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Features Live Action Movies

Teenage Mutant
Ninja Turtles II
The Secret
Of The Ooze

Director – Michael Pressman – 1991 – US – Cert. PG – 88m

***

With the criminal youth cult The Foot in disarray, its leader The Shredder (Francois Chau) emerges from a pile of garbage in a rubbish dump to lead the organisation’s remnant against their hated enemies, the Teenage Mutant Ninja Turtles. Elsewhere in the city, TV reporter April (Paige Turco) is investigating the activities of the Techno Cosmic Research Institute (TCRI) through an interview with Professor Jordon Perry (David Warner), who is concerned with burying canisters containing the toxic waste product.

Off camera, and unbeknown to April, giant flowers are sprouting from a leak of the chemical (which also caused the original mutation of the Turtles and their giant rat master, Splinter, played by Kevin Clash). The Shredder captures Professor Perry and mutates some more creatures for the express purpose of pitting them against the Turtles.

Like its predecessor, this sequel is a film designed primarily to cash in on a children’s craze. Here, at least two of the actors playing the Turtles have changed, as has the actress playing their reporter friend April. The animatronics work once again reaches the high standard one would have expected from the late Jim Henson’s Creature Shop.… Read the rest

Categories
Documentary Features Live Action Movies

The Story Of Looking

Director – Mark Cousins – 2021 – UK – Cert. 15 – 87m

****

A highly personal film essay on the importance and significance of our visual senses – out in cinemas and on rental on BFI Player and Curzon Home Cinema from Friday, September 17th

This opens with archive interview footage of musician Ray Charles, blind since losing his sight in childhood, asked about whether he’d like to have sight back. He says no – he’s already seen the things he needs to see and can picture them – the stars, his mother. And when he hears the news, there are a lot of things he frankly is glad he can’t see, and feels sorry for all the people who can. Pushed as to whether he’d like to be able to see for just one day, he’d less sure, responding with a guarded “maybe”.

This footage appears to be a touchstone for film-maker Cousins, who constantly refers back to it in this film essay. Another pertinent, recurring image is a man standing on a row of chimney pots. If we could see through his eyes, what would we see?

Cousins has spent a life looking at things, firstly as a human being with a visual leaning, then later on professionally as a film maker.… Read the rest