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Observing
(Opazovanje)

Director – Janez Burger – 2023 – Slovenia, Italy, Croatia, North Macedonia – Cert. none – 83m

*****

A paramedic must deal with the aftermath of a man being kicked unconscious after people watch the incident on social media livestreaming – plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The sounds of a man (Vito Weiss) being beaten up by others. No images. Mercifully.

If you lived in Slovenia, you’d be familiar with a news story about a man who was beaten up by others who livestreamed the event over social media, picking up an audience of 20 000, out of whom only a negligible number, maybe a handful, thought to call the police. That incident was the starting point for this film, which is an attempt to come to term with such events.

It’s a drama based around the three-person ambulance detail who find themselves picking up the victim of the livestreamed attack. He’s in a bad way and winds up in intensive care. Most of the ambulance pickups either die on the way to or in hospital, or they make a full recovery; this man, however, remains stable but unconscious in the ICU with no sign of either recovery or lapse.… Read the rest

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Teenage Mutant
Ninja Turtles
(UK: Teenage Mutant
Hero Turtles)

Director – Steve Barron – 1990 – US, UK – Cert. PG – 91m 38s (cut) – 93m 25s (cuts waived for 2003 reclassification) BBFC info here

** 1/2

What can you say about four turtles who accidentally wandered into radioactive material, which caused them to grow unnaturally large and speak strange words? Like “pizza!” Or who serve a ninja master in the form of a giant, talking, four foot rat named Splinter (voice and performer: Kevin Clash)?

Whatever else they might be, the turtles are certainly different. While they might well fight for Truth, Justice and the American Way, they certainly know where their priorities lie, and never give up their other, equally important aims – to party and to seek out that essential slice of pizza.

This is the final film on which the late, great puppet master Jim Henson (The Muppets TV series, 1976-81; The Dark Crystal, 1982) worked. Here, his directorial protégé Steve Barron brings to life not only Leonardo (voice: Brian Tochi, performer: David Foreman), Michelangelo (voice: Robbie Rist, performer: Michelan Sisti), Raphael (voice and performer: Josh Pais) and Donatello (voice: Corey Feldman, performer: Leif Tilden), but also the crazy, teen crime-ridden city under which they live.… Read the rest

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Medusa
(Medusa)

Director – Anita Rocha de Silveira – 2021 – Brazil – Cert. 15 – 127m

***

Pro-purity, fundamentalist, Christian church girl band singer indoors by day; slut-shaming, Evangelical, vigilante group member outdoors by night… a woman is haunted by a facially disfigured figure from the past – out in UK cinemas also available on PVOD and ESVOD on Friday, July 14th, and to rent on BFI Player from Friday, July 21st

Night. An exotic dancer, bent over backwards so both hands and feet touch the floor. Writhing.

A young woman, watching this on her smartphone on the bus at night. She reaches her stop, gets off and starts walking. A gang of white masked, female vigilantes on the prowl, suddenly, behind her. She walks faster, they catch her, surround her, slut-shame her, call her a homewrecker, threaten her into “serving the Lord”. Afterwards, the female vigilantes walk off in a line across the road. On the wall, posters depicting a fist and a snake.

To better herself, another young woman Clarissa (Bruna G.) is taken our of an ordinary school and sent by her aunt to an up-market, fundamentalist, evangelical Christian church school where she’s quite nervous about fitting in: but Clarissa needn’t worry – she’s soon befriended by Mariana aka Mari (Mariana Oliveira) who takes the newcomer under her wing.… Read the rest

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Papicha

Director – Mounia Meddour – 2019 – France, Algeria, Belgium, Qatar – Cert. 15 – 108m

****

In selected cinemas (Curzons Bloomsbury and Mayfair). Also on Barbican cinema on demand, BFI Player, Curzon Home Cinema and Peccadillo Pictures On Demand from Friday, August 7th.

Algerian university fashion student Nedjma (Lyna Khoudri) is often called ‘Papicha’, a typically Algerian word that refers to a funny, attractive, liberated young woman. Nedjma and her roommates love life and think nothing of going out to nightclubs to put on fashion parades.

However, this being the late 1990s an upsurge of Islamic conservatism manifests itself throughout the narrative. First, fly posters advocating the hijab for women appear on walls (Nedjma immediately tears down these posters on seeing them). Later, she confronts a young man putting these posters up, but after challenging him notices a handgun tucked in his waistband so quickly backs off.

Groups of hijab-clad women take the law into their own hands vigilante style. They surround and take away a lecturer addressing Nadjma’s class. They turn up in the middle of the night at her shared room and threaten the occupants. And worse is to come.

One of the difficulties about writing about this film is that some of its narrative incidents would be much more shocking if you don’t know exactly what’s coming.… Read the rest

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Batman
(1989)

Director – Tim Burton – 1989 – US – 12 – 126 mins

****

Batman amalgamates Blade Runner, Brazil, Star Wars and Vertigo while giving more screen time to its villain than its title character – UK release: August 11th, 1989

“What kind of a world is this where a man in a bat costume gets all my press?”, a confused Joker (Jack Nicholson) asks his aides. A fair question since Batman gives more screen time to its villain than its title character. Actually, it’s a movie that looks not unlike Brazil (Terry Gilliam, 1985), although it lacks that movie’s depth, with elements of Blade Runner (Ridley Scott, 1982), three scenes from Vertigo (Alfred Hitchcock, 1958) and one from Star Wars (George Lucas, 1977) thrown in for good measure. The screenplay compresses an incredible volume of action and about the right amount of necessary plot into its two hours, ensuring the audience gets its money’s worth.

Curiously, Batman (Michael Keaton) himself is simultaneously a peripheral, shadowy character in the background and the film’s main protagonist; this leaves much scope for further character development. Visually, he’s a vigilante Devil who drops in on unsuspecting criminals to mete out justice – an image at odds with the script’s paradoxical portrayal of him as a hi-tech policeman or James Bond figure.… Read the rest