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Bob Marley
One Love

Director – Reinaldo Marcus Green – 2023 – US – Cert. 12a – 104m

***1/2

From his childhood in poverty in Jamaica, Bob Marley rises to stardom and international fame as the bast known proponent of reggae music – out in UK cinemas on Friday, February 16th

All this movie has to do to succeed is give us lots of Bob Marley’s recordings and show us lots of images of him doing things in the process. That’s what the movie says on the tin and that’s what you find inside. It fundamentally delivers what its audience expects and will probably do very well. Although I wouldn’t describe myself as a particular fan, over the years Marley’s music has seeped inescapably into both the popular and my own consciousness: it’s good, positive stuff which genuinely hits a tangible musical groove. I watched the movie and had the good time I was expecting. And Kingsley Ben-Adir is watchable enough as Marley.

However.

Anyone who comes to this wanting to know more about Bob Marley will find this a frustrating experience. Director Green, who co-wrote the script, fails to introduce a number of characters properly. Among Marley’s entourage of musicians and friends, for instance, I couldn’t tell you which one in the film is Peter Tosh (Alex-A Game), who is something of a lesser legend in the world of reggae.… Read the rest

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Features Live Action Movies

House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest