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Features Live Action Movies

A Quiet Place
Day One

Director – Michael Sarnoski – 2024 – US – Cert. 15 – 100m

*****

A terminally ill woman returns to the New York of her childhood as hostile aliens land and start wreaking havoc – franchise prequel is out in UK and Ireland cinemas on Friday, June 28th

Another attempt to duplicate the success of A Quiet Place (John Krasinski, 2018), this time by showing us the first day of the alien invasion in New York City, the sort of thing that couldn’t be done on the small budget of the original. Which sounds like more of the same – and on one level, that’s exactly what this is (so admirers of the original – among whom I number myself – wanting more aliens who hunt by sound, and more terrifying games of hide and seek with them, should find themselves more than satisfied).

There’s a curious attempt by the Studio’s marketing department to offer the chance to find out “why the world went quiet”, which is a great idea but bears no relation whatsoever to this film. Once you know that the aliens hunt by sound, so you must keep quiet to survive – revealed in the original film – this new film offers no further explanation as to why the world went quiet.… Read the rest

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Documentary Features Live Action Movies

Eternal You

Directors – Hans Block, Moritz Reisewieke – 2024 – US – Cert. – 87m

*****

People deal with bereavement with the help of interactive versions of their deceased, loved ones recreated by AI – out in UK cinemas on Friday, June 28th

In a rare visual shot in this mostly verbally based documentary, an aerial shot of a graveyard, with light creating lots of little blocks of shadow as it falls on the ranks of gravestones, resembles a slice of internal computer electronics. It’s a pertinent pictorial moment that stands out from almost everything else here.

“Is there some reason you wouldn’t believe me?,” a woman asks her boyfriend. “You died,” comes the sceptical reply. Joshua, from Ontario, Canada, had to endure the trauma of watching the life support machines that were keeping her alive being switched off. After she died, about two weeks short of high school graduation which she was expected to pass, he got the school to graduate her. He later explains this by written chat to her interactive AI.

Psychiatrist Sherry Turkle talks about the problems people face coping with grief in the modern world, where they often live on their own following the death of a partner and don’t have an extended network of family around them like they would have done in former times.… Read the rest

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Features Live Action Movies

Creation
Of The Gods
I:
Kingdom
Of Storms
(Feng Shen
Di Yi Bu:
Zhao Ge Feng Yun,
封神第一部
朝歌风云,
lit.
Investiture
Of The Gods
Part I:
Zhaoge Turmoil)

Director – Wuershan – 2023 – China – Cert. 15 – 148m

****

A king’s infatuation with a beautiful woman possessed by a vixen demon threatens to bring down a terrible curse upon his kingdom – first part of epic, period, mythological adventure trilogy is out on Blu-ray and DVD from Monday, June 24th

This first trilogy instalment of an adaptation of the Xu Zhonglin-attributed novel Investiture Of The Gods, written towards the end of the Ming dynasty (1368-1644), deals with the downfall of the Shang dynasty (which existed well before a thousand years BC). While the tale may well contain elements of historical truth, it also mixes in supernatural deities and creatures to cover an awful lot of ground in its two and a half hours’ running length.

The novel is known by a number of titles in Chinese, one of which is Fengshen Bang, an artefact of which name turns up in this film as a sort of MacGuffin, here a mystical scroll endowing its owner with great power which at least one major character seeks to possess, others seek to help him do so and immortals want to make sure it gets into the right (i.e. righteous or deserving) hands rather than his.… Read the rest

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Features Live Action Movies

New Life

Director – John Rosman – 2023 – US – 85m

***1/2

Neither the widow nor the assassin pursuing her towards the Canadian border are quite what they seem – genre-bending thriller is out on digital in the UK

The sound of a distressed woman. Now we see her (Hayley Erin) – her head is bleeding as she walks. Away from – what? She makes it down the street in a very normal-looking, small town somewhere in Middle America, into her very ordinary, well-kept, no frills, suburban house. She washes the blood off her head, switches a hoodie for a sweater. Constantly checking around her, she sees the armed men in the hallway and exits through a window.

Another woman (Sonya Walger) puts down her handgun on the edge of a bathroom sink. She looks tired. The yellow post-it notes on her mirror read “I have unlimited opportunities to succeed” and “I am in the process of becoming the best version of myself”. She takes a pill from the ‘M’ compartment of a little circular dispenser marked in letters for days of the week. On her mobile, she hits Play on Bob Dylan’s Highway 61 Revisited, specifically the song Like a Rolling Stone.… Read the rest

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Features Live Action Movies

Maria Full of Grace

Director – Joshua Marston – 2004 – US, Colombia – Cert. 15 – 101m

Reviewed for Third Way magazine to coincide with UK release date 25/03/2004.

Life’s options are limited for 17-year-old Maria Alvarez (Catalina Sandino Moreno). She would rather climb old ruined buildings in the open air than succumb to her parochially-minded boyfriend’s constant demands for sex, but that doesn’t stop him getting her pregnant. When he offers to marry her for no other reason than because that’s what you’re supposed to do; she dumps him. She hasn’t told anyone else about this yet. Warned she can’t use the lavatory on work time by the foreman at the rose-stripping factory where both she and her best friend Blanca (Yenny Paola Vega) works, she quits. She’s also fed up with being asked to contribute money to support her sister’s baby. What’s a good Catholic, Columbian girl to do? She visits the church to pray about it.

Travelling to Bogotá ostensibly in pursuit of a possible lead on work as a maid, Maria runs into carefree, leather-jacketed Franklin (Jhon Alex Toro) and the word “mule”. Suckered in by his confidence and the promise of $5 000, she agrees to bodily transport Heroin pellets to the US despite the terrible stories she’s heard of people being arrested for the offence.… Read the rest

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Animation Features Live Action Movies

The Matrix

Directors – Larry and Andy Wachowski – 1999 – US – Cert.15 – 136 mins

*****

The Matrix combines tropes of Japanese animation with live action Hong Kong stunt choreography and groundbreaking ‘bullet time’ special effects.

25th Anniversary UK rerelease (4k remaster): Friday, June 8th, 2024;

UK release: June 11th 1999;

Article originally published in Manga Max, Number 8, July 1999.

1999. The Matrix is about to E.X.P.L.O.D.E.

Technically, a matrix is a multidimensional array of locations, with each cell uniquely addressable. Contents not specified. Back in late April, when Hollywood blockbuster The Matrix was first screened for UK press, Warners’ line beneath the film’s title on the publicity flier ran, Blockbusting futuristic thriller with ground-breaking special effects. Perhaps it should have read, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action. Or even, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action reconceived in terms of anime. Okay, it’s a bit of a mouthful, but it’s closer to the truth.

Ostensibly a megabudget Joel Silver (Lethal Weapon / Die Hard / Predator / Speed / Road House / Assassins) SF actioner well beyond the extremities of this magazine’s remit, directed by the Wachowski Brothers (writer‑directors of Bound, screenwriters for Assassins), The Matrix opens with an incredible sequence wherein Trinity (Carrie‑Anne Moss, who looks for all the world like a Westernised version of a Hong Kong starlet in cat burglar get up… Black Cat’s Jade Leung or Irma Vep’s Maggie Cheung, perhaps?)… Read the rest

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Features Live Action Movies

The Dead Don’t Hurt

Director – Viggo Mortensen – 2023 – US – Cert. 15 – 129m

***1/2

An independently-minded woman whose partner is away fighting a war struggles to survive in the Old West – out in UK and Ireland cinemas on Friday, June 7th

While there is much to admire in this Western, it suffers from unclear flashbacks and parallel editing. Both the trailer (below) and the UK press handouts circumvent this problem by describing a straightforward, chronological narrative (and a fascinating narrative at that). For anyone who doesn’t try to follow plot, this may not be a problem. For those who do, it most definitely is.

Two things happen at the start. One is a shoot out in which Weston Jeffries (Solly McLeod), a nasty bit of work with scant disregard for either decency or law and order, rides away into the evening after shooting various people inside and outside the town’s saloon, including the deputy sheriff. The town is apparently called Elk Flats, Nevada – something I gleaned not from the film (where, if that information is there, it’s easy to miss, and I missed it) but from the production notes.

This is indicative of a problem with the film overall: there are certain key bits of information it needs to tell the audience, which it fails to deliver in a clear, comprehensible way.… Read the rest

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Features Live Action Movies

The Beast
(La Bête)
(2023)

A Fatal Belief

The Beast
Directed by Bertrand Bonello
Certificate 15, 146 minutes
Released 31 May

As satisfying as it is infuriating, this French genre-bender is part science fiction, part period costume drama and part literary adaptation. It’s based on Henry James’ 1903 novella The Beast in the Jungle, in which a man refuses to marry the woman he loves to spare her from the attack he believes will be perpetrated upon him at some point by a horrible beast.

About a third is, as you might expect, a period costume drama, sumptuously shot on film. However, the co-writer and director Bonello introduces two more separate timelines set in 2014 and 2044 and shot on harsher digital technology for a more modern feel.

He also switches the gender roles round, so that… [Read the full review in Reform]

[Read my longer review on this site]

Trailer:

Categories
Animation Features Live Action Movies

IF

Director – John Krasinski – 2024 – US – Cert. U – 104m

****

A 12-year-old staying with her grandma in New York meets many imaginary friends forgotten by the adults who befriended them as children – out in UK cinemas on Friday, May 17th

This follows the time-worn children’s story template of a child whose father in hospital and is worried that they might not ever come home. In this instance, the child’s fear is grounded in her previous experience of this happening to her mother, who went into hospital and never came out.

Thus, 12-year-old Bea (Cailey Fleming) is sent to stay with her grandmother (Fiona Shaw) in New York while her single-parent dad (John Krasinski) goes to the hospital for what he assures Bea will be a routine operation. Dad is an inveterate practical joker of a gentle sort, performing impromptu song and dance routines with his treatment drip on a stand or staging a tableau of his escape out of the window via a rope made of knotted bedsheets. As you can probably tell, director Krasinski is clearly having a lot of fun playing this role, and fortunately for us that fun translates onto the screen. As a bonus, likeable child actor Alan Kim (Minari, Lee Isaac Chung, 2020) plays the patient in a nearby ward.… Read the rest

Categories
Documentary Features Live Action Movies

Catching Fire:
The Story of
Anita Pallenberg

Directors – Alexis Bloom, Svetlana Zill – 2023 – US – Cert. 15 – 113m

***1/2

The chaotic life of the archetypal rock chick, told through her own words and those of her children – out in UK cinemas on Friday, May 17th

After her death in 2017, Anita Pallenberg’s two surviving children Marlon and Angela discovered a manuscript; she had written an autobiography. Marlon worked his way through it as part of his bereavement process and was so taken with the articulate text that he sought out producers to turn it into a film. (He is one of the film’s executive producers himself, while both directors are credited as among the producers.) Numerous clips from an interview with him are used in this resultant documentary, along with excerpts from Anita’s manuscript voiced by an actress, along with interview footage with Angela and verbal audio from Rolling Stones band member Keith Richards, Anita’s partner for a decade and the father of her children.

Like many of the young generation who rose meteorically to cultural prominence in the swinging sixties, Anita Pallenberg was a war baby. Her first years were accompanied by the sound of falling bombs; as she puts it, she didn’t learn to walk, but to run.… Read the rest