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Features Live Action Movies

Pixie

Director – Barnaby Thompson – 2020 – Ireland – Cert. 15 – 93m

***1/2

A free-spirited, rule-bending Irishwoman takes on a world of small-time gangsters from the inside – in cinemas from Friday, October 23rd

The West of Ireland. Fergus (Fra Fee) and Colin (Rory Fleck Byrne) have received a tip-off about a shipment coming to a country church. Colin has recently split with longtime girlfriend Pixie. Entering the vestry and presumably expecting gangster types, the pair are surprised to find four priests, two who are visiting from Afghanistan “to discover the lessons we’ve learned from dealing with the IRA”. Our two protagonists, suspicious that Catholics don’t exist in Afghanistan, find themselves in a shoot out. After which, they discover the bag containing the drugs shipment.

We’ve not even met the central character yet. Pixie (Olivia Cooke) adores and dotes on her gangster stepfather Dermot O’Brien (Colm Meaney) but hates and distrusts her quick-tempered stepbrother Mike. She heads out to drink tequila in a bar where, coincidentally, Frankie (Ben Hardy) and Harland (Daryl McCormack) are picking up pills from Daniel (Chris Walley). Frankie always fancied Pixie and, encouraged by Daniel’s lewd, drugs-fuelled suggestions regarding Pixie’s sexual proclivities, Frankie, with Harland in tow, drives out to Pixie’s remote house at two in the morning.… Read the rest

Categories
Features Live Action Movies

I Am Greta

The Greta good

I am Greta
Directed by Nathan Grossman
Certificate 12a, 98 minutes
Released on 16 October

Greta Thunberg is, without doubt, a remarkable young woman. And this is a remarkable film, although not perhaps for the reasons you might expect.

What’s remarkable is that when the 15-year-old schoolgirl with Asperger’s started her strike for the climate outside the Swedish parliament, the documentary film-maker Nathan Grossman possessed the foresight to start filming her. He kept filming as she was invited to address organisations such as the European Parliament in Strasbourg, meet with world leaders such as France’s President Macron and speak to climate activist meetings and rallies around the globe.

You can’t get that close to a person without finding out something about them. Greta is driven by a focus on one issue. As it happens, that issue is the single most important one facing the survival of the human race and the planet. Read the rest…

I review I Am Greta for Reform.

Categories
Animation Features Movies

Over The Moon

Directors – Glen Keane, John Kahrs – 2020 – US, China – Cert. U – 95m

*****

A girl bereaved of her mother builds a rocket to the moon to prove the goddess Chang’e is real and convince her father not to re-marry – animated feature in cinemas from Friday, October 16th and on Netflix from Friday, October 23rd.

In Chinese mythology, archer Houyi’s wife Chang’e consumed an immortality potion then went to the moon where she mourned her lost love. The tale is also the basis of the Mid-Autumn Moon Festival celebrated in many countries in the Far East. Using the mythology as a backdrop, the late screenwriter Audrey Wells crafted an extraordinary story about a girl who fails to properly deal with bereavement when her mother dies.

The figure of Chang’e acts as a metaphor for Fei Fei (voiced by Cathy Ang) who wants her dad (voice: John Cho) to be faithful to his late wife. When dad introduces a new mum Mrs. Zhong (Sandra Oh), with a new and irritating little brother Chin (Robert G. Chiu) in tow, she decides that to convince him to remain true to mum, she must go to the moon and prove Chang’e real, which will convince her dad to do the right thing.… Read the rest

Categories
Features Live Action Movies

Rose:
A Love Story

Director – Jennifer Sheridan – 2020 – UK – Cert. 15 – 86m

*****

A couple isolate themselves from the outside world by living off grid in the woods for reasons not immediately apparent – out in the UK on digital including Amazon Prime from Monday, April 5th

The LFF put this in their Cult strand and the label fitted perfectly. Impressionistic images show cutlery, cups, CDs hanging from trees. A man leaves a hunting cabin. A woman sleeps in a bed. An eye of a beast in close up. A rabbit. The woman wakes, startled by a man’s voice. She puts paper in a typewriter. The rabbit is killed in a trap.

“I’m trying to give the doctor a reason to be in Prague so Susie can meet him,” Rose (Sophie Rundle) tells Sam (Matt Stokoe, also the film’s screenwriter). She is writing a book and they are living in isolation in the woods. This seems to suit them although something odd is definitely going on. They have supplies of leeches in jars, and he sits reading of an evening after applying a few of these to the upper part of his legs. Then he mashes up the results into a red pulp which comprises her diet.… Read the rest

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Features Live Action Movies

The Intruder
(El Prófugo)

Director – Natalia Meta – 2020 – Argentina, Mexico – Cert. – 95m

***1/2

A woman moves between dreams and reality as she starts to fear that a foreign entity may be taking her over – on BFI Player as part of the BFI London Film Festival 2020 from 20.30 Monday, October 12th to 20.30 Thursday, October 15th

This opens with a close up of a woman’s body bound in bondage gear. She speaks in Japanese and then somewhat disorientatingly (as if this disturbing imagery hadn’t already thrown you enough) in a different voice in Spanish. Voice actress Inés (Erica Rivas) is working in a dubbing theatre. “More powerful, Inés”, says the man in the booth. After a take or two more, he’s got what he needed and they move on to the next clip.

The film’s a bit like that. The opening is representative of what is to follow: a series of bravura and often disturbing sequences that suck you in and make you wonder exactly where the film will end up. As the sequences build, one on another, I was fully expecting this to be a five star review. Alas, the film didn’t seem to know how to end and the final scene, which needed to somehow pull everything together and make sense of the larger whole, quite simply didn’t.… Read the rest

Categories
Features Live Action Movies

The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest

Categories
Animation Features Movies

WolfWalkers

Director – Tomm Moore, Ross Stewart – 2020 – Ireland, Luxembourg, France – Cert. PG – 100m

*****

An adventurous English girl from Kilkenny encounters a wild Irish girl in the woods who can change into a wolf in groundbreaking 2D animation – on BFI Player as part of the BFI London Film Festival 2020 on Saturday, October 10th, 18.30-19.00 start, in cinemas from Monday, October 26th, then on Apple TV from Sunday, 13 December

This is co-director Moore’s third production based on Irish mythology for Irish animation house Cartoon Saloon following The Secret of Kells (2009, about the making of the Book Of Kells) and Song of the Sea (2014, about selkies / mermaids).

Irish WolfWalkers mythology concerns humans who can transform into wolves and back again, while mankind’s relationship with the wolf down the ages has to do with destroying its natural habitat and a fear of the animal derived largely from its attacks on small animals such as pets and, very occasionally, children. These two ideas are combined in the film WolfWalkers along with Oliver Cromwell’s conquest of Ireland as Lord Protector, although historical accuracy clearly isn’t the intention as not only is his name left out abut also what happens to the Lord Protector here is very different from what happened to him in real life.… Read the rest

Categories
Live Action Series Television

A Day-Off
Of Kasumi Arimura Ep. 1
(Arimura Kasumi
No Satsukyu,
有村架純の撮休 第1話)

Director – Hirokazu Kore-eda – 2020 – Japan – 42m

****

In the first episode of director Hirokazu Kore-eda’s TV series A Day-Off Of Kasumi Arimura, the actress Kazumi Arimura plays herself in a fictionalised version of her life – on BFI Player as part of the BFI London Film Festival 2020 from 13:00 Saturday, October 10th to 13:00 Tuesday, October 13th

This is a curiosity, one-off festival screening that admirers of contemporary Japanese cinema are going to want to see. Kore-eda (Shoplifters, 2018) is one of the highest profile, contemporary directors in Japan and like many other directors around the world in between his theatrical cinema films he also works in small screen television. This is the first of eight episodes of the TV series A Day-Off Of Kasumi Arimura in which actress Kazumi Arimura plays herself in a fictionalised version of her life. As the subtitle of the end title indicates, this drama is fictional. It has nothing to do with Kazumi Arimura’s real life. 

There’s a little pre-amble in which Kazumi learns that tomorrow’s shoot is cancelled because someone has gone down with the ‘flu. Which you might think makes the episode rather close to or currently perilous pandemic times, but it doesn’t really.… Read the rest

Categories
Features Live Action Movies

A Perfectly Normal Family
(En Helt Almindelig Familie)

Director – Malou Reymann – 2020 – Denmark – Cert. PG – 97m

****

A girl struggles to deal with her dad’s new female gender identity – in cinemas and on Modern Films Virtual Screening Room and Curzon Home Cinema from Friday, October 2nd

This opens, closes and is punctuated at regular intervals with 4:3 aspect ratio home movie footage of a family, two sisters growing up and precious moments with their mum and, particularly, their dad (Mikkel Boe Følsgaard). The first excerpt sees dad carrying baby Emma, showing her to the camera and herself in a mirror, showing her her mum Helle (Neel Rønholt) in bed and her elder sister Caroline / Caro in her cot, then taking her downstairs to watch the football match on TV with dad. “Are you a little football girl?”, he asks her.

The rest of the film is in 16:9 widescreen, starting off with teenage Emma (Kaya Toft Loholt) and the rest of her football team being told off by their coach. On the sidelines, dad dribbles the ball. She comes over and tackles him effortlessly. Later, when the family go to look at a dog because both girls want the family to have one, it becomes clear that something is up with their parents.… Read the rest

Categories
Features Live Action Movies

Rialto

Director – Peter Mackie Burns – 2019 – UK, Ireland – Cert. 15 – 89m

****1/2

A man who has recently lost his father faces uncertainty about his future – in cinemas from Friday, October 2nd

Colm (Tom Vaughan-Lawlor), 48, works in middle management at a port in Dublin. Various aspects of his life are in crisis. He meets a young man (Tom Glynn-Carney) in a shopping mall public lavatory and a relationship of sorts ensues. A corporate takeover at work means Colm may lose his job which he’s had since he was a teenager. At home in the suburb of Rialto, he talks to his grown up daughter Kelly (Sophie Jo Wasson) but not so much to his wife Claire (Monica Dolan) while he and his grown up son Shane (Scott Graham) don’t get on at all. All of which is underscored by Colm’s recent loss of his dad, with whom he had a pretty lousy relationship.

This is a film which constantly surprises in the sense that, if you were to guess the synopsis based on the first ten, or 20, or 30 minutes, you’d guess wrong. It’s not directly about a rent boy, or redundancy, or relationship breakup, or alcohol dependency, although it covers all those elements in some detail.… Read the rest