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The Critic

Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m

The first four fifths of The Critic *****

The final fifth of The Critic *

In the 1930s, a London theatre critic, a flamboyant homosexual known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor – out in UK cinemas on Friday, September 13th

This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.

Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.… Read the rest

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Features Live Action Movies

Lust, Caution
(Se, Jie,
色, 戒)

Director – Ang Lee – 2007 – China, Taiwan, US – Cert. 18 – 158m

*****

A Chinese student joins an assassination plot against a high-up Japanese collaborator, for which she must sleep with him – originally published in Third Way, to coincide with 4th January 2008 UK cinema release.

Some will consider this erotic espionage thriller a no-go area, while others will want to see it for its director. Mandarin Chinese language outing Lust, Caution is based on a short story which highly regarded Chinese author Eileen Chang spent decades honing. Taiwanese-American director Ang Lee (award winner for both Brokeback Mountain, 2005, and Crouching Tiger, Hidden Dragon, 2000) claims he hasn’t so much adapted Chang’s tale as, in collaboration with his cast, re-enacted it. Given her story concerns the activity of a troupe of actors, perhaps this isn’t so surprising.

Shanghai 1942. Mrs Mak, waiting for a rendezvous in a café, is not who she appears. She recalls how in China 1938 she was shy Wong Chia Chi (Tang Wei) who as a university student got involved with a drama group to encourage patriotism under Kuang Yu Min (Wang Leehom). Acting before an enraptured audience, she realises she has found her métier.… Read the rest