Categories
Animation Features Movies

Calamity.
A Childhood
Of Martha Jane Cannary (Calamity.
Une Enfance
De Martha Jane Cannary)

Director – Rémi Chayé – 2020 – France – 85m

****

A young girl dresses as a man to survive in the Wild West in this extraordinary 2D, colour animated film – from the Annecy 2021 Animation Festival

Martha Jane Cannary is travelling across the US in a wagon, part of a larger convoy, with her father and her two younger siblings Lena and Elijah. Leading the train is Abraham, an austere and traditional man who isn’t good at taking criticism. Martha Jane has frequent arguments with his son Ethan. Her dad Robert is generally looked down upon, a situation scarcely helped by his wagon’s wheel coming off on a hillside road causing the convoy to grind to a halt or his attempt to lasso a horse to show that he is skilful which ends in his getting two broken ribs and a broken leg when the horse gets out of control.

With her dad unconscious in the back of their wagon, she is assigned Ethan as driver and manages to persuade him to let her try driving. She also borrows a pair of her dad’s jeans as she finds them much easier to get around in than the dress she’s supposed to wear.… Read the rest

Categories
Animation Movies Shorts

If Anything Happens
I Love You

Directors – Will McCormack, Michael Govier – 2020 – US – 12m

*****

A couple and their spirit selves are haunted by a tragic loss from their family’s past in this beautifully economic, drawn animated short about grief and loss – on Netflix and winner of Best Animated Short at the 2020 / 2021 (93rd) Oscars

Drawn animation. A couple eat at home. Meatballs and spaghetti. Silently. Drawn in stark, gloomy black and white lines. Behind them, in sharply outlined areas of black smudge, the shadows of their spirit selves or perhaps their memories argue. This relationship is in trouble.

They go about the business of everyday living, in empty black and white, trying to snatch moments of individual joy where they can. He wanders round the outside of the house, noticing once again that bit of plasterwork he really should get fixed. She tends the potted plants and takes the laundry out of the machine, picking up the child-sized blue t-shirt. He sits watching the TV with a can of drink. She wanders into the bedroom with the empty bed and somehow the record player and a pop song gets turned on.

Happier times, playing football with their daughter (10) in the garden, the ball taking off a chuck of the wall cladding.… Read the rest

Categories
Live Action Movies Shorts

GoGo Club
(梁韻怡)

Director – Rei Leung Wan-yi – 2019 – Hong Kong – Cert. N/C 15+ –25m

*****

The progress of a former nightclub employee following his fortuitous encounter with a girl in a panda suit – FREE TO VIEW online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

At age six, Yin (Matt Jiu Kai Laam) was brought by his mother (Gaga Tse Ka Wai) to the Golden Rose nightclub where she worked as a live-in cleaner and odd job person as the grown up Yin describes in voiceover narration. He doesn’t mention her suavely suited manager (Tony Ho Wah Chiu – Our Time Will Come, Ann Hui, 2017; Infernal Affairs, Andrew Lau, Alan Mak, 2002; Dead Or Alive: Final, Takashi Miike, 2002) is a permanent fixture propping up the enquiries desk window counter. At age 26, Yin (Shaopin Tsui) is told by the manager that today is his last day. In fact it’s also the manager’s last day because the Golden Rose is closing down. Enquiring about his missing back pay, Yin is given the company’s very expensive car to sell for profit which turns out to be an old van covered in dust. … Read the rest

Categories
Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.