, 1973), drama The Devils (Ken Russell, 1971) and comedy Life Of Brian (Terry Jones, 1971) remain controversial. Lesbian nun relationship drama Benedetta may be about to join their ranks. Or perhaps times have moved on. The film is apparently based on a real 17th Century case.

As a young girl, Benedetta (Elena Plonka) claims to commune with the Divine – convincingly so, too, enough to suggest to a bandit gang about to rob her parents and her that a chirping bird is God’s voice, especially when said bird deposits excrement in the eye of the bandit leader who promptly returns a gold necklace to Benedetta’s mother.

On arrival at the convent in Pescia, Benedetta’s father (David Clavel) must pay the Reverend Mother (Charlotte Rampling who seems to have cornered the market in Reverend Mothers judging by Dune, Denis Villeneuve, 2021) a dowry to enable his daughter to become a novice, which suggests that the institution, like the wealthy Catholic Church under whose umbrella it exists, may have ignored Jesus’ injunction to sell all you have and give to the poor.… Read the rest

Art Features Live Action Movies

Benedetta

Post author By Jeremy Clarke
Post date 13 April 2022
No Comments on Benedetta
Sticky post

Sins of the flesh

Benedetta
Directed by Paul Verhoeven
Certificate 18, 131 minutes
Released 15 April

The Dutch director Paul Verhoeven revels in controversy… His latest work, Benedetta, is… sexually explicit, but also tackles religion within a historical context. It clearly has plenty of potential to offend.

Benedetta is based on the story of the 17th-century Italian nun Benedetta Carlini who had visions and exhibited stigmata. She became an abbess and was investigated and discredited by Catholic officials. There were suggestions that Benedetta’s visionary traffic was with the Devil rather than God, while various nuns’ testimonies claimed her stigmata to be faked. Her roommate Bartolomea confessed to regular sexual activity with Benedetta. Benedetta was demoted.

Verhoeven eschews historical accuracy for the spiritual, the spectacular and the carnal… [Read more…]

Full review published in Reform magazine.

Hostile

Director – Sonita Gale – 2021 – UK – Cert. 12a – 98m

**1/2

A documentary about the UK’s anti-immigrant Hostile Environment policy includes a brief history plus stories of both those it affected and a charity set up to help them – out in cinemas on Friday, January 21st, local screening details constantly being added here

The eponymous adjective refers to the UK’s attitude to immigrants since 2012: the so-called Hostile Environment. Make Britain an unpleasant enough place for immigrants, and they’ll leave.

Gale’s film has three main plot strands. The first follows the Sair family, from Pakistan, resident in the UK since 2003. The second follows the fortunes of the Community Response Kitchen, a non-profit organisation set up to feed low paid workers in the London Borough of Brent. The third is a brief history of anti-immigration rhetoric and policy in the UK. Further material includes interviews with Windrush generation Brit Anthony Bryan and MP Stephen Timms, among others.

The story of the Sairs makes for depressing viewing. In 2003, Farrukh Sair married Saba in Pakistan. Four months later, the couple moved to the UK on a student visa to do a course. Today, they have a family, kids who have spent their entire lives in the UK.… Read the rest

Tags 1940s, 1968, 1999, 2010s, Anthony Bryan, Benefit Tourism, Boris Johnson, breadline, Brexit, British citizenship, Caribbean, cash cows, citizens, Commonwealth, Community Response Kitchen, conservative, Daksha Varsani, David Cameron, David Lammy, deportation paperwork, Enoch Powell, Farrukh Sair, government funding, government policy, Home Office, Home Secretary, hostile environment, immigration, India, labour, legal, London Borough of Brent, low paid, Member of Parliament, MP, New Labour, NHS, No Recourse To Public Funds, non-profit, NRPF, Pakista, Pakistan, pandemic, Paresh Jethwa, Parliament, PM, Points Of Light award, policy, poor, post-war, prime minister, Priti Patel, proof, rejection, resident, Rivers Of Blood, scandal, Stephen Timms, Theresa May, Tony Blair, UK, UK Government, UK immigration policy, UK student visa, vulnerable, Windrush, Windrush generation, Windrush Scandal

Animation Features Live Action Movies

Capital
In The
21st Century

Post author By Jeremy Clarke
Post date 23 September 2020
No Comments on Capital
In The
21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest