Categories
Features Live Action Movies

Twisters

Director – Lee Isaac Chung – 2024 – US – Cert. 12a – 117m

Film ***1/2

Special Effects (the twisters themselves) *****

A young woman attempts to compensate for failed “twister taming” which caused the tragic deaths of three of her friends, by further pursuing tornadoes – out in UK cinemas on Wednesday, July 17th

In the very first moments, Kate (Daisy Edgar Jones from Where the Crawdads Sing, Olivia Newman, 2022) stands in a field of tall grass. It’s an image that could almost have come out of director Chung’s previous film, the intensely personal Oscar-winner Minari (2020). Almost, but not quite: apart from one briefly seen-child, this is not a film populated with Korean-Americans. It doesn’t attempt any kind of ethnic statement, but then, why should it? People either come to this because they saw Twister (Jan de Bont, 1996) and want a rerun or, if they’re younger, because they want the same thing that pulled audiences into the first film: mayhem caused by the awe-inspiring, unstoppable force of nature that is a tornado, aka a twister.

The title implies there are more than one, and there are indeed, but then, there were in the first film too.… Read the rest

Categories
Features Live Action Movies

A Quiet Place
Day One

Director – Michael Sarnoski – 2024 – US – Cert. 15 – 100m

*****

A terminally ill woman returns to the New York of her childhood as hostile aliens land and start wreaking havoc – franchise prequel is out in UK and Ireland cinemas on Friday, June 28th

Another attempt to duplicate the success of A Quiet Place (John Krasinski, 2018), this time by showing us the first day of the alien invasion in New York City, the sort of thing that couldn’t be done on the small budget of the original. Which sounds like more of the same – and on one level, that’s exactly what this is (so admirers of the original – among whom I number myself – wanting more aliens who hunt by sound, and more terrifying games of hide and seek with them, should find themselves more than satisfied).

There’s a curious attempt by the Studio’s marketing department to offer the chance to find out “why the world went quiet”, which is a great idea but bears no relation whatsoever to this film. Once you know that the aliens hunt by sound, so you must keep quiet to survive – revealed in the original film – this new film offers no further explanation as to why the world went quiet.… Read the rest

Categories
Features Live Action Movies

Ghostbusters
Frozen Empire

Director – Gil Kenan – 2023 – US – Cert. 12a – 115m

****

Back in New York, running the family Ghostbusters business out of the old fire station, the Spenglers must thwart an evil entity who possesses the power to freeze things – out in UK cinemas on Friday, March 22nd

This sequel to Ghostbusters Afterlife (Jason Reitman, 2021), written by the same three-man writing team of father and son Ivan and Jason Reitman and Ghostbusters geek Gil Kenan, picks up and runs with some of the strengths of its predecessor even as it dispenses with others. One thing it dumps is the previous entry’s completely out-there originality; instead, it follows the time-honoured principle of Hollywood movie sequels: go out and make the first movie again.

It’s basically a rehash of the original Ghostbusters (Ivan Reitman, 1984) with the younger generation of Spenglers standing in for the old, and with Winston Zeddemore (Ernie Hudson), Ray Stantz (Dan Ackroyd), Janine Melnitz (Annie Potts) and Peter Venkman (Bill Murray) from the original helping the newer characters out. There is not, perhaps, as much of Bill Murray as one would like, and his heart doesn’t seem to be in it. Otherwise, though, fans of the franchise will probably be happy.… Read the rest

Categories
Features Live Action Movies

Shazam!
Fury Of The Gods

Director – David F. Sandberg – 2023 – US – Cert. – 130m

***1/2

Three Daughters of Atlas enter present day Philadelphia to repossess a staff which contains power that has been stolen from them; immature teenager recast as adult superhero Shazam! and his six superhero companions must stop them – out in UK cinemas on Friday, March 17th

Something of an oddity in the DC Comics canon, Shazam! concerns Philadelphia teenager Billy Batson (Asher Angel) who inadvertently absorbs superpower energy which enables him to transform into the adult superhero Shazam! (Zachary Levi) by merely uttering the word “Shazam!” However, despite the adult physique, he still thinks like a teenager. Outside of superhero life, he is one of seven orphans who, since the end of the original Shazam! (David F. Sandberg, 2019), have had the same thing happen to them. So, seven children, seven superheroes. And their two put-upon foster parents, Rosa and Victor Vásquez (Marta Milans and Cooper Andrews).

To be honest, I could take or leave the title character (as played by teenager Angel and adult Levi) but the other kids are likeable enough at least to the extent that their characters are fleshed out here… and some are fleshed out far more than others in the narrative.… Read the rest

Categories
Animation Features Movies Shorts

Memories
(Memorizu,
メモリーズ)

1/ Magnetic Rose (Kanojo no Omoide, 彼女の想いで)

2/ Stink Bomb (Saishu Heiki, 最臭兵器)

3/ Cannon Fodder (Taiho no Machi, 大砲の街)

Directors

– 1/ Koji Morimoto, 2/ Tensai Okamura, 3/ Katsuhiro Otomo

– 1995 – Japan – Cert. 12 – 113m

*****

Executive producer Katsuhiro Otomo’s anime anthology adapts three of his dystopian-themed manga stories into animation – out on Blu-ray from All The Anime, Monday, 12th September, details below review

The film that made Otomo’s name and the one with which he’s most frequently associated is Akira (1988). It wasn’t his first film, though. Previously, he was one of nine directors who collaborated on the uneven portmanteau Robot Carnival (1987), a compendium of different animated stories based around robots of various types. One of the other directors was Koji Morimoto.

Memories is loosely similar – it only has three stories (and three directors), allowing each of the segments a bit more room. Its three episodes are very different yet perfectly complement each other. Otomo directed the third section Cannon Fodder.

Parts of the roughly two hour Akira drag, while Otomo’s later Steamboy (2004) gets lost within a massive set piece after a near perfect opening first reel or so.… Read the rest