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Hypnotic

Director – Robert Rodriguez – 2023 – US – Cert.15 – 93m

**

A police detective stumbles upon a conspiracy involving people with mind-bending powers – out in UK cinemas on Friday, May 26th

An underlying insistent rhythm opens Hypnotic, the clicking of a pen in a hand. It belongs to the therapist of Danny Rourke (Ben Affleck) and disturbs his recurring memory. He’s in the park watching his seven-year-old daughter. For a moment, his attention wanders. Then he realises she’s gone. Before that, he saw a man, who he is sure must have kidnapped her. The therapist wants to know, does he feel fit enough for active duty?

Then he’s in the squad car with police partner Nicks (JD Pardo), responding to a tip off about an imminent armed robbery of a safe deposit box in a bank. From the CC TV van at the site, he spots two armed security van guys before panning over to the suspicious man (William Fichtner) speaking to a woman on a park bench. She rises and, suddenly convinced there’s a heatwave, starts peeling off layers of clothing as she walks. He says something to the two van guys. After Rourke has talked his way into the bank vault and discovered a Polaroid of his vanished daughter bearing the name Dellrayne inside the safe deposit box, the suspicious man says something to a bank teller, who admits him and the two van guys to the vault.… Read the rest

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Documentary Features Live Action Movies

The Other Fellow

Director – Matthew Bauer – 2022 – UK – Cert. 15 – 80m

**1/2

The name’s Bond. James Bond. This is a look at real life people who share the name of Ian Fleming’s popular spy character – out in UK cinemas and on demand from Friday, May 19th

What’s in a name? When Ian Fleming was looking to name the secret agent he’d written a novel about, he wanted a dull, ordinary name that wouldn’t stand out. On his shelf in Goldeneye, the Jamaican retreat where he wrote the books, was Birds Of The West Indies by James Bond. It was perfect. He stole the name for his character. When the wife of the real James Bond later got in touch by letter, Fleming was concerned they were going to sue. Fleming appears in a film clip from that time, which must be used here two or three times. The author’s wife and the bird book author James Bond himself are here played by actors Tacey Adams and Gregory Itzin.

That’s just one of the stories about identity in this brilliantly conceived documentary about people named James Bond. There’s a Bond family who have been passing the name James down for generations and weren’t going to stop because of Ian Fleming’s character.… Read the rest

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Lust, Caution
(Se, Jie,
色, 戒)

Director – Ang Lee – 2007 – China, Taiwan, US – Cert. 18 – 158m

*****

A Chinese student joins an assassination plot against a high-up Japanese collaborator, for which she must sleep with him – originally published in Third Way, to coincide with 4th January 2008 UK cinema release.

Some will consider this erotic espionage thriller a no-go area, while others will want to see it for its director. Mandarin Chinese language outing Lust, Caution is based on a short story which highly regarded Chinese author Eileen Chang spent decades honing. Taiwanese-American director Ang Lee (award winner for both Brokeback Mountain, 2005, and Crouching Tiger, Hidden Dragon, 2000) claims he hasn’t so much adapted Chang’s tale as, in collaboration with his cast, re-enacted it. Given her story concerns the activity of a troupe of actors, perhaps this isn’t so surprising.

Shanghai 1942. Mrs Mak, waiting for a rendezvous in a café, is not who she appears. She recalls how in China 1938 she was shy Wong Chia Chi (Tang Wei) who as a university student got involved with a drama group to encourage patriotism under Kuang Yu Min (Wang Leehom). Acting before an enraptured audience, she realises she has found her métier.… Read the rest

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How to
Blow Up
a Pipeline

Collaborators – Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber – 2022 – US – Cert. 15 – 103m

****

An eco-terrorism thriller based on the manifesto by Andreas Malm – out in cinemas in the UK on Friday, April 21st.

Credited as a film by its four main collaborators (its three writer-producers and its editor) rather than (as is the usual industry practice) merely its director Goldhaber (Cam, 2018), this is based on climate change activism apologist Andreas Malm’s non-fiction treatise which argues for the destruction of property e.g. fossil fuel industry infrastructure as part of the fight against the fossil fuel industry which is causing climate change. What the book doesn’t do is tell the reader the techniques and specifics that would enable them to actually blow up a pipeline.

Likewise, this movie doesn’t provide the viewer with the knowledge and technical wherewithal that would enable them to blow up pipelines after watching it. Like Malm, it offers moral justification(s) for the act. It shows a committed group of young people who have between them carried out extensive research into everything necessary for their planned act and reached a point of moral choice where they feel they have no other option than to carry out such an action.… Read the rest

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How To
Blow Up
A Pipeline

Combatting spiritual wickedness

How to Blow Up a Pipeline
Film by

Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber
Certificate 15, 103 minutes
Released 21 April

A radical film whose four makers eschew the widespread film industry notion of the film director as sole author, film production being a collaborative process. It follows a group of young eco-terrorists pursuing their eponymous goal. That title is taken from Andreas Malm’s book, which argues that the fossil fuel industry’s ‘business as usual’ approach to global warming dictates that the only effective way to fight climate change is via property destruction and sabotage.

If this sounds a long way from any concept of non-violent Christian protest, bear in mind the biblical mandate of good stewardship over God’s creation. Here lies a challenging tension. At the present time, these ideas appear to be in conflict and different believers may come to very different conclusions. The apostle Paul tells us, ‘If it is possible … live at peace with everyone.’ But has the fossil fuel industry made it impossible?… [Read the rest at Reform magazine]

This review originally appeared in Reform magazine.

Read my longer, alternative review on this site.

Trailer:

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Features Live Action Movies

Renfield

Director – Chris McKay – 2023 – US – Cert. 15 – 93m

**

Guided by American self-help industry ideas of escaping toxic relationships with narcissists, Dracula‘s servant Renfield wants out of his relationship with his master – out in UK cinemas on Friday, April 14th

Renfield (Nicholas Hoult) has had enough of working for his boss, Count Dracula (Nic Cage) who gives him the ability to manifest great power from eating insects in exchange for his tending to Dracula’s every need, the main item on which list is a supply of fresh, virtuous humans on who to feast. As here portrayed, Renfield is an honourable Englishman who has changed the rules: he goes out and brings back a never ending supply of one sort or another of less than virtuous people for the Count. Unfortunately, this doesn’t really fit the bill.

Enter pampered gangster boy Tedward Lobo (Ben Schwartz) who, whilst trying to find the people who double-crossed him in a drugs deal, stumbles on the Prince of Darkness and, impressed, resolves to introduce the vampire to his ruthless crime boss mother Bellafrancesca Lobo (casting coup Shohreh Aghdashloo) to help him in his newly-formed goal of world domination.

Meanwhile, traffic cop Rebecca (Awkwafina), the only cop not on the take in the corrupt local precinct, otherwise bought to a man by the Lobos, is determined to get the evidence to put the crime family behind bars.… Read the rest

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Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Air

Director – Ben Affleck – 2023 – US – Cert. 15 – 112m

***1/2

In 1984, a Nike executive lifts the company out of its financial rut by building a line of running shoes around an unknown basketball player named Michael Jordan – out in UK cinemas on Wednesday, April 5th

A curious combination of sports movie and corporate drama, this retells the story of how, in 1984, the failing Nike corporation managed to successfully reinvent itself by signing a sponsorship deal with the then-unknown basketball player Michael Jordan and building a product line of running shoes around him. Jordan would go on to become a huge cultural icon in the US and Nike a hugely profitable multinational, due in no small part to its Air Jordan running shoes, which the player endorsed.

This is a Warner Bros. movie and that Studio already has a long-standing connection with Michael Jordan through Space Jam (Joe Pytka, 1996), the live action / animation composite feature that combined basketball with Looney Tunes characters and spawned a sequel in 2021. Air isn’t a Michael Jordan film as such: as a character, he barely appears, but there’s a sense that he’s at the centre of the events portrayed as everything here revolves around him.… Read the rest

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Babylon

Director – Damien Chazelle – 2022 – US – Cert. 18 – 188m

***1/2

The rise and fall of stars and other talents navigating the excessive lifestyle and work ethic of the silent era US movie business – out on Digital on Tuesday, March 21st and on 4K Ultra HD™, Blu-ray™ & DVD on Monday, April 3rd, following its release in UK cinemas on Friday, January 20th 2023

Having established himself as a top A-list Hollywood director with the likes of Whiplash (2014) and La La Land (2016), Chazelle delivers a cast of thousands epic about Hollywood in the silent era and beyond, a project that’s apparently been gestating in his head for some 15 years. With its name referencing a city that grew to great heights and considerable excess before crumbling into dust, Babylon starts with Manny Torres (Mexican actor Diego Calva in his first US role) and compatriots attempting to deliver an elephant to a Hollywood party at a desert mansion in the middle of nowhere. The tone for the whole is set – or perhaps set free from audience preconception about what is to follow – when one of Calva’s compadres, walking behind the trailer containing the creature pushing it up a hill, is unexpectedly covered in elephant excrement.… Read the rest