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Io Capitano
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Post author By Jeremy Clarke
Post date 28 February 2024
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Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

Features Live Action Movies

Herself

Director – Phyllida Lloyd – 2020 – UK/Ireland – Cert. 15 – 97m

****

A woman leaves her abusive and violent husband and builds a new home for herself and her two young daughters – in UK cinemas from Friday, September 10th

Things come to a head in the marriage of Gary (Ian Lloyd Anderson) and Sandra (Clare Dunne, also co-screenwriter) when he violently assaults her and stamps on her hand, an incident witnessed by their younger daughter Molly (Molly McCann). Sandra has trained her kids well for such a situation and the eldest Emma (Ruby Rose O’Hara) knows what to do, rushing to the local shopkeeper with a lunch box inside the lid of which is the family address to give to the Garda.

Like her mother before her, Sandra works as a cleaner to retired and physically disabled local doctor Peggy O’Toole (Harriet Walter). To make ends meet, Sandra also works in a local pub as a barmaid alongside Amy (Ericka Roe) who lives in a nearby squat. After separating from Gary, she and he have joint custody of the kids while the council put her and her kids up in temporary accommodation in a hotel room.

As it’s four years on the housing list to get a home, Sandra investigates other alternatives and, surreptitiously using Peggy’s internet, discovers that she could build a house for only slightly more than a year’s rent to the council.… Read the rest

Tags abuse, abusive marriage, bar work, barmaid, box-ticking, build, build a home, build a house, builder, building, building site, Cathy Belton, children, Clare Dunne, cleaner, cleaning, Conleth Hill, custody, decent home, disabled, doctor, domestic violence, Dublin, emergency, family, family court, female empowerment, government policy, Harriet Walter, home, house, housebuilding, housing need, husbands and wives, Ian Lloyd Anderson, injury, innovation, Ireland, jobs, local authority, Molly McCann, multiple jobs, parents and children, Phyllida Lloyd, physical assault, pub, retired, Ruby Rose O’Hara, school, self-help, separation, single mum, single parent, single parent family, social welfare system, temporary accommodation, two jobs, UK, welfare system, work

Features Live Action Movies

Herself

A house of her own

Herself
Directed by Phyllida Lloyd
Certificate 15, 97 minutes
Released 10 September

Herself has a brutal opening in which Sandra (Clare Dunne), a mother of two girls in Dublin, is physically assaulted by her husband Gary (Ian Lloyd Anderson), an incident witnessed by her youngest daughter, Molly (Molly McCann), while her eldest, Emma (Ruby Rose O’Hara), races across the estate to the local shop to deliver a pre-written emergency message.

From here, it becomes a tale about a single mum’s struggle to find a decent home for her and her kids in the face of a social welfare system that can’t cope with either the level of need or any innovation through which people try to legitimately help themselves… [Read more]

Full review published in Reform.

See my alternative review of the film here.

Trailer:

Tags abuse, abusive marriage, bar work, barmaid, box-ticking, build, build a home, build a house, builder, building, building site, Cathy Belton, children, Clare Dunne, cleaner, cleaning, Conleth Hill, custody, decent home, disabled, doctor, domestic violence, Dublin, emergency, family, family court, female empowerment, government policy, Harriet Walter, home, house, housebuilding, housing need, husbands and wives, Ian Lloyd Anderson, injury, innovation, Ireland, jobs, local authority, Molly McCann, multiple jobs, parents and children, Phyllida Lloyd, physical assault, pub, retired, Ruby Rose O’Hara, school, self-help, separation, single mum, single parent, single parent family, social welfare system, temporary accommodation, two jobs, UK, welfare system, work