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Features Live Action Movies

Red Cliff
(Chì Bì,
赤壁);
Red Cliff II
(Chì Bì
Jue Zhan Tian Xia,
赤壁（下）)

Director – John Woo – 2008, 2009 – China, Hong Kong – Cert. 15 – 139m + 135m

*****

As a warlord seeks to crush opposition in Southern China, its two kingdoms join forces to defeat him, with the deciding battle taking place at Red Cliff – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

China, 208 A.D., around the end of the Han Dynasty. With the puppet Emperor more interested in talking to birds than the nitty-gritty of ruling his kingdom, his Prime Minister Cao Cao (Zhang Fengyi) talks him into a commission to subdue the rival Southern warlords Liu Bei (You Yong) and Sun Quan (Chang Chen).

After a battle against the former’s forces in which his a loyal soldier is unable to prevent Liu’s wife getting killed but manages to get their baby to safety by strapping it on his back prior to single-handed combat, Liu’s advisor Zhuge Liang (Takeshi Kaneshiro) sets out to persuade Sun Qian to join them in an alliance against the aggressor.

Despite unanimous opposition from his ministers, who would prefer to surrender to keep the peace, Sun agrees to fight along with his frontline commander Zhou Yu (Tony Leung Chiu-wai) and, because she insists on joining them, his tomboy sister the Princess Sun Shangxian (Zhao Wei).… Read the rest

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Features Live Action Movies

Blitz
(2024)

Directed by Steve McQueen
Certificate 12a
120 minutes
Released 1 November

People just getting on with life in dire circumstances, doing what they have to do. A mother searches for her lost son. An 11-year-old embraces his black identity. Women work in munitions factories. Thieves take advantage of death and devastation to turn a profit. And, unexpectedly, a spiritually dark place produces an impassioned plea for the virtues of Christianity.

This is London during the Nazi bombings of the Second World War. Steve McQueen (12 Years a Slave, the Small Axe TV series) and his collaborators have done remarkable historical and visual research, so that the historical situation seeps into you. McQueen’s way in was a photograph of a young black boy, around whom he has woven a story of an evacuee jumping from the train to return to his mum.

In a remarkable performance, 11-year-old Elliot Heffernan plays the boy… [Read the rest at Reform magazine]

Read my longer review on this site here.

Trailer:

Categories
Animation Features Live Action Movies

Godzilla Minus One
/ Minus Color
(Gojira-1.0 / C,
ゴジラ -1.0 / C)

Director – Takashi Yamazaki – 2023 – Japan – Cert. 12a – 124m

*****

Japan, defeated and demoralised after World War Two, must somehow defeat the seemingly unstoppable menace of Godzilla when it rises from the depths of the ocean – now in black & white – out in UK cinemas from Friday, November 1st

Something happens when you watch this / Minus Color version of Gozilla Minus One, which director Yamazaki has gone through cut by cut and personally overseen. You are watching a 2023 movie, yet you feel as if you’re watching a 1954 one. Because the film is about Japan, World War Two and its immediate aftermath, the film seems to play better in black and white.

World War Two, Pacific theatre. Unwilling Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) feigns engine trouble and lands on an island for aircraft maintenance, where he is grounded. While there, he notices deep sea fish curiously floating on the surface of the surrounding ocean: they presage the arrival of a huge monster, named Godzilla by the locals. With Koichi failing to fire his 20mm aircraft guns at the creature to kill it, almost everyone else on the small island is killed.… Read the rest

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Features Live Action Movies

Small Things Like These

Director – Tim Mielants – 2024 – Ireland – Cert. 12a – 98m

*****

A coal delivery man is troubled by the recurring sight of a deeply traumatised young woman at one of his regular customers, a convent – out in UK cinemas on Friday, November 1st

Bill Furlong (Cillian Murphy) runs a company delivering coal to customers in and around Wexford, Ireland. It’s tough, backbreaking work, as is evident from the sight of his assistants loading up his truck, one bag of coal loaded onto the back by two men. He’s happy with his men, who do a good job. Doing his rounds as driver and delivery man (locked-off camera looking out from the driver’s cab) he carries one sack at a time himself. Finishing up delivering to the local convent, where he’s required to leave the coal bags behind the door in the designated coal house, he witnesses a scene where a young woman clearly doesn’t want to be in the care of the head sister.

He comes home. As is his wont, he furiously scrubs the coal black off his hands, producing a pool of blackened water in the bathroom sink. He talks about it to his wife at home.… Read the rest

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Features Live Action Movies

The Woman King

Director – Gina Prince-Bythewood – 2022 – US – Cert. 15 – 135m

****

The warrior women of Dahomey defend their people against capture by neighbouring nations for the white foreigners’ slave trade – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

Outside of the Greek myth of the Amazons, we don’t really think of armies as being made up of women rather than men prior to the last few decades, yet historically this actually occurred in a West African country, the Kingdom of Dahomey (further info: National Geographic; wikipedia) between the middle of the seventeenth and the end of the nineteenth centuries. These warrior women are the subject of this film which takes place in 1823.

A prologue shows a small unit of the women in action under their General Nansica (an unforgettable Viola Davis) as they attack and slaughter a unit of (male) soldiers from the neighbouring Oyo kingdom who have invaded one of their villages. These women are fearsome indeed and fly in the face of the representational norms of female or military.

After this compelling, action-packed opening, the narrative shifts to follow rebellious, young Dahomey girl Nawi (Thusu Mbedo) whose traditionalist father attempts to marry her off to an older man.… Read the rest

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Features Live Action Movies

Aimless Bullet
(Obaltan,
오발탄)

Director – Yu Hyun-mok – 1961 – South Korea – 110m

****

Former soldiers and others struggle with the effects of post-war economic depression in the newly constituted South Korea – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Made and released in the brief period of about a year between the collapse of one dictatorship and the rise of another, and the temporary relaxation of state censorship that accompanied it in South Korea, Aimless Bullet deals with the struggle to survive in that country amidst economic collapse. Men including demobbed soldiers and officers struggle to find work, others lucky enough to have jobs struggle to support their extended networks of loved ones while women drift into prostitution – or, if they’re really lucky, become movie stars.

It opens with crippled, former officer Gyeong-sik, constantly asking Sgt. Park and other drinking buddies not to call him “The Commander”, making a scene in a bar and smashing a glass door. Wandering through the streets at night alone afterwards, he’s accosted by former girlfriend Song Myeong-suk (Seo Ae-ja) who desperately wants him to fulfil his promise and marry her, but he won’t because as a cripple he feel an incomplete man.… Read the rest

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Features Live Action Movies

Save the Green Planet!
(Jigureul Jikyeora!,
지구를 지켜라!)

Director – Jang Joon-Hwan – 2003 – South Korea – Cert. 18 – 118m

*****

NSFW

Convinced that a corporate boss is an alien who killed his mother, a man takes him prisoner and tortures him to find out his race’s plans for planet Earth – plays alongside Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Lee Byong-gu (Shin Ha-kyun) is convinced that corporate CEO Kang Man-shik (Baek Yoon-shik) is not only responsible for the death of his mother but also is an alien spy set to communicate with his extra-terrestrial superiors at the next full moon in seven days time. So, aided by girlfriend Sooni (Hwang Jung-min), Lee kidnaps Kang and brings him back to his underground workshop beneath his hilltop home near which he keeps bees in hives. Lee wants to hear the truth from Kang’s own lips, and is prepared to torture him to get it.

CEO Kang is clearly not a nice guy – he is obviously raking in the money, yet we watch him driven home drunk by a valet who he shamelessly short changes on his fare.… Read the rest

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Features Live Action Movies

Mist
(Angae,
안개)

Director – Kim Soo-yong – 1967 – South Korea – 78m

****

A married man leaves Seoul to visit his dull hometown for a few days, where he embarks on a brief affair with a music teacher from the local school – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Yun Gi-jun (Shin Seong-il from The Barefooted Young, Kim Ki-duk, 1964) is bored with his job. He sits at his desk in a huge office looking at the paperwork, seeing it crawling with insects. But when others enter the office, they don’t see any of that, so it’s clearly all in his head. In many ways, that sets the scene for the mood of this heavily introspective piece which makes much use of voice over and flashback, as Gi-jun takes time out in his hometown of Mujin, for which he claims not to feel much affection but which is nevertheless full of personal history and memories for him.

We see him at home with his wife as she straightens his tie, and later as she brings her rich father over to the house.… Read the rest

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Features Live Action Movies

The Marines
Who Never Returned
(Doraoji
Anneun Haebyong,
돌아오지 않는 해병)

Director – Lee Man-hee – 1963 – South Korea – 110m

***1/2

A small unit of Korean soldiers pushing North in the Korean War adopt an orphaned girl as a mascot before being all but wiped out – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This opens impressively with what looks like stock footage of armoured cars and infantry coming up a beach. Soldiers race across open ground to a safe shooting position, briefly going back a couple of dozen or so feet to drag two of their wounded comrades forward into comparative safety.

They move on to a derelict, war-torn town. Burning buildings, half-collapsed sections of walls (one of which partially topples as they wait momentarily beside it). One soldier advances across a patch of open ground, gun in hands, grenade at the ready, watched by his expectant comrades from their positions of cover. Time seems to stand still. Eventually he lobs the grenade and the others move up behind him. He drops into a ditch. Ahead of him, a civilian woman comes onto the waste ground with her small daughter.… Read the rest

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Features Live Action Movies

Nowhere to Hide
(Injeong Sajeong
Bol Geot Eobtda,
인정사정 볼 것 없다)

Director – Lee Myung-se – 1999 – South Korea – Cert. 15 – 100m, 113m

***1/2

A cop determinedly pursues a gangland killer in a city where, since he committed the murder for which he is bing hunted, it always appears to be heavily raining – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Effectively a four-hander – an impulsive detective, his partner on the force, a ruthless killer gangster and his long-suffering girlfriend. Like a slobbish, South Korean version of Chow Yun-fat without the charm, Park Joong-Hung is the Oriental action movie homage-named Inspector Woo, who before the titles have rolled has pursued a black-clad gang into an underground train for a machete fight, shot in stylish, bleached black and white for no apparent reason.

The ground is covered in Autumn leaves, recalling The Conformist (Bernardo Bertolucci, 1970). The downtown location of public stairway 40 Steps has a schoolgirl look up and see it begin to rain, the torrential downpour continuing for the two months and more of the remainder of the narrative. A man leaves his car to ascend the steps; halfway up, he approaches another man (Song Young-chang) and kills him, even as the victim stretches out his hand in a futile attempt to keep his murderer’s knife at bay.… Read the rest