Tag: Steve Barron

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Features Live Action Movies

Teenage Mutant
Ninja Turtles
(UK: Teenage Mutant
Hero Turtles)

Director – Steve Barron – 1990 – US, UK – Cert. PG – 91m 38s (cut) – 93m 25s (cuts waived for 2003 reclassification) BBFC info here

** 1/2

What can you say about four turtles who accidentally wandered into radioactive material, which caused them to grow unnaturally large and speak strange words? Like “pizza!” Or who serve a ninja master in the form of a giant, talking, four foot rat named Splinter (voice and performer: Kevin Clash)?

Whatever else they might be, the turtles are certainly different. While they might well fight for Truth, Justice and the American Way, they certainly know where their priorities lie, and never give up their other, equally important aims – to party and to seek out that essential slice of pizza.

This is the final film on which the late, great puppet master Jim Henson (The Muppets TV series, 1976-81; The Dark Crystal, 1982) worked. Here, his directorial protégé Steve Barron brings to life not only Leonardo (voice: Brian Tochi, performer: David Foreman), Michelangelo (voice: Robbie Rist, performer: Michelan Sisti), Raphael (voice and performer: Josh Pais) and Donatello (voice: Corey Feldman, performer: Leif Tilden), but also the crazy, teen crime-ridden city under which they live.… Read the rest

Categories
Animation Features Live Action Movies

a-ha The Movie

Directors – Thomas Robsahm, Aslaug Holm – 2021 – Norway, Germany – Cert. 12a – 108m

***

The rise and career of the enduring, three-piece, Norwegian band a-ha – out in cinemas on Friday, May 20th

Norwegian trio a-ha are arguably best known for two songs. They swept to fame on the strength of their first hit Take On Me, which features extensively in this documentary. They were later asked to do the title for Bond movie The Living Daylights (John Glen, 1987), which gets only a few minutes screen time somewhere in the middle here, so I’ll get that out of the way first. The band write their own material and found themselves having to work with legendary Bond composer John Barry as their producer on this gig who, as they saw it, was used to having musical input and getting his own way. They talk about recording the song in such a way as to get round him.

Perhaps what this best illustrates is that musicians (artists, composers, bands) often work and operate within their own sealed worlds and if they have to work with rivals, sometimes it works, sometimes it doesn’t. In this instance, it doesn’t sound a good experience for either party.… Read the rest