Tag: New York

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Documentary Features Live Action Movies

Ada
My Mother the Architect

Director – Yael Melamede – 2024 – US – Cert. 12a – 81m

***1/2

A portrait by her New York-based daughter of top Israeli architect Ada Karmi Melamede – out in UK cinemas on Friday, May 1st

This opens with the filmmaker daughter asking her architect mother if she wants to speak English or Hebrew. The mother is happy to speak both. For the titles, we watch her hands drawing / designing buildings on white paper as we hear various one-liners about her qualities as an architect.

Daughter Yael lists “ a few things you should know about my mother.” Ada Karmi Melamede is eighty and goes to the office every day. She is one of a family of architects who built Israel from the ground up. She left Israel twice, once to study in London and once to spend time in New York, where Yael and her family grew up. She returned to Tel Aviv in 1983 and her career took off: she has been working ever since. The Israel Supreme Court. Airports. Universities.

Architecture seems to be her model for discussing the world. She talks about the importance of roots in buildings, decrying glass towers that have no roots, of which she clearly thinks there are too many.… Read the rest

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Features Live Action Movies

They Will Kill You

Director – Kirill Sokolov – 2025 – US – Cert. 15 – 94m

****

A young woman, searching from her missing sister, takes a job as a cleaner in a mysterious, wealthy, New York apartment block – horror action movie is out in UK cinemas on Friday, March 27th

This has been sold as a horror / paranoia conspiracy thriller about a New York apartment building in the mould of Rosemary’s Baby (Roman Polanski, 1968). Yet while its opening set up has echoes of that film, it turns out to be something altogether very different.

Asia Reaves (Zazie Beetz from The Bad Guys, Pierre Perifel, 2022; Joker, Todd Phillips, 2019; Deadpool 2, David Leitch, 2018), her younger sister Maria (Myha’la from Dead Man’s Wire, Gus van Sant, 2025; Bodies Bodies Bodies, Halina Reijn, 2022) in tow, flees their abusive father. He tracks them down in a grocery store, outside which she later shoots and hospitalises him before going on the run alone.

Ten years later, she applies for a housekeeper’s job at the Virgil, a nine-storey New York apartment building. The door is answered by Irish building superintendent Lily (Patricia Arquette from Boyhood, Richard Linklater, 2014; Lost Highway, David Lynch, 1997; True Romance, Tony Scott, 1993) who introduces her to a few of the tenants in the lobby including Sharon (Heather Graham from Austin Powers 2; The Spy Who Shagged Me, Jay Roach, 1999; Boogie Nights, Paul Thomas Anderson, 1997) and Kevin (Tom Felton – Draco Malfoy from the Harry Potter films, 2001-2011) before showing her to her room.… Read the rest

Categories
Dance Features Live Action Movies Music

The Testament
of Ann Lee

Directed by Mona Fastvold
Certificate 15
130 minutes
Released 27 February and on Disney+ from 13 May

Few films accurately chronicle a specific, historical Christian sect, fewer still do so as a musical. I knew virtually nothing about the Shakers, before seeing The Testament of Ann Lee, which is based on a true story. | found much to admire in their religion, yet I was appalled by two aspects.

Read the rest of my Reformed magazine review here.

Read my later review for this website here.

The Testament of Ann Lee is on Disney+ from Wednesday, March 13th following its release in cinemas in the UK on Friday, February 27th 2026

Teaser Trailer (Cert. 12a, which really gives no indication of some of the more extreme elements in the film):

Trailer

Categories
Features Live Action Movies

Marty Supreme

Director – Josh Safdie – 2025 – US – Cert. 15 – 149m

*****

In the 1950s, a young New Yorker with the odds against him is determined to become a top table tennis player – in cinemas from Friday, December 26th

Manhattan’s Lower East Side, the 1950s. Marty Mauser (Timothée Chalamet) has a dream. It is, admittedly, a pretty odd dream which involves him rising to the top of a sport to which no-one in his native America currently pays any attention: table tennis. Also, he is possessed of the quintessentially New York sensibility of the street smart hustler who can, he believes, sell anything to anyone. A mere 23 years of age, he is naive and optimistic, but if you think that means the hard realities of day-to-day living are about to grind him down, you’ve got another think coming. For Marty is nothing less than a force of nature, blessed with unshakeable self-belief. And he needs it, because in this seriocomic rollercoaster of a sports drama, the odds seem to be increasingly stacked against him at every turn.

On top of all this, Marty is at once the person who through shrewd manoeuvring on the one hand makes his own luck and slowly builds his own destiny, and through hubris on the other has an unfortunate tendency to shoot himself in the foot..… Read the rest

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Features Live Action Movies

Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – streaming exclusively on StudioCanal Presents

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

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Features Live Action Movies

Relay

Director – David Mackenzie – 2024 – US – Cert. 15 – 112m

*****

A corporate whistleblower who has changed her mind hires a fixer to give her the leverage she needs to safely vanish and start a new life, only it doesn’t work out like that – out in UK cinemas on Friday, October 31st

Sometimes companies do bad things, and when you think they couldn’t do any worse, they set out to coerce or intimidate former employees attempting to expose them. How widespread this is in real life is anyone’s guess, but it makes for great copy and feeds into paranoid left wing ideas about the immorality of corporate capitalism. Don’t get me wrong: just because you’re paranoid, as the saying goes, it doesn’t mean they’re not out to get you.

To illustrate the point, this narrative opens with Hoffman (Matthew Mayer from Bringing Out The Dead, Martin Scorsese, 1999; Dogma, Kevin Smith, 1999, reissued in cinemas next week (Friday, November 7th); and Funny Pages, Owen Kline, 2022) entering a near empty New York restaurant to surrender a set of incriminating documents to McVie (Victor Garber from Family Law, TV series 2021-2025; Argo, Ben Affleck, 2012; Alias, TV series, 2001-6), safe in the knowledge that another copy of said documents will be mailed to an appropriate recipient should McVie not co-operate and ensure Hoffman’s safety.… Read the rest

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Features Live Action Movies

Happyend
(HAPPYEND) 

Director – Neo Sora – 2024 – Japan – Cert. 12a – 113m

***

Two schoolboys play a prank on their despotic principal, who turns it into an excuse to introduce a high tech surveillance system – out in UK and Irish cinemas on Friday, September 19th

In a future dystopian Kobe, Japan, that looks remarkably like the present day Kobe, Japan, a group of highschoolers fail to get past the tough, power-dressed, Chinese lady bouncer to a club because they’re underage. A couple of the boys, Yuta (Hayato Kurihara) and Kou (Yukito Hidaka), wandering down a nearby back alley, notice a man in a dark vest taking a crate of beer into the building, strip off their white shirts to reveal similar dark vests underneath, and use crates of beer to gain back door access. Inside, the DJ is electrifying, the beat is strong and the gig is everything they had hoped. There is a police raid, but Kou can’t get Yuta to leave. Somehow, they and the DJ end up being the only ones there, and he gives them a talisman as a mark of respect and tells them to come back for the second set, which is better. But they don’t chance their luck.… Read the rest

Categories
Features Live Action Movies

Gazer

Director – Ryan J. Sloan – 2024 – US – Cert. 15 – 114m

***

A single-parent mum, unable to make sense of the passing of time, struggles to get by and find the money to get out of town with her child – largely incomprehensible yet strangely compelling, urban, neo-noir thriller is out in UK cinemas on Friday, July 25th

This narrative impresses and frustrates the viewer in pretty much equal measure. There are rotten films out there on which you really don’t want to waste your time, and for all its faults, Gazer isn’t one of those (although there are times, particularly in its first hour, when it comes close). And then there are (arguably) visionary films where you can sense the makers – usually the director(s), writer(s) or performer(s) – struggling to express (a) unique viewpoint(s), and Gazer, a first-time feature by former New York electrician Sloan, who co-wrote and directs, and Canadian musician / actress Ariella Mastroianni, who co-wrote and stars, most definitely fits into that category – albeit not always entirely successfully.

The film possesses a distinctive look, which I imagine is largely down to Brazilian-Portuguese cameraperson Matheus Bastos, who shot it on 16mm.… Read the rest

Categories
Features Live Action Movies

Ballerina
(2025)

Director – Len Wiseman – 2025 – US – Cert. 15 – 125m

*****

A young, female assassin seeks out the man behind the organisation that killed her father – John Wick franchise spin-off is out in UK cinemas on Friday, June 6th

While the Bond movie No Time To Die (Cary Joji Fukunaga, 2021) divided viewers, there seemed to be a widespread consensus that Ana de Armas’ scene as a kickboxing 007 sidekick was something special, crying out for her to be given her own action film. In the interim, the actress’ high profile career has burgeoned – her portrait of Marilyn Monroe in Blonde (Andrew Dominik, 2002) proved that she can act just as well as she can do stunt action.

Meanwhile, writer Shay Hatten’s spec screenplay about a ballerina bent on revenge found its way to John Wick franchise originator and director Chad Stahelski, who thought it might fit into John Wick’s world. As they worked out exactly where that might be, Hatten was put to work on the scripts for John Wick: Chapter 3 – Parabellum (2019) and John Wick: Chapter 4 (2023). It was eventually decided that the events in Ballerina would take place at the same time as those in John Wick: Chapter 3 – Parabellum, and an early scene has John Wick (Keanu Reeves) passing on a staircase in the Ruska Roma Ballet School in New York.… Read the rest

Categories
Animation Features Live Action Movies

Karate Kid
Legends

Director – Jonathan Entwhistle – 2025 – US – Cert. 12a – 94m

*****

Latest franchise entry plays by all the rules that you would expect, yet somehow manages to completely break the mould and come up with something fresh and original – out in UK cinemas on Wednesday, May 28th

All a Karate Kid movie has to do is put a boy in peril from a bully or similar, then have him schooled in martial arts by a trainer to discover his inner strength and ultimately overcome the bully in combat. This is facilitated by a fight competition at the end, in which the two come face to face with one another. While the original The Karate Kid (John G. Avildsen, 1984) clearly struck enough of a chord to spawn more films, some entries, such as The Karate Kid Part III (John G. Avildsen, 1989), have felt worn, tired and clichéd.

That changed with the genuinely brilliant idea of introducing Hong Kong’s clown prince of kung fu Jackie Chan as the trainer in the two decades later remake The Karate Kid (Harold Zwart, 2010), which breathed new life into the big screen franchise (there have also been live action and animated spin-offs made for television).… Read the rest