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Documentary Features Live Action Movies

Hollywoodgate

Director – Ibrahim Nash’at – 2023 – US, Germany – Cert. 12a – 89m

****

A Western documentary shot with the approval of the Taliban showing the eponymous air base in which the Americans abandoned large stocks of military hardware – out in UK cinemas on Friday, August 16th

An extraordinary exercise in both journalism and historical, socio-political filmmaking. A few days after the US military pulled out of Afghanistan in 2021, fearless, former journalist Nash’at entered the country as, to all intents and purposes, a one-man film crew. At first, it was a fruitless exercise, but then he somehow managed to get in with a soldier about to be deployed on a big airport.

Negotiating with Afghanistan’s airforce to be allowed to shoot documentary footage, Nash’at secured himself permission to follow and shoot not just the lieutenant, M.J. Mukhtar, but also the new head of the airforce, Mawlawi Mansour, with the proviso that anything Nash’at was told not to film, he was not to film and anytime he was ordered to stop filming, he had to stop filming. Refusal to do either would have meant big trouble. He played along, shooting whatever he could without breaking the air force head’s trust, knowing that the Taliban would have no control whatsoever over the footage when he left the country to edit what he’d shot.… Read the rest

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Features Live Action Movies

Everything
Everywhere
All At Once

Director – Daniels (Daniel Kwan & Daniel Scheinert) – 2022 – US – Cert. 15 – 139m

*****

Do you know kung fu? A launderette owner in trouble with the IRS is sucked into serial, parallel worlds to defeat the being who threatens to annihilate the multiverse – available on demand in the UK from Monday, June 13th

You could describe it as a Cubist take on The Matrix. Or a mother-daughter relationship drama. Or a multiverse movie. Or a film about filing taxes with the IRS. Or a (multiple set of) romance(s). Or a Michelle Yeoh action movie. Or a Chinese American movie. Or a film put together unlike any other you’ve ever seen. All these descriptions would be accurate.

Chinese American Evelyn Wang (Michelle Yeoh) runs her own business. A launderette (or laundromat in American parlance). She sits at the table in her apartment which is covered with piles of receipts. She is sorting through them in preparation for an upcoming interview with the IRS. She isn’t sure she’s ready.

This pressing issue aside, her life is not without its challenges. Her husband Waymond (Ke Huy Quan, formerly the kid from Indiana Jones And The Temple Of Doom, Steven Spielberg, 1983; The Goonies, Richard Donner, 1985) is attempting to file for divorce and wants her to sign the papers.… Read the rest

Categories
Features Live Action Movies

Deerskin
(Le Daim)

Director – Quentin Dupieux – 2019 – France – Cert. 15 – 77m

****

A man buys a deerskin jacket then decides he should be the only person who can wear a jacket which leads to disastrous consequences – on BFI Player and Curzon Home Cinema rental from Monday, October 4th

Georges (Jean Dujardin from The Wolf Of Wall Street, Martin Scorsese, 2013; The Artist, Michel Hazanavicius, 2011; OSS 117: Cairo Nest Of Spies, Michel Hazanavicius, 2006) is driving. Some considerable distance across France. And very full of himself, too. After a couple of days, he arrives at the seller’s house. 100% deerskin! The Jacket is everything he dreamed, and he willingly pays the asking price in cash. The seller is stunned at his good fortune; he’s never seen so much money. He throws in a digital video camera.

Georges’ credit card is blocked, so on checking in to the local hotel he leaves his gold wedding ring with the receptionist as a deposit. Drinking at a local bar, he explains to the barmaid Denise (Adèle Haenel from Portrait Of A Lady On Fire, Céline Sciamma, 2019; 120 BPM (Beats Per Minute), Robin Campillo, 2017) that he’s a filmmaker and currently shooting.… Read the rest

Categories
Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.