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The Seed
of the Sacred Fig
(Dane-ye
Anjir-e Ma’abed,
دانه‌ی انجیر معابد)

Director – Mohammad Rasoulof – 2024 – Iran, Germany, France – Cert. 15 – 167m

*****

An Iranian state functionary, married with two teenage daughters, is promoted to the position of judge at the same time as the Women, Life, Freedom protests erupt… And then, his gun goes missing at home… – out in UK cinemas on Friday, February 7th

A film so extraordinarily brilliant that it is almost impossible to conceive.

An opening intertitle explains the remarkable life cycle of a tree which grows on one of the southern Iranian islands. Its seeds fall onto the branches of other trees through bird droppings. The seeds then germinate, and their roots move towards the ground. When the roots reach the ground, the sacred fig tree stands on its own feet and its branches strangle the host tree.

2022. The tireless and diligent work of state functionary Iman (Missagh Zareh) has finally been rewarded; he is to be appointed a judge. In a repressive regime like Iran, that’s not a job looked upon favourably by most of the population, so his work gives him a pistol just in case he should need to defend himself or his family. At home, in the Tehran apartment where he lives with his family, he keeps the weapon in a drawer.… Read the rest

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Features Live Action Movies

Moor
(Mavr)

Director – Adilkhan Yerzhanov – 2024 – Kazakhstan, France – 83m

***

A mercenary known by the codename ‘Moor’ returns from the war to the big city to rescue his younger brother’s wife and son from her husband’s debts – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Found by the authorities, who apprehend him by a perimeter fence and remove his bag of home-made weaponry which includes a wooden bow and arrows and a knife carved from bone, which he will get back and make use of later in the plot, Moor is processed alongside wounded and traumatised veterans. He speaks few words and is in complete control of his faculties. The chief of police, who talks in a confident, jokey manner and insists on addressing him as Bro, feels more like a gangster than a cop, wearing a snakeskin jacket not unlike the hero of Wild at Heart (David Lynch, 1990) and often accompanied by a small entourage who read as gangsters rather than cops, even though the group occasionally expands to contain officers with the word POLICE on the back of their jackets.

He explains that Moor’s younger brother Houdini has disappeared, leaving behind him not only a mountain of debt but also a wife and small son.… Read the rest

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Revenge

Director – Coralie Fargeat – 2017 – US – Cert. 18 – 108m

****

It’s a man’s world. Or is it? A predictable male fantasy switches gear to bloody thrill ride when a woman turns the tables on a group of men perpetrating violence against her – available on VoD from Monday, September 10th following UK cinema release on Friday, May 11th 2018

Flown in by private helicopter pilot, Frenchman Richard (Kevin Janssens) takes Jen (Matilda Lutz) to his luxury home in the middle of the desert for a day or so. He is clearly rolling in money, she appears to be in love with him, but perhaps she’s play-acting: something of the gold-digger in her, maybe. She wears skimpy clothing, emphasising sexual aspects of her body. She comes on strong to him. Passion ensures. All of which is a lot less fun to watch than it sounds: the male is little more than a caricature of the sort often found in the less carefully made end of French action and gangster movie production while the girl displays every patriarchal cliché in the book in the way she moves, dresses, acts and interacts.

Director Fargeat has a very different agenda, however.Read the rest

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#Manhole
(#マンホール)

Director – Kazuyoshi Kumakiri – 2023 – Japan – LEAFF Cert.15 – 99m

***

A man falls down a manhole following his stag night and turns to social media to get help and, hopefully, escapeplays in the Official Selection at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th.

The opening minutes of #Manhole resemble any number of Japanese movies you can think of as Shunsuke Kawamura (Yuto Nakajima) attends a surprise party put on by work colleagues at his local watering hole. It’s a good night, suggesting he’s well loved (albeit on a fairly superficial level) and he leaves extremely drunk, briefly saying goodbye to best mate Etsuro Kase (Kento Nagayama from Love Life Koji Fukada, 2022; Villain, Lee Sang-il, 2010) whose well-intentioned present – a lighter – may not be so much use to Kawamura now that he’s given up smoking. Or so it would seem at that point in the proceedings.

Kawamura must have drunk a good deal more than he realised because as he staggers home, he falls down a manhole off of which someone, by accident or design, has left the cover. His upper leg is badly cut.… Read the rest