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Pelle The Conqueror (Pelle Erobreren)

Director – Billie August – 1987 – Denmark – Cert. 15 – 157m

***1/2

Winner of Best Foreign Language Film at the 1988 (61st) Oscars

Babette’s Feast (Babettes gæstebud)

****

Director – Gabriel Axel – 1987 – Denmark – Cert. U – 103m

Winner of Best Foreign Language Film at the 1987 (60th) Oscars.

This double review originally appeared in the Church Times.

JEREMY CLARKE ON VIDEO

Comments on Social and Religious Austerity.

Social hardship and religious severity have long been an artistic staple in Scandinavian films; two current video releases illustrate the point admirably. Pelle, the young lad of Pelle The Conqueror, is told he can conquer the whole world by his father (Max Von Sydow).

The turn of the century reality is less attractive, since the Swedish father and son are forced by economic necessity to migrate to neighbouring Denmark in search of farm labouring work. In Denmark, the boy boy struggles to keep his dreams alive despite local anti-Swede prejudice.

The tale and its setting strike a curious parallel with Babette’s Feast, in which Parisian refugee of the 1871 Communard uprising Babette (Stephan Audran) arrives in the Jutland Danish coastal region to seek refuge.… Read the rest

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Features Live Action Movies

Babette’s Feast (Babettes gæstebud)

Director – Gabriel Axel – 1987 – Denmark – Cert. U – 103m

****

Winner of Best Foreign Language Film at the 1987 (60th) Oscars

Pelle The Conqueror (Pelle erobreren)

***1/2

Director – Billie August – 1987 – Denmark – Cert. 15 – 157m

Winner of Best Foreign Language Film at the 1988 (61st) Oscars

This double review originally appeared in the Church Times.

JEREMY CLARKE ON VIDEO

Comments on Social and Religious Austerity.

Social hardship and religious severity have long been an artistic staple in Scandinavian films; two current video releases illustrate the point admirably. Pelle, the young lad of Pelle The Conqueror, is told he can conquer the whole world by his father (Max Von Sydow).

The turn of the century reality is less attractive, since the Swedish father and son are forced by economic necessity to migrate to neighbouring Denmark in search of farm labouring work. In Denmark, the boy boy struggles to keep his dreams alive despite local anti-Swede prejudice.

The tale and its setting strike a curious parallel with Babette’s Feast, in which Parisian refugee of the 1871 Communard uprising Babette (Stephan Audran) arrives in the Jutland Danish coastal region to seek refuge.… Read the rest

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Eat Drink Man Woman (Yin Shi Nan Nu)

Director – Ang Lee – 1994 – Taiwan, US – Cert. PG – 124m

*****

Originally published in Home Entertainment.

Ageing restauranteur Chu (Lung Sihung) lives in Taipei with his three daughters – Christian schoolteacher Jia-Jen (Yang Kuei-mei), high-flying businesswoman Jia- Chien (Wu Chien-lieu) and teenage fast food assistant Jia-Ning (Wang Yu-wen). His problem (as with the mother in Lee’s Sense And Sensibility/1996) is that none of his daughters are married – and the clock is ticking.

Opening (scooter) traffic shot boasts encompassing sound, later rivalled by such DS subtleties as hymn singing (on a wonky Walkman) and a playground full of kids. Better yet are the cooking noises – bubbling, frying, pouring, steaming – rendered more mouth-watering still by accompanying oriental cuisine visuals. Should be watched with a lavish meal ready for consumption by the time of (or even before) the final frame.

Film 5/5

Sound 5/5

Nominated for Best Foreign Language Film at the 1994 (67th) Oscars.

Originally published in Home Entertainment.

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Mr. Vampire (Geung see sin sang)

Director – Ricky Lau – 1985 – Hong Kong – Cert. 15 – 94m

*****

This review originally appeared in Manga Mania to coincide with the film’s UK VHS release from Made In Hong Kong. Running time as on VHS sleeve. See also my All The Anime review coinciding with the 2020 Eureka! Blu-ray.

SCREEN GEMS

MR. VAMPIRE

The Far East views vampires through completely different cultural baggage, the extraordinary result of which can be seen in seminal Hong Kong period horror outing Mr. Vampire (1985) – which spawned several sequels and influenced countless genre outings both in Hong Kong live action and Japanese animation.

HOW IT ALL BEGAN

Encounters Of The Spooky Kind (1980) sees director Sammo Hung spend the night in a haunted house where he encounters various undead manifestations. It’s no surprise that Hung acted as producer on the later Mr. Vampire, where director Ricky Lau distilled Chinese cadaver / vampire mythology into a subsequent industry staple. As Lam Ching-ying so clearly explains in Mr. Vampire: “There are good men and bad men…corpses and vampires…this corpse is turning into a vampire.” Producer and director went on to make Mr. Vampire 2, 3 and 4, all with corpse‑busting star Lam Ching-ying who returned a fifth time under a different director for the present day Magic Cop / Mr.Read the rest

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Witness

UK PAL laserdisc review.

Originally published on London Calling Internet.

Distributor Pioneer LDCE

£19.99

BBFC Certificate 15

Director Peter Weir (1985)

Starring Harrison Ford, Kelly McGillis, Lukas Haas, Danny Glover

Running Time 108 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

First American movie by Australian director Weir was also Ford’s first attempt at serious acting (for all those who think the star didn’t have his work cut out on the Indiana Jones or Star Wars films which previously made his name). The piece shifts constantly between a generally unremarkable gun-laden, American cop thriller on the one hand and an utterly unique portrait of Amish life on the other – so unique, in fact, that most people who have heard of the Amish have done so through this film.

The simple respect afforded the Amish – an extreme post-Anabaptist, post-Mennonite Christian tradition that abhors post-industrial material in favour of a pre-industrial community lifestyle – is quite extraordinary given Hollywood’s usual smack-in-the-face / pat-on-the-head attitude towards Christianity. Here, Weir just notes and observes, making no judgements one way or the other, leaving us rather to make up our own minds.

What Weir does do, though – and to remarkable effect – is juxtapose this clean and idealistic world with a foul-mouthed, urban universe of corrupt cops.… Read the rest