Category: Animation

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Animation Features Movies

True North

Director – Eiji Han Shimizu – 2020 – Japan, Indonesia – 93m

****

From the Annecy 2020 Online Animation Festival

The life of an ordinary family living in Pyongyang is interrupted when their father disappears and their mother is unable to tell their infant son Yo-han and his younger sister Mi-hee exactly what has happened to him, although she reassures them that everything will be fine. A few days later, in the middle of the night, there’s a knock at the door of their apartment. Officials come in and search the place, make the family pack a few belongings then put them into a truck.

On the ensuing journey, there are no stops for the lavatory. The truck takes them to a political camp where they will be imprisoned although it’s never quite clear what offence they have committed. Father is apparently an enemy of the state, even though he appears to have an exemplary record. Despite promises that the family will see him soon, he’s not in the camp to which they’ve been taken. They are going to have to fend for themselves there.

Mother does her best to keep her kids’ spirits up – no mean task when you’re living on meagre rations and forced to do backbreaking work shifts harvesting crops in the fields (woman and girls) or working in the mines (men and boys).… Read the rest

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Animation Features Live Action Movies

Ready Player One

Director – Steven Spielberg – 2018 – US – 12a – 140m

*****

Get your game on. Spielberg heads back to the future using Tye Sheridan as his avatar inside a visually lavish virtual world stuffed with 80s pop culture references and dirtylicious resonances – now on Netflix

Spielberg has long been happy to move between big-budget spectaculars like Jurassic Park (1993) which push the boundaries of what’s possible in film and culturally significant stories like Schindler’s List (1993) which rely less on special effects or reshaping the blockbuster medium. Following Bridge Of Spies (2015) and The Post (2017), Spielberg now brings audiences Ready Player One which represents something he’s been trying to make for years – a movie which gets into the heads of gamers.

Among his earlier forays, The Lost World: Jurassic Park (1997) felt like a funny mixture of a sequel and an attempt at realising the gamer world (think: racing through fields in vehicles surrounded by numerous running dinosaurs). Subsequent films A.I. (2001) and Minority Report (2002) both boast futuristic environments that might not look out of place in a state of the art video game. Further, the experience of watching The Adventures Of Tintin (2011) recalls the process of actually playing a computer game.… Read the rest

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Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

A man shipwrecked on an island encounters a red turtle.

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone, save for crabs and seagulls.… Read the rest

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Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

Categories
Animation Features Movies

Roujin Z
(老人Ｚ)

Director – Hiroyuki Kitakubo – 1991 – Japan – Cert. 15 – 80m

***1/2

Robot beds deal with the major Japanese social problem of caring for their burgeoning elderly populous – in cinemas

Touted as manga artist / anime director Katsuhiro Otomo’s follow up to the phenomenally successful Akira (Katsuhiro Otomo, 1988), Roujin Z was actually directed by one Hiroyuki Kitakubo. Otomo’s contribution runs to no more than original story credit and machine design. Ostensibly it’s a different type of tale which deals with the major Japanese social problem of caring for their burgeoning elderly populous.

Young, female nurse Haruko is alarmed when suits arrive to remove her aged, barely conscious and incontinent patient Mr. Takazawa from his home. Designated first subject of the government’s new ‘Roujin Z’ (Old Man Z) project – Takazawa is wired by his nerve endings into a computer-driven, mechanised bed designed to meet his every need, from vigorous walking exercise, bathing and urinating to communicating with his peers via TV screens (which also run regular network programmes) and playing Go or Chess with the computer.

Before long, Haruko starts to pick up “help” messages on her terminal sent from the Z-incarcerated Takazawa – and tries to talk back with the help of elderly hospitalized hackers using a photo of Takazawa’s late wife.… Read the rest

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Animation Features Movies

Kill It And Leave This Town

Director – Mariusz Wilczynski– 2020 – Poland – 88m

****1/2

From the Annecy 2020 Online Animation Festival

From its opening of a man smoking in the dark to its closing image of giants tied down on a beach like felled Gullivers in Lilliput, this is awash with the sort of gloomy imagery readily associated with East European art pictures. That’s not to say it isn’t highly effective though. Set partly in a grey, heavily industrialised town where chimneys constantly belch out smoke and partly in a seaside resort, it has a narrative through line but constantly weaves around that with a series of episodes, dreams and memories. Nevertheless it possesses its own, coherent inner logic.

An old woman (Krystyna Janda) wishes her husband (Andrzej Chyra) goodbye as he takes their son Janek (Maja Ostaszewska) out. Later she visits the shops where, although she makes a point of explaining that she has the correct change, no one seems to be interested in actually serving her. Indeed, these are strange shops. Sometimes the fishmonger’s assistant (Malgorzata Kozuchowska) guts fish and sometimes she guts little humans who are around the same size.

At one point a man (Daniel Olbrychski) whose hat conceals that he has the head of a cat delivers an unsettling line about his purposes in the world to do with power, evil and good.… Read the rest

Categories
Animation Features Movies

The Shaman Sorceress
(무녀도)

Director – Ahn Jae-huun – 2020 – South Korea – 85m

***1/2

From the Annecy 2020 Online Animation Festival

Rural woman Mohwa has had two children, first a boy Wook-yi then a girl Nang-yi, by two different fathers. She is a woman of contradictions: free spirited in love, more traditional in her everyday beliefs. She is revered locally as a healer, the person to whom people go when they have a sick relative. Mohwa is a shamaness who practises exorcisms on the sick to rid them of whatever evil spirits plague them. And she has an impressive track record. She’s also an alcoholic.

Since she is a long way down the economic food chain, she fears for Wook-yi’s future and packs him off to a Buddhist temple. His hitherto healthy younger sister falls ill and when she recovers three years later she has lost her hearing. Nang-yi also possesses considerable skill as a painter.

Wook-yi, meanwhile, hates the temple and leaves it to go to the more forward looking Seoul where he wanders into a Christian church and is converted. When he returns home, he talks to the largely silent Nang-yi about “who made human?” and “The One And Only God”, even getting her to say the words “One And Only God”.… Read the rest

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Animation Movies Shorts

The Passer-by
(De Passant)

Director – Pieter Coudyzer – 2020 – Belgium – 16m

*****

From the Annecy 2020 Online Animation Festival

This is a film about our interconnectedness or lack of it. And impossible to review without spoilers – be warned before you read on. Thomas is a typical teenager studying for exams. He needs to be woken up in the morning by his mum or he’d lie in bed all day. Confronted with a textbook of maths equations, he’d rather keep drawing that portrait he’s been working on for his friend Karen. His mobile rings. It’s Karen. He agrees to take the drawing round and meet at the bus stop. He tries to sneak out, but mum spots him. He’s forced to admit it’s Karen. Don’t be long, his mum admonishes him.

And out he goes on his bicycle, stopping en route to chat to a neighbour working in his garden. A little further on an irritating, yappy little dog runs after him. Thomas moves across the road narrowly missing an oncoming fellow cyclist. He apologises. He keeps going. A car pulls out. He hits it, goes flying across the bonnet, lands on the pavement beyond. His drawing flies up into the air, carried on its currents.… Read the rest

Categories
Animation Movies Shorts

Popeye The Sailor
Meets
Sindbad The Sailor

Director – Dave Fleischer – 1936 – US – 16m – colour – Oscar nominated

*****

Currently streaming on MUBI.

A rare, two reeler, colour outing for the Fleischer brothers’ Popeye, this removes him from his usual urban environment to an island populated with fabulous monsters – the opening features snakes, lions, a dragon and a vulture before we meet self-proclaimed “The Most Remarkable Fellow”, credited in the cast as Sindbad The Sailor although anyone familiar with other Flesicher Popeye cartoons will recognise him as regular villain Bluto. Sindbad sings a song asking the rhetorical question who this extraordinary fellow is, culminating in Popeye’s voice unexpectedly singing “Popeye The Sailor Man”, from which springs the film’s subsequent dramatic conflict. Talking about a shackled two headed giant Sindbad also references King Kong, released three years earlier and an obvious influence on the remote island with caves and incredible beasts seen here.

(MUBI’s source print print is missing a little bit of the opening credits, so you might want to hit pause on the single credits page detailing the cast before it vanishes after a few seconds. Otherwise, the print is in pretty decent condition.)

When Sindbad sends a giant bird to scuttle Popeye’s ship and kidnap the woman (Olive Oyl), the bird’s take off is animated less like a bird and more like a nineteen thirties aircraft that struggles to leave the ground.… Read the rest

Categories
Animation Art Movies Shorts

The Battle Of San Romano

Director – Georges Schwizgebel – 2017 – Switzerland – 2m 26s

*****

The Battle Of San Romano is the fourth of 13 Original Short Films in the Annecy Festival 2020’s selection for We Are One: A Global Film Festival.

This film is based on the eponymous painting by Paulo Uccello in London’s National Gallery which has produced this helpful filmed talk about it. The painting’s subject matter is a 1432 battle between two regional Italian armies. The camera as we know it today didn’t exist at that time and had it done so, Uccello might anyway not have been very interested in using it to record an historical record as such. He seems to be more interested in constructing representational images, forms, and the illusion of three dimensional space.

What interests Schwizgebel is not so much the subject of the painting but the painting itself. It’s a study of the painting in much the same way that painters make studies of subjects with a view to exploring them, perhaps for use in a larger composition. Whether he is employing animation in quite the right medium is debatable. When I say medium, I mean that of the short film.

This short feels less like a film with a beginning, middle and end and more like a cycling loop of images which could go on for ever, so much so that I’ve found myself going back to it and re-watching in whole or in part.… Read the rest