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Green Snake
(Ching Se,
青蛇,
lit. The Teal /
Green Snake)

Director – Tsui Hark – 1993 – Hong Kong – Cert. 12 – 99m

****1/2

Two sister snake spirits, the white snake and the green snake, enter our world to discover the mystery of human sexual love – from the London East Asia Film Festival (LEAFF)

China’s White Snake legend has spawned numerous adaptations including the recent, animated White Snake / Baishe: Yuanqi (Amp Wong, Ji Zhao, 2019) which boasts fast paced action and state of the art CG visuals. Tsui Hark is from another era: the legendary Hong Kong director who almost single-handedly bought Hollywood-style special effects to Hong Kong movie production in such epics as Zu Warriors From The Magic Mountain (1983) and the Once Upon A Time In China films (1991 onwards) alongside period romps like Peking Opera Blues (1986). For Green Snake, Tsui turned to Lillian Lee’s novel based on the White Snake legend which she adapted into a screenplay for him. Rather than tell the story from the perspective of the white snake as the original legend does, Lee shifts her narrative to the perspective of the younger, less experienced green snake.

In appearance, the two spirits start off as female humans down to the waist and snakes below, not dissimilar to Harryhausen’s half woman/half snake Medusa in Clash Of The Titans (producer and effects: Ray Harryhausen, 1981) but using full size puppetry/animatronic effects rather than stop frame animation.… Read the rest

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ManHunt
(Zhui bu,
追捕)

Director – John Woo – 2017 – China, Hong Kong – Cert. 15 – 109m

*****

Hong Kong action director John Woo’s return to form – currently on Netflix.

The late Japanese actor Ken Takakura who died in 2014 appeared in more than 200 films and made his name playing ex-cons and gangsters for Toei studios between the mid-fifties and mid-seventies. He was a major inspiration for Hong Kong director John Woo who here remakes the 1976 Takakura vehicle Manhunt.

Du Qiu (Chinese actor Zhang Hanyu) finds himself in a Japanese bar swapping notes on movies with the mama-san Rain (Korea’s Ha Ji-won). Almost immediately, a loutish group of men in suits storm into the same bar to demand he leaves so she can give them her full attention. Once he’s gone, Rain and her partner Dawn (the director’s daughter Angeles Woo) proceed to gun down the suits, the camera whirling around them as Woo choreographs the mayhem.

Du is a lawyer working for a pharma company. The morning after a huge corporate event he wakes up to find a dead woman (Tao Okamoto) lying next to him in his bed. Implicated in her murder, he goes on the run.… Read the rest

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Mr. Vampire
(Geung See
Sin Sang,
殭屍先生)

Director – Ricky Lau – 1985 – Hong Kong – Cert. 15 – 96m

*****

The first ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

If your knowledge of vampire lore comes from Western movies about Dracula you’re in for some real surprises with the 1985 Hong Kong movie Mr. Vampire. This is the movie that put the Chinese hopping vampire on the map.

It’s evening, as mortuary assistant Man-choi (Ricky Hui) checks a number of upright standing corpses with talismans affixed to their foreheads. All present and correct. Behind him a corpse without a talisman advances towards him. By the time he’s realised this is fellow mortuary assistant Chau-sang (Chin Siu-ho) playing a prank, the resultant air flow has blown the talismans off the other foreheads and eight vampires are hopping towards them, Man Choi runs to fetch his employer, Master Gau (Lam Ching-ying)…

I review Mr. Vampire for All The Anime to coincide with the film’s UK Blu-ray release from Eureka! See also my Manga Mania review published back in the nineties to coincide with the film’s UK VHS release from Made In Hong Kong.… Read the rest

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Mad World
(Yat Nim
Mou Ming,
一念无名)

Director – Wong Chun – 2016 – Hong Kong – 101m

*****

Mental health is no child’s play: all the odds seem to be stacked against a father’s struggles to care for his bipolar adult son, in a film that’s a sharp comment on Hong Kong’s failure to care for the most vulnerable – played in Creative Visions: Hong Kong Cinema 1997 – 2017, which took place in London between November 17th and 19th 2017

Lorry driver Wong (Eric Tsang) lives in a cramped apartment block in Hong Kong. He collects his estranged adult son Tung (Shawn Yue) from the hospital. Tung is bipolar and the doctors say there is nothing more they can do in order to help him. He must return home.

But “home” is less simple than it sounds. His mum (Elaine Jin) was bipolar, too. Dad walked out on the family years earlier. Tung resents him for it just as he resents his brother, his mother’s favorite, who impressed her by doing well in school and getting himself a lucrative job in the US where he now lives.

As he pointed out to his mother while she was still alive, it was Tung – and not his idolised brother – who stayed behind to look after her.… Read the rest

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Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).

Hard Boiled opens with a spectacular tea house shoot out where Insp. ‘Tequila’ Yuen (Chow) accidentally shoots his partner (just as Leung, who turns out to be an undercover cop, mistakenly shoots a fellow officer during the later hospital shoot out).… Read the rest

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The Killer
(Dip Huet Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Starring Chow Yun-fat, Danny Lee, Sally Yeh

What’s it all about?

On the verge of retirement, contract killer Chow accidentally blinds singer Yeh during a hit that goes wrong. Guilt-ridden, he undertakes one last killing for the money to pay for the operation to restore her eyesight. Meanwhile, policeman Lee is determined to bring him to book.

Why is it in our top 100?

Because it enabled Woo to cross over from a Hong Kong to an international audience – a much more personal work than A Better Tomorrow (1986) or Hard Boiled (1992), complete with trademark bloody, balletic, bullet-strewn violence and familiar themes of guilt, redemption and brotherhood.

Something to tell your mates

Chow (his surname) is both a huge star in the Far East and an incredibly versatile, talented and charismatic actor comparable to Robert De Niro or Cary Grant. The detail in facial expression lost on VHS video is very much intact on MIHK’s impressive 1994 PAL laserdisc.

Originally published in Home Entertainment as part of a One Hundred Best Movies on Home Entertainment Formats feature.

Trailer:

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Mr. Vampire
(Geung See Sin Sang,
殭屍先生)

Director – Ricky Lau – 1985 – Hong Kong – Cert. 15 – 94m

*****

This review originally appeared in Manga Mania to coincide with the film’s UK VHS release from Made In Hong Kong. Running time as on VHS sleeve. See also my All The Anime review coinciding with the 2020 Eureka! Blu-ray.

SCREEN GEMS

MR. VAMPIRE

The Far East views vampires through completely different cultural baggage, the extraordinary result of which can be seen in seminal Hong Kong period horror outing Mr. Vampire (1985) – which spawned several sequels and influenced countless genre outings both in Hong Kong live action and Japanese animation.

HOW IT ALL BEGAN

Encounters Of The Spooky Kind (1980) sees director Sammo Hung spend the night in a haunted house where he encounters various undead manifestations. It’s no surprise that Hung acted as producer on the later Mr. Vampire, where director Ricky Lau distilled Chinese cadaver / vampire mythology into a subsequent industry staple. As Lam Ching-ying so clearly explains in Mr. Vampire: “There are good men and bad men…corpses and vampires…this corpse is turning into a vampire.” Producer and director went on to make Mr. Vampire 2, 3 and 4, all with corpse‑busting star Lam Ching-ying who returned a fifth time under a different director for the present day Magic Cop / Mr.Read the rest