receptionist Archives - Jeremy C. Processing

Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The Assassin, Hou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium Mambo, Hou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate Bridge, Tsui Hark, 2022; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

Shark Skin Man
and Peach Hip Girl
(Samehada Otoko
to Momojiri Onna,
鮫肌男と桃尻女)

Director – Katsuhito Ishii – 1998 – Japan – Cert. 15 – 108m

*****

Arresting and highly inventive thriller is out as a standalone Blu-ray release in the UK from Monday, April 14th 2025, also on digital, having previously appeared as the first disc of the three disc release Katsuhito Ishii Collection from Third Window Films just over a year ago (when the following piece was written for All the Anime).

Deriving its odd title from a literal translation of the leads’ surnames, Katsuhito Ishii’s highly original gangster movie from 1998 is based on a familiar plot: a man runs off with the mob’s money, and a lady companion. Or, as pioneering French New Wave director Jean-Luc Godard once put it: all you need to make a movie is a girl and a gun.

Shark Skin Man and Peach Hip Girl has much the same strengths as Godard when he’s on form. Ishii demonstrates a similar flair for taking actors or actresses and having them do what they do on camera so that it’s completely absorbing to watch: look no further than the extraordinary title sequence which starts about five minutes in and consists of little more than names and images of all the major cast members against a white background with overlaid black line animation images.… Read the rest