Tag: marital breakdown

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20,000 Species
Of Bees
(20.000 Especies
De Abejas)

Director – Estibaliz Urresola Solaguren – 2023 – Spain – Cert. 12a –128m

**

An eight-year-old assigned male at birth struggles with their gender identity while mum struggles with her artistic identity as a sculptress – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 27th

This is one of those films that’s picked up lots of prizes at various international film festivals, which means that lots of people rated some aspect of the film highly or possibly that it was the best of a bad lot (although if a film wins awards over a number of festivals, that latter scenario is less likely).

I didn’t know any of that going in, and I didn’t like the film very much coming out – I found it difficult to follow who was who, a problem scarcely helped by the fact that one of the main characters is initially called by one name, then by a nickname they don’t like very much, then finally by the name by which they wish to be known. The film credits the eight-year-old character played by Sofia Otero as Lucía, but at the start of the film, they are called by their given name Aitor, although the character uses the nickname Cocó.… Read the rest

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Animation Features Live Action Movies

Tokyo Fist
(東京フィスト)

Director – Shinya Tsukamoto – 1995 – Japan – Cert. 18 – 87m

*****

Shinya Tsukamoto ventures outside his Tetsuo trappings to deliver further explorations of the ‘New Flesh’ in boxing movie garb.

On Arrow Channel from Friday, September 22nd.

This review is an amalgam of my reviews for What’s On In London and Manga Mania.

Right from its opening angled camera of gym sparring partners, everything about apparent boxing movie Tokyo Fist is relentless. Apparent because this is the latest highly idiosyncratic offering from Japanese filmmaker Shinya Tsukamoto, the crazed genius behind the brilliant if unhinged Tetsuo films. Don’t be fooled by the boxing gloves – this is another round in the director’s ongoing engagement with the ‘New Flesh’, minus the science-fictional surface trappings.

Underpinned by another memorable Chu Ishikawa score, it opens in typically bravura fashion with slanted tracking camera shots of sparring partners in a gym, morphing moments later into a visual wipe in the manner of a knockout punch as a fist hurtles towards the viewer and the images disintegrates via a stop-motion iris constructed of offal.

The plot has an insurance salesman whose career is foundering run into an old school friend who is now a professional boxer.… Read the rest

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The House of Us
(Woori-Jip, 우리집)

Director – Yoon Ge-eun – 2019 – South Korea – 92m

***1/2

Prepubescent girl forms a surrogate family, as she watches the relationship between her parents collapse – plays in Korean Film Nights (KFN) Summer Nights at the Korean Cultural Centre (KCCUK) on Thursday, June 9th – free admission

Eleven-year-old Lee Hana (Kim Na-yeon) watches her mum and dad argue. The family should be having breakfast, but instead mum finds ways to berate dad every time he opens his mouth. She has a brother, but doesn’t get on with him especially well. When she gets to school, Hana is as surprised as anyone else that she’s won the Good Classmate Award. Her dad is really pleased. But what she really wants is for her parents to get their relationship back on track. To this end, throughout the narrative, she keeps proposing a family trip to the seaside. But her mum is way too busy with her demanding job to spare a weekend any time soon.

One day in the supermarket, Hana observes nine-year-old Yoo-mi (Kim Shi-a) and her seven-year-old younger sister Yoo-jin (Joo Ye-rim). They seem to be happy as sisters: perhaps their family life is better than hers.… Read the rest

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Features Live Action Movies

Benediction

Director – Terence Davies – 2021 – UK – Cert. 12a – 137m

****

The life of First World War poet Siegfried Sassoon, his homosexual lifestyle and his heterosexual marriage – out in cinemas on Friday, May 20th

It’s been five years since Davies’ previous film A Quiet Passion (2016) and the curious thing is, both these films have been about poets and poetry. The earlier film was about Emily Dickinson, with its discussion about religion and Christianity very much to the fore; the new film is about Siegfried Sassoon and while the Catholicism he embraced in later years is in the mix, alongside that element Davies’ research revealed others of far greater interest to the writer-director, notably that Sassoon was gay. As you might expect, the first half hour or so concentrates on the First World War, but more time is spent in the middle of the film exploring some of Sassoon’s gay relationships with a small section towards the end skimming over his later years and heterosexual married life.

Siegfried Sassoon (Jack Lowden) saw action in the First World War and had the utmost respect for the men under his command – and they for him. He was appalled by the conditions under which they found themselves serving.… Read the rest

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Features Live Action Movies

Benediction

Glum heroes

Benediction
Directed by Terence Davies
Certificate 12a, 137 minutes
Released 20 May

Films about poets are few; however, the director Terence Davies has now made two in a row as different as their historical subjects. The earlier A Quiet Passion (Reform, April 2017) concerns the introverted, isolated, American spinster Emily Dickinson while the current Benediction is about First World War poet Siegfried Sassoon (Jack Lowden) – a homosexual man when this sexual preference was illegal, before the word ‘gay’ was used to describe such things.

His Military Cross earned for bravery as a First World War officer drops into a stream then sinks, an image expressing Sassoon’s dissatisfaction with the way the war is being run, and the hardships endured by the troops. He writes in protest to the top brass, but instead of the court-martial and platform to speak he expects, he is diagnosed with ‘shell shock’, partly thanks to literary mentor Robbie Ross (Simon Russell-Beale). Sent to Craiglockhart War Hospital near Edinburgh… [Read more…]

Full review published in Reform magazine.

See also my alternative review.

Trailer:

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Dark Water
(Honogurai
Mizu
No Soko Kara,
仄暗い水の底から)

Director – Hideo Nakata – 2002 – Japan – Cert. 15 – 101m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also, currently streaming on BFI Player as part of the BFI Japan 2021 programme. Currently available to view on Amazon Prime, BFI Player and Shudder.

Review originally published in Funimation UK to coincide with the UK Dual Format Blu-ray/DVD release date 14/10/2016.

Jeremy Clarke on Hideo Nakata’s urban ghost story.

At the centre of Hideo Nakata’s film Dark Water (2002) is the powerful bond that exists between a mother and her child. Yoshimi Matsubara (Hitomi Kuroki) is in the middle of divorce proceedings and while all the financial arrangements have been agreed, the question of who gets custody of the couple’s daughter has yet to be settled. Yoshimi is assured that in cases where the child is less than six years old, the mother tends to get custody. However, her former husband is attempting to discredit her to prevent this happening.

This is all very stressful to Yoshimi. For the time being however she and her almost six year old daughter Iku (Rio Kanno) need to find a place to live.… Read the rest

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The Offering
(L’Ofrena)

Director – Ventura Durall – 2020 – Spain – Cert. 18 tbc – 111m

**

When two former lovers run into one another, the fallout theatens to derail both their marriages – out in cinemas, virtual cinemas and VoD from Friday, July 30th

This starts off with webcam porn actress Rita (Verónica Echegui) giving a come on to an unseen viewer in American English, which is pretty odd because everything else is in Spanish. Surely not a cheap shot by the producers to sell the film to the English-speaking world? Anyone who thinks they’re in for an internet exposé along the lines of Cam (Daniel Goldhaber, 2018) is however in for a disappointment. Apart from a line later on where Rita is asked her job and replies, “I used to be a porn actress”, the whole sequence is gratuitous.

More relevant is the scene’s interruption by the arrival of Jan (Alex Brendemühl), sent by a relative to deliver the first of the narrative’s two eponymous offerings, a tall box containing a message or artefact from a deceased loved one. This has echoes of the Violet Evergarden anime series and its spin-off feature (Taichi Ishidate, 2020) in which the heroine works for a company which helps dying or terminally ill clients to write a letter or in some cases a lengthy series of letters to their loved ones to be delivered after the client’s death.… Read the rest