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Pharaoh
(Faraon)

Director – Jerzy Kawalerowicz – 1966 – Poland – Cert. 12 – 152m

*****

The reformist zeal of a youthful heir to the Ancient Egyptian throne confronts the immovable conservative tradition of the priesthood of the god Osiris – on Blu-ray from Monday, September 16th

There is nothing else in cinema quite like Pharaoh. That was my impression watching it, and although in such instances you always wonder if there are films of which you’re unaware that lie in a similar vein, this impression is confirmed by watching the Blu-ray’s excellent, 70 minute-odd afterword by critic, curator and scholar Michal Oleszczyk, which contextualises the film by detailing (1) the source novel by Boleslaw Prus, (2) its place in director Kawalerowicz’s wider body of work, which also includes Mother Joan of the Angels (1961) and (3) its significance in both 1960s international film culture and wider Polish history.

This disc extra isn’t meant to be watched until after the film has been viewed, not least because it contains a number of spoilers, so I’ll say no more about it in this review except to say that it’s an excellent and worthwhile extra that will add much to the viewer’s appreciation of the film.… Read the rest

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My Favourite Cake
(Keyke Mahboobe Man,
کیک محبوب من)

Directors – Maryam Mogadam, Behtash Sanaeeha – 2024 – Iran, France, Sweden, Germany – Cert. 12a – 97m

****1/2

An old woman living alone in Iran takes a shine to a taxi driver after learning he has no romantic attachments – out in UK cinemas on Friday, September 13th

Mahin (Lily Farhadpour), 70, likes to lie in. Every morning, she’s woken by her mobile phone and her friend Pouran’s distinctive Vivaldi Four Seasons ringtone. She waters her small courtyard garden, she goes to the market to buy vegetables, she gets a lift home. She talks to her daughter and grandkids on a videolink – her daughter has long since left Iran. In the evening, she has friends round for a meal, including the hypochondriac Pouran who insists on talking about her recent colonoscopy (of which she’s brought along a disc with a video).

The next day, she gets a cab to a hotel to visit a coffee shop inside its premises, where she is confounded by a menu consisting of a QR code. She visits a park and asks a man there, where do people exercise? It seems they tend to come earlier in the morning than she gets up.… Read the rest

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Mother Night

Director – Keith Gordon – 1996 – US – Cert. 15 – 114m

*****

In this adaptation of Kurt Vonnegut’s novel, a former Nazi propagandist awaits trial in Israel for war crimes – retail VHS review from Home Entertainment, 1997

From his Israeli prison cell where he must compose his memoirs while awaiting trial for his war crimes in black and white, Howard W. Campbell, Jr. (Nick Nolte in a career-defining performance) recalls in colour flashback his rise to fame in wartime Berlin as a radio propaganda writer / broadcaster for the Third Reich, surviving that regime’s madness by devoting himself to actress wife Helga (Sheryl Lee) and their self-contained Nation Of Two.

Recruited from a park as an undercover American spy by raincoat‑wearing American top brass John Goodman (a small part, but likewise impressive), Campbell has to incorporate coded messages to the Allies in his broadcasts. In 1944, Helga dies. After the War, Campbell winds up alone in a seedy New York apartment where neighbours include fellow widower Alan Arkin and Auschwitz survivor‑turned‑doctor Ayre Gross.

When admiring right wing activists arrive at Campbell’s door, the tale (based on Kurt Vonnegut’s novel) lurches even further into surrealism. Gordon’s direction is flawless throughout.… Read the rest