Tag: South Korea

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Features Live Action Movies

12.12: The Day
(Seour-ui Bom,
서울의 봄,
lit. Seoul Spring)

Director – Kim Sung Soo – 2023 – South Korea – Cert. 15 – 141m

*****

In 1980, one Major General attempts to stop another from successfully orchestrating a military coup in South Korea – historical drama is South Korea’s entry for 2025 Best International Feature

In the aftermath of the assassination of President Park in 1979, an event portrayed in The Man Standing Next (Woo Min-ho, 2020), Chief of Staff Jeong (Lee Sung-min) promotes Major General Lee (Jung Woo-sung) to head of the Capital Garrison Command “because you’re not motivated by greed” and charges him with the job of defending Seoul. His concern is another Major General, Director of Joint Investigation Chun (Hwang Jung-min), who has access to the country’s surveillance services and is a member of the secret society Hanahoo which is rife within the military. Chun is already behaving like a king, and Jeong is worried what he might be planning.

And well he should be, because Chun is figuratively and literally empire-building, planning a coup d’etat and working out who is loyal to him (and will carry out his commands) and who isn’t. As far as he is concerned, Jeong is the enemy, and although the latter has been cleared of any involvement in the assassination, his presence at the scene of the assassination is enough to justify arrest and further interrogation.… Read the rest

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Features Live Action Movies

Goryeojang
(고려장)

Director – Kim Ki-young – 1963 – South Korea – 89m

2019 Korean Film Archive (KOFA) Restoration (two reels missing)

****

Goryeojang is the concept of taking your elders up a mountain when they reach 70 so that they can face death – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Over fifty years old, Goryeojang is sadly available as only a print with two reels (three and six) missing. The LKFF screened the version where the missing scenes are explained by a brief series of intertitles so that the rest of the film can make sense. It’s a tough film to pigeonhole. A description like period drama, which genre it absolutely fits, proves woefully inadequate. To a Western viewer, it plays out like a classic fairy tale, with archetypal characters and considerable amounts of cruelty. The art direction is light years away from any sort of social realism with its rural sets obviously artificially constructed in a studio, recalling (to name but one obvious example) The Singing Ringing Tree (Francesco Stefani, 1957), especially for all those British people who saw that latter film in black and white on BBC children’s television in the 1960s.… Read the rest

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Documentary Features Live Action Movies

The Contestant

Director – Clair Titley – 2023 – UK – Cert.12a – 90m

*****

How a man’s incarceration in a room, broadcast on TV, became a media sensation in Japan– out in UK cinemas on Friday, November 29th

Before The Truman Show (Peter Weir, 1998), which would be released later the same year, a couple of years before Big Brother and the start of the UK’s reality TV phenomenon, a Japanese TV show breaks new boundaries. A man is put in a room where he had to earn a million yen in prizes from magazine competitions before being released. The facilities are basic – there is a sink unit and a gas ring, but no cooking utensils. The whole situation is filmed by two cameras. The man in the room, Nasubi, knows it is being filmed, but has been told by the producer that most of it will be thrown away. He is completely unaware that this setup is being edited into a weekly, six-minute TV spot and going out on the weekly, magazine format, endurance TV show Denpa Shonen.

The Denpa Shonen show is the brainchild of TV producer Tsuchiya, who for this segment auditions a dozen or so male hopefuls and chooses one of them, Nasubi, by lottery.… Read the rest

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Animation Features Live Action Movies

Snow Leopard
(Xue Bao,
雪豹)

Director – Pema Tseden – 2023 – Tibet – Cert. 15 – 109m

*****

A monk invites a filmmaker friend to a remote farm in the Tibetan mountain region where a snow leopard trapped in a sheep pen has killed nine sheep – the late Pema Tseden’s final completed film is out in UK cinemas from Friday, November 22nd

Film maker Dradul (Genden Phuntsok) has been informed by his friend Nyima the Snow Leopard Monk (Tseten Tashi) of an incident and so sets out for the region of the Tibetan Mountains with a small crew in his car. Following roads in the freezing wilderness, the car arrives at a remote farm which consists basically of a stone farmhouse and a sheep pen where the Snow Leopard Monk awaits them, along with the old farmer and his family.

The sheep pen has been breached by a snow leopard, a rare animal that’s a protected species in Tibet, and the old farmer’s adult son Jinpa (Jinpa) is furious that it has killed nine sheep. Confronted with the camera, he argues vociferously that man must live with the snow leopard, and that a small number of kills would be acceptable, but an amount as large as nine is most definitely not okay.… Read the rest

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Features Live Action Movies

Take Care of My Cat
(Go-yang-i-leul
Boo-tak-hae,
고양이를 부탁해)

Director – Hong Eun-won – 2001 – South Korea – Cert. PG – 112m

****

A cat passes between a group of twentysomething girls as each one finds they can no longer look after it – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

(2024 explanatory note: This was, I believe, the first South Korean film to get a UK theatrical release. It was certainly the first one I ever reviewed, for What’s On in London back in 2002. Soon after this, Metro-Tartan film distributors would release a good deal of horror / thriller / action movies in cinemas and on DVD under their Asia Extreme brand, but it would be a long time before the UK saw the theatrical release of another South Korean film outside of those genres. What follows below is the What’s On in London review from 2002.)

Two areas of the world currently make its most interesting films. One is Iran and surrounding area, which has been fairly well represented in terms of UK releases. The other is South Korea, largely and criminally neglected by UK distributors.… Read the rest

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Features Live Action Movies

The Tenants
(Se-ip-ja,
세입자)

Director – Yoon Eun-Kyung – 2023 – South Korea – LKFF Cert. 12 – 90m

*****

In a black & white, futuristic Seoul, a tenant who sublets his rental apartment to prevent his eviction finds out that this approach has its drawbacks – from LKFF, the London Korean Film Festival 2024 which runsin cinemas from Friday, November 1st to Wednesday, November 13th

An alluring image turns out to be merely an image on a wall, an artifice rather than the paradise we at first assume it to be. This is an image many filmmakers have used to open their movies and, depending on what they’ve seen over the years, it will conjure different films for different viewers. For this viewer, it conjures what I consider one of the funniest films of recent decades, Quick Change (Howard Franklin, Bill Murray, 1990) where the image is revealed as a tawdry New York subway train ad above a clown who will shortly proceed to rob a bank.

The Tenants may not be a comedy, but it shares with that film a sense of urban malaise, a feeling of being trapped in a grim metropolis where everything about the place conspires to prevent the protagonists leaving.… Read the rest

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Features Live Action Movies

Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

—

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

—

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

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Features Live Action Movies

Alienoid
(Oegye+in 1bu,
외계+인)

Director – Choi Dong-hoon – 2022 – South Korea – LKFF Cert. 12 – 142m

*****

In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensues – from LKFF, the London Korean Film Festival 2022;

Part Two Alienoid: Return to the Future plays in LKFF 2024

The first film of a two-part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.

The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest

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Features Live Action Movies

The Guest
(301호 모텔 살인사건)

Director – Yeon Je-gwang – 2023 – South Korea – LKFF Cert. 18 – 77m

***

An out-of-the-way motel, with numerous hidden cameras covertly recording the unwitting guests, becomes the site of multiple killings – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

There’s an idea that the widespread presence of security cameras make the world a safer place, because things can be seen rather than hidden; equally, however, things can be recorded, turned into product and sold for profit. The Guest takes place in a familiar world of roads and car journeys and motels in the middle of nowhere at which the traveller can take a break. And all of it seems to be covered by security cameras.

That applies to the roads, where the cams are there for traffic enforcement (and, perhaps more pertinently, traffic tax raising or penalty charging) purposes. Why they are there, for good or ill, isn’t really discussed here. But their ubiquitous presence is inescapably noted.

It also applies in the seedy motel at the centre of this horror / drama / suspense / thriller. The loan shark Deuk-chan (Hyun Bong-sik) who owns the place employs two young staff members Min-cheol (Lee Joo-seung) and Young-gyu (Han Min) to run the place in a day-to-day basis both of whom are indebted to him and therefore have little choice other than to do whatever he asks, however unreasonable.… Read the rest

Categories
Features Live Action Movies

Handsome Guys
(Haenseomgaijeu,
핸섬가이즈)

Director – Nam Dong-hyub – 2024 – South Korea – LKFF Cert. 15 – 102m

****

A comedy of errors in horror genre clothing, features a house in which accidents keep occurring, and a demonic goat – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

Half-brothers Kang Jae-pil (Lee Sung-min from this year’s South Korean Oscar entry 12.12: The Day, Kim Sung-su, 2023; The Man Standing Next, Woo Min-ho, 2020), Park Sang-goo (Lee Hee-jun from The Man Standing Next; 1987: When That Day Comes, 2017) and their dog Bong-gu have come to a rural area with the intent of buying their dream home, unaware that a demon was banished to hell in its basement two generations ago by British priest Father Baker (Jamie Horan) and can only be banished back there, should it arise from the grave, by one of those present at the time of the banishment.

A group of students runs into the half-brothers in a supermarket, the former drawing all the wrong conclusions from the latter’s unkempt appearance and shopping trolley of heavy-duty carpentry kit, snap judgements somewhat thrown by the undeniable cuteness of Bong-gu the dog, sitting in the front of their trolley.… Read the rest