seventies Archives - Jeremy C. Processing

Director – Peter Strickland – 2018 – UK – Cert. 15 – 118m

*****

A red dress bought from and returned to a department store wreaks terrible fates on serial owners in a film much stranger and more worthwhile than it sounds – now on MUBI and Curzon Home Cinema

A wildly inventive and unashamedly British affair, Strickland’s latest film mixes tacky 1970s aesthetics with several workplaces – a department store, a personal loans company and a washing machine repair firm. Clothing emporium Dentley & Soper is run on a series of arcane regulations, obedience to the seemingly arbitrary rules for conduct of personnel at Waingel’s Bank is encouraged by smarmy middle management types Stash and Clive (Julian Barrett and Steve Oram) while washing machine repair firm Slaverton’s Wash insists any personnel who mend their own machines must do so on the firm’s books.

Although the film is constructed on the portmanteau template used in many horror films, whether it’s a horror movie as such rather than a very strange and stylish arthouse movie is open to debate. Loosely linked narratives are woven around serial characters – Waingel’s employee Sheila (Marianne Jean-Baptiste), Slaverton’s repair man Reg Speaks (Leo Bill) and his fiancée Babs (Hayley Squires).… Read the rest

The Post

Director – Steven Spielberg – 2017 – US – 12a – 116m

*****

The White House versus the press. Set in the 1970s, Steven Spielberg’s journalistic epic tells the story of The Washington Post and the Pentagon Papers – available for digital streaming

In 1971, The New York Times broke the story of the Pentagon Papers. These documents detailed how the incumbent Nixon administration and its predecessors had increased the scale of the US involvement in the unwinnable war in Vietnam for political gain rather than the national good. The administration’s response was swift and repressive: within two days, a legal injunction prevented the paper from publishing further details. The Washington Post (often shortened to The Post, as in the film title), at the time more a local paper than a national one, stepped into the breach with its reporters hunting down the New York Times’ source so that it could publish more of the story as it emerged. Having just floated on the New York Stock Exchange, the paper found itself in the tricky situation of being accountable to conservative shareholders who didn’t like the idea of exposing their investment to risks with the potential to close the paper down for good.… Read the rest