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Features Live Action Movies

The Beast
(La Bête)
(2023)

Director – Bertrand Bonello – 2023 – France – Cert. tbc – 146m

*****

Required to expunge her emotions by the ruling AI of 2044, a woman with a sense of dread revisits her past lives in 1910 and 2014 and their incarnations of the love of her life – curious mix of art house movie and science fiction plays Glasgow Film Festival which runs from Wednesday, February 28th to Sunday, March 10th, and is out in UK cinemas on Friday, May 31st

An actress (Léa Seydoux) against green screen rehearses a scene in a house – the director’s voice tells her where the stairs and other features are in relation to her position and marks on the floor. With these minimal visuals but with the addition of music and full sound effects, she works through the scene up to the point where she sees the terrifying shadow of the Beast on a wall and screams. Consciously or unconsciously, this echoes the screen test on the boat of Ann Darrow (Fay Wray) in King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933) as she is required to scream at an unseen, gargantuan monster for the camera.

As in Kong, this scene anticipates one that will play out later in the film.… Read the rest

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Features Live Action Movies

Mondays:
See You ‘This’ Week!
(Mondays/
Kono Taimu Ruupu,
Joshi ni Kizukasenaito Owaranai,
MONDAYS/
このタイムループ、
上司に気づかせないと
終わらない)

Director – Ryo Takebayashi – 2022 – Japan – Cert. – 82m

****

A comedy in which a group of office workers must find a way to escape the week-long time loop in which they find themselves trapped – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

A dream. A Friday night conversation with the client she’s always wanted to work for and with whom she starts a job next Monday. Monday, October 25th. Akemi Yoshikawa (Wan Marui) wakes up in the office where she and advertising her co-workers have just pulled an all-nighter to get the presentations done for the client. They are exhausted, necks in travel pillows as they kip on the floor. A hapless bird strikes the window. Their middle-aged boss Mr. Nagahisa (Sports Makita) saunters in after a restful weekend.

Now Yoshiwaka must get working on that Miso Soup Soda Tablet product launch that the client wants to sound like something out of the ordinary. But then, the two guys at the next desk try to tell her that they are trapped in a time loop. They, as in, everyone in the office. She doesn’t really have the time to listen.… Read the rest

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Features Live Action Movies

The Flash

Director – Andy Muschietti – 2023 – US – Cert. 12a – 144m

*****

Tormented by the death of his mother, The Flash goes back in time to try and save her – out in UK cinemas on Wednesday, June 14th

Barry Allen (Ezra Miller) is running late for work again. The girl that usually makes his special sandwich at the shop near his workplace isn’t in today, so instead he has to deal with someone who needs to be talked through the order. On top of that, he gets a call from Alfred (Jeremy Irons) at the Batcave because no other Justice League superhero is available: could The Flash please attend to rescuing staff and patients from the explosives-rigged Gotham City Hospital?

So he races over there and while Batman (Ben Affleck) pursues criminals on the Batbike. Barry / The Flash, a superhero with the ability to move at incredible speed, saves falling babies and their ward sister from a collapsing, high-rise, maternity ward. The pursuit is mostly over when Wonder Woman (Gal Gadot) turns up at a fight on at a bridge to save the day and wield the Lasso of Truth.

Barry has parental issues: specifically, he is trying to get his wrongly convicted father Henry (Ron Livingstone) exonerated for the crime of killing Barry’s mother (Maribel Verdú from Pan’s Labyrinth, Guillermo del Toro, 2006; Y Tu Mamá También, Alfonso Cuarón, 2001) in their home when, as he claims, he was out buying a can of tomatoes at the time.… Read the rest

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Features Live Action Movies

Alienoid
(Oegye+in 1bu,
외계+인)

Director – Choi Dong-hoon – 2022 – South Korea – Cert. 12 – 142m

*****

In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensures – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

The first film of a two part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.

The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest

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Features Live Action Movies

A Chinese Odyssey
(Sai Yau Gei,
西遊記)

A Chinese Odyssey: Part One – Pandora’s Box (Sai Yau Gei: Yut Gwong Bou Haap, 西遊記第壹佰零壹回之月光寶盒)

A Chinese Odyssey: Part Two – Cinderella (Sai Yau Gei: Sin Leui Kei Yun, 西遊記大結局之仙履奇緣)

Director – Jeffrey Lau – 1995 – Hong Kong – 87 + 98m

***

The Monkey King is banished to earth with loss of memory for a series of encounters with monsters and romantic interludes – screened as part of Focus Hong Kong 2022 Chinese New Year on Saturday January 29th

These two films are the first and second parts of the same story, so it makes sense to screen them together as a double bill. The starting point is the 16th century Chinese novel Journey To The West, which has also spawned such productions as the seminal Chinese animation The Monkey King (Wan Laiming, Cheng Tang; Part One, 1961; Part Two, 1964) and the long-running Japanese TV series Monkey (1978-80). The novel’s plot concerns a monk and his three assistants Pigsy, Sandy and Monkey who journey to the West (i.e. Central Asia and India) to obtain Buddhist texts.

Less an adaptation of the novel than a tangential story that uses the novel’s framework as its starting point, the films are bookended by two sequences, one at the start of Part One, the other at the end of Part Two, which start the tangential story rolling and wrap it up respectively.… Read the rest

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Features Live Action Movies

Synchronic

Directors – Justin Benson, Aaron Moorhead – 2019 – US – Cert. 15 – 102m

*****

Two New Orleans paramedics stumble upon a designer drug causing weird hallucinations and inexplicable deaths in this mind-bending science fiction yarn – – on Blu-ray and DVD from Monday, April 5th

The prior films of creative partners Benson & Moorhead (The Endless, 2017; Spring, 2014; Resolution, 2012) inevitably set the bar high since they’ve consistently astonished audiences with their mind-bending narratives. Normally I watch films once then review them, but on this occasion I’ve had the privilege of wilfully watching Synchronic three times in the last year or so. This in itself tells you something about this film’s narrative pleasures. And given that Marvel recently signed the duo up to direct episodes of Moon Knight for Disney+, it would seem Hollywood is of a similar opinion.

Its extraordinary story involves two New Orleans paramedics whose characters completely engage you and pulls you in. Which is just as well because they stumble on some pretty strange stuff in the course of their work – in particular, calls involving trauma and sometimes death in the aftermath of bad drug trips.

It opens with a couple at home taking some hallucinogenic drugs and seeing / experiencing some extremely weird goings on.… Read the rest

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Animation Features Movies

Hello World
(ハロー・ワールド)

Director – Tomohiko Ito – 2019 – Japan – 97m

****

A social misfit schoolboy must rescue a girl classmate from the rogue software underpinning a virtual, future version of Kyoto with the help of his time travelling, ten years older self who is in love with her – plays online in the Japan Foundation Touring Film Programme 2021 in the UK, 48 hour rental window from 6pm, Monday, March 1st

Kyoto, 2027. Bookwormish Naomi Katagaki (voice: Takumi Kitamura) doesn’t really fit in at his Kyoto school. When he walks there in the morning, the fact of his head being buried in a self-improvement book seems the perfect metaphor for his complete lack of social skills. Asked by a bright, pretty classmate if he’d like to join her and a bunch of others for karaoke after school, he doesn’t really know how to respond and before we know it, she and the group have gone.

He doesn’t really pay attention to those around him, so he gets ignored. While he’s working out what food to select in the canteen lunch queue, everyone has dived in and taken everything but the one option no-one wants. Only when the subject of who is to volunteer for the library duty comes up do his fellow students take any interest in him – by recommending him for the post to which he agrees more out of an inability to say no than from any real desire to take it on.… Read the rest

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Animation Features Live Action Movies Shorts

Tsukamoto

Killing
(Zan, 斬、)

Haze
(ヘイズ)

The Adventures
of Denchu Kozo
(Denchu Kozou
no Boken,
電柱小僧の冒険)

Killing (Sawamura)

Director – Shinya Tsukamoto – 2018 – Japan – Cert. 18 – 79m

***

The Adventures of Denchu Kozo (Denchu kozo no boken)

Director – Shinya Tsukamoto – 1987 – Japan – 45m

****

Haze

Director – Shinya Tsukamoto – 2005 – Japan – Cert. 15 – 48m

*****

Shinya Tsukamoto’s latest feature, the samurai movie Killing comes to UK Blu-ray in a two-disc edition, along with two fascinating shorts: the Super-8 epic The Adventures of Denchu Kozo and the later masterpiece Haze. All three feature informative audio commentaries by Tom Mes, author of Iron Man: The Cinema of Shinya Tsukamoto (2005). The director is probably best known for cyberpunk epics Tetsuo: The Iron Man (1989) and its sequel/reboot Tetsuo II: Body Hammer (1992) which concern the fusion of flesh and metal into a new evolutionary human weapon form. His new film similarly explores the samurai and his metal blade becoming as one in a deadly human fighting machine. Read the rest…

Review published in All The Anime.

Categories
Art Features Live Action Movies Music

Bill & Ted
Face The Music

Director – Dean Parisot – Writers – Ed Solomon and Chris Matheson – 2020 – US – Cert. PG – 91m

****

Party on, dudes! The two friends return having failed over 25 years to write the song to unite all of humanity and prevent the universe unravelling – in cinemas from Wednesday, September 16th

William ‘Bill’ S. Preston esq. and Theodore ‘Ted’ Logan (Alex Winter and Keanu Reeves) have somehow failed to fulfil their destiny and become losers. 25 years on from their two earlier outings Bill & Ted’s Excellent Adventure (Stephen Herek, 1989) and Bill & Ted’s Bogus Journey (Peter Hewitt, 1991). Bill and Ted’s band Wyld Stallyns has been reduced from selling out stadium gigs to playing open mike nights. 

Then they are taken in a time travel pod to 2700 A.D. to discover that because they never did write that song to unify all humanity, the fabric of space and time threatens to unravel by 5.17pm that very day in 2700. 

Their wives Elizabeth and Joanna (the fifteenth century English princesses from the first film here played by Erinn Hayes and Jayma Mays) have had enough and are going to couples’ counselling… so Bill and Ted travel back to join them, inadvertently making the situation worse.… Read the rest

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Features Live Action Movies

Love You Forever
(Wo Zai Shijian
Jintou Deng Ni,
我在时间尽头等你)

Director – Yoyo Yao Tingting – 2019 – China – Cert. PG – 115m

***1/2

Exclusively in cinemas from Tuesday, August 25th (Chinese Valentine’s Day this year).

Hands write in a notebook. In a voice-over, Lin Ge (Lee Hongchi) describes himself as “a man who doesn’t exist… No memories of me in this world.” He will repeat these words later on. He talks of the past and we see the images of the day in 1991 when his mum died, he got beaten up by a bunch of other little boys and he was rescued by little girl Qiu Qian who became his playmate that summer.

Ge loses a marble in a pond and, looking for it, finds an old, stopped watch. He and Qian start playing the game of “Wolf, Wolf, what’s the time?” until one day her family moves and he runs after the departing car until his little legs will run no more.

As a teenager to the horror of both his teacher and his bereaved father he and two friends set up a business selling “magic bottles”, running breathlessly along multi-storey school walkways to avoid being caught until they / he chance(s) upon a group of boys blocking a gangway, looking at the beautiful new girl recently transferred to the school and doing ballet training.… Read the rest