Tag: 2D animation

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

A man shipwrecked on an island encounters a red turtle.

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone, save for crabs and seagulls.… Read the rest

Categories
Animation Features Movies

Roujin Z
(老人Ｚ)

Director – Hiroyuki Kitakubo – 1991 – Japan – Cert. 15 – 80m

***1/2

Robot beds deal with the major Japanese social problem of caring for their burgeoning elderly populous – in cinemas

Touted as manga artist / anime director Katsuhiro Otomo’s follow up to the phenomenally successful Akira (Katsuhiro Otomo, 1988), Roujin Z was actually directed by one Hiroyuki Kitakubo. Otomo’s contribution runs to no more than original story credit and machine design. Ostensibly it’s a different type of tale which deals with the major Japanese social problem of caring for their burgeoning elderly populous.

Young, female nurse Haruko is alarmed when suits arrive to remove her aged, barely conscious and incontinent patient Mr. Takazawa from his home. Designated first subject of the government’s new ‘Roujin Z’ (Old Man Z) project – Takazawa is wired by his nerve endings into a computer-driven, mechanised bed designed to meet his every need, from vigorous walking exercise, bathing and urinating to communicating with his peers via TV screens (which also run regular network programmes) and playing Go or Chess with the computer.

Before long, Haruko starts to pick up “help” messages on her terminal sent from the Z-incarcerated Takazawa – and tries to talk back with the help of elderly hospitalized hackers using a photo of Takazawa’s late wife.… Read the rest

Categories
Animation Features Live Action Movies

First Love
(Hatsukoi,
初恋)

Director – Takashi Miike – 2019 – Japan – Cert. 15 – 108m

*****

A boxer with no fear of death. Japanese yakuza, Chinese triads. A bag of drugs. A girl sold into prostitution. Miike orchestrates his potent cocktail with pace, panache and energy – cinemas Friday, February 14th, home video Monday, February 24th

And yet, as its release date implies, First Love is also a Valentine’s Day-friendly date movie. Not, admittedly, your average date, but Miike has never been your average director. High-profile titles released in the West like Dead or Alive, Ichi the Killer and Yakuza Apocalypse give an certain idea of what he’s about – life, death and gangsters. This is only one facet of a career which also boasts samurai epics and a musical. If you count his made-for-video features of the early 1990s, Miike has now made over a hundred films. Many are highly entertaining and one or two, such as Audition, the sweet romantic film that turns into a terrifying horror thriller, might justifiably be termed great. First Love may not quite be Audition, but it’s arguably his best film for years… [Read more]

Full review at All The Anime.

Categories
Animation Features Movies

I Lost My Body
(J’ai Perdu
Mon Corps)

Director – Jérémy Clapin – 2019 – France – Cert. 12a – 81m

****1/2
A severed hand searches for its body while a boy searches for the girl who he only knows from the sound of her voice in this French animated feature – from the BFI London Film Festival then in cinemas on Friday, November 22nd and on Netflix from Friday, November 29th

This unique 2D animation opens with a discussion about how to catch a fly before splitting into two parallel narratives. In one, a severed hand goes on a quest in search of the body from which it has become detached. In the other, boy meets girl. This is the boy who at a later point in the film will lose his hand in an accident. The opening fly discussion turns out to be a flashback of the boy.

The hand shows great ingenuity as it escapes rats in a subway, climbs medical skeletons in a storage room and duels with an aggressive pigeon in a roof gutter. It has a pretty hard time of it physically. And when it eventually finds its body, reuniting with it proves far from simple.

The boy, Naoufel (voiced by Hakim Faris in the seen French version and Dev Patel in the upcoming English dub), is working as a pizza delivery boy, a job to which he isn’t particularly suited.… Read the rest

Categories
Animation Features Movies

The Relative Worlds
(Ashita Sekai
Ga Owaru
To Shitemo,
あした世界
が終わる
としても)

Director – Yuhei Sakuragi – 2019 – Japan – 93m

***

Teenage romance, parallel worlds and dysfunctional families are the main ingredients of The Relative Worlds, Yuhei Sakuragi’s uneasy cross between a mawkish boy meets girl tale and a sci-fi action picture in the James Cameron mould. The romantic, emotional parts are gentle and almost hesitant. The science fiction, fantasy and action parts are fast, full on and frantic – and indeed in places quite hard to keep up with. The dysfunctional families are more a background plot device than anything else. That said, if you’re prepared to get on its wavelength (or wavelengths, plural) it’s an enjoyable enough romp, with action that looks great on a big screen… [read more]

Full review at All The Anime.

Trailer:

Festivals

2019

Scotland Loves Anime

Annecy International Animation Festival

Categories
Animation Features Movies

When Marnie
Was There
(Omoide
No Mani,
思い出
のマーニー)

Director – Hiromasa Yonebayashi – 2014 – Japan – Cert. U – 103m

****

This second animated work by Ghibli / Arrietty director Yonebayashi is another adaptation of an English children’s author – now showing on Netflix (subtitled / dubbed) and can also be seen in the Anime season April / May 2022 at BFI Southbank (dubbed)

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The following review originally appeared in Funimation UK.

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Jeremy Clarke on Studio Ghibli’s latest and possibly last theatrical movie. Now showing on Netflix

Studio Ghibli’s star director Hayao Miyazaki has suggested When Marnie Was There may be its final production. That would be a great shame since the film confirms its director Hiromasa Yonebayashi as a rising talent.

Twelve year old Anna has low self-esteem, rarely interacts with others and is prone to asthma attacks. So Anna’s foster mother sends her to stay with Aunt and Uncle Oiwa in the country. Her uncle warns her to stay away from the supposedly haunted grain storage silo on the hill. The Oiwas put her up in their daughter’s long vacated bedroom.

When she opens the window an improvement is immediately visible in Anna as if the view of trees and a lake which greets her is making her aware she is breathing pure, fresh country air for the first time.… Read the rest

Categories
Animation Features Movies

The Castle
Of Cagliostro
(Rupan Sansei:
Kariosutoro
No Shiro,
ルパン三世
カリオストロの城)

DVD review originally published in Starlog, UK edition.

TO CATCH A THIEF

ANIME OF THE MONTH

THE CASTLE OF CAGLIOSTRO

(REG 2 DVD: ENGLISH / JAPANESE DUBBED, OPTIONAL ENGLISH SUBTITLES)

£19.99, Widescreen (1.85:1), Dolby Digital 2.0 (Manga)

One of Manga Video’s best kept secrets arrives on UK DVD. Arsene Lupin III is manga artist Monkey Punch’s descendant to Frenchman Maurice LeBlanc’s noted thief Arsene Lupin and the subject of copyright controversy in the US where the character had to be renamed Wolf or Rupan. Strong though the character may be, the factor that raises this particular film above much anime is the pedigree of writer-director Hayao Miyazaki.

A superb piece of genre film-making, Cagliostro allows Miyazaki to try out lots of ideas he’d rework later. Monkey Punch’s quasi‑European trappings, evidenced both here and in other Lupin III movies, are perfectly in tune with Miyazaki’s sensibilities. Fairytale plot elements concern a princess (a dead ringer for one of Nausicaä Of The Valley Of The Wind’s characters) trapped in a tower by the evil Count Cagliostro and a castle with a 500-year-old secret (shades of Laputa‘s decaying castle in the sky). Then, for a film about a thief, there’s a surprising nod towards goodness; yet the film never becomes too lofty for its own good, being filled with such detours as banknote forgery, lethal security systems, unexpected trap doors and an impressive autogyro (Miyazaki has a reputation for strikingly designed aircraft and other flying objects).… Read the rest