Tag: heart attack

Theater Camp

Post author By Jeremy Clarke
Post date 21 August 2023
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Directors – Molly Gordon, Nick Lieberman – 2023 – US – Cert. 12a – 92m

****

The teachers and students at a theatre camp rehearse their annual Summer show, their unscrupulous, with the camp’s founder unconscious in hospital, while the nearby, upmarket, rival camp attempts to close them down and possess their land – faux documentary comedy is out in UK cinemas on Friday, August 25th

@searchlightuk #TheaterCampMovie

As the spelling on its title might indicate, there’s something very American about the concept of a theater camp, a variant of Summer camp for wannabe child actors and theatre people; to the best of my knowledge (and I’m not an actor or a theatre person) there isn’t really a UK equivalent. That said, even those without a strong interest in theatre are likely to have a good time with this winsome comedy. Not only has this been put together with a great deal of love and heart by actors who went through the theater camp experience as kids and have it in their DNA, it’s also very cleverly scripted in outline and makes great use of improvisation in the performances of the part-adult, part-child cast.

Theatre camp (I refuse to use the American spelling from here on) Adirond ACTS, four hours from New York, suffers a heavy blow when its beloved founder Joan Rubinsky (Amy Sedaris) suffers a heart attack whilst watching the performance of one of her students on stage, goes into a coma and is hospitalised, leaving the day to day running of the camp to social media business guru son Troy (Jimmy Tatro), who is completely clueless when it comes to theatre and fails to connect with the young students from the get go.… Read the rest

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Elvis

Post author By Jeremy Clarke
Post date 21 June 2022
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Director – Baz Luhrmann – 2022 – US, Australia – Cert. 12a – 159m

***

Elvis Presley’s career from the mid-1950s through to his death in 1977, and his complex business relationship with his manager Colonel Tom Parker – out in cinemas on Friday, June 24th

Colonel Tom Parker (Tom Hanks), having a heart attack, reminisces to himself about his career. Many considered him the abuser and exploiter of the singer Elvis Presley, but that wasn’t the way it was. In the early 1950s, when Parker was managing the touring show of country singer Hank Snow (David Wenham), he heard Presley’s first recording on Sun Records though Hank’s son Jimmie Rodgers Snow (Kodi Smit-Mcphee), a singer in his own right who Parker didn’t think was anything like as good as his father.

Parker, an old time carnival showman, is always on the lookout for that one act that’s a little bit different, affects audiences and might well clean up at the box office. When he first sees Elvis (Austin Butler) perform, and notices young girls and older women going wild at the singer’s dance moves, he is convinced there’s money to be made and determines to sign him before someone else does.… Read the rest

Tags abuser, Alton Mason, Arthur Crudup, artistic integrity, Austin Butler, Australia, Baz Luhrmann, Beale Street, Black, black musicians, black neighbourhood, Black Pentecostalism, bogus identity, box office, business relationship, career, carnival, Col. Tom Parker, country, dance moves, David Wenham, degenerate, degenerate black rock and roll, devil’s music, drugs dependency, Elvis, Elvis Presley, establishment, excesses, exploiter, fake identity, fame, first ever global TV broadcast concert, free line of credit, gambling addiction, Gary Clark Jr., GI, gigs. B.B. King, Hank Snow, heart attack, identity theft, International Hotel Las Vegas, Jimmie Rodgers Snow, Josh McConville, juke joints, Kelvin Harrison Jr., Kodi Smit-Mcphee, Las Vegas, lewd behaviour, Little Richard, male establishment, marriage, meal ticket, Memphis, military service, money-spinning, mother, mother’s death, movie star, movies, music, officer’s daughter, older women, Olivia DeJonge, overweight, performance, Presley, Priscilla Presley, recording, residencies, revivalist gospel tent, rock and roll music, rockabilly, Sam Phillips, separation, showman, singer, Sister Rosetta Tharpe, songs, Spirit-led, stardom, Sun Records, Tennessee, Tom Hanks, tone back, tone down, US, voice, white, white-designated house, Yola, young girls

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Vortex

Post author By Jeremy Clarke
Post date 10 May 2022
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Director – Gaspar Noé – 2021 – France – Cert. 15 – 142m

*****

An elderly man struggles to care for his ailing wife who has dementia – out in cinemas on Friday, May 13th

Discounting the lengthy titles detailing among other things the various film clips and images used, this throws us a series of images in a pillarboxed 4:3 format with curved corners at the edges (suggesting a projected slide show or physical, analogue photographs mounted in an album) then the young Françoise Hardy singing “Mon Amie La Rose” loads irony into the proceedings: the rose is fresh and speaks to us of love, the singer young and yet to be ravaged by the passage of time. (It’s not mentioned here, but last year, Hardy announced she could no longer sing as a result of cancer treatments, which lends the video a certain poignancy today – even more so in the context of this film.)

Then the man we’ll call the father (Dario Argento, director of such Italian gialli as Suspiria, 1977; Tenebrae, 1982) waves through windows across a courtyard at the woman we’ll call the mother (Françoise Lebrun from The Mother And The Whore, Jean Eustache, 1973) and they meet up for a glass of wine on their balcony.… Read the rest