Tag: single parent

Playground
(Un Monde)

Director – Laura Wandel – 2021 – Belgium – Cert. 15 – 72m

****1/2

A quiet, seven-year-old girl starts school and has to deal with the trauma of her older brother being bullied by bigger boys – out in cinemas on Friday, April 22nd

They hug in the playground before going in. It’s the first day of school for seven-year-old Nora (Maya Vanderbeque) and she doesn’t want to be separated from her elder brother Abel (Günter Duret). When she’s pulled off him, she just wants to hug her dad (Karim Leklou) and doesn’t want him to leave. Eventualy, the kindly lady schoolteacher takes her firmly by the hand and walks her into the building. In class, she’s hesitant about speaking her name. At lunch, she’s not allowed to sit with her brother but must stay with the kids the same age as her.

In the playground, she approaches Abel, but he tells her to keep away as “we’re beating up the new kids with Antoine”. She blunders in anyway and sees him trying to defend her from the bullies. Later, witnessing an incident on the stairs, she reports that older boys are bullying her brother causing a teacher to intervene. He won’t tell the teacher what’s going on, believing that will only make things worse.… Read the rest

Features Live Action Movies

Ghostbusters Afterlife

Director – Jason Reitman – 2021 – US – Cert. 12a – 124m

*****

A single parent mum and her two teenage kids relocate to a small American town to find strange, paranormal goings-on – currently streaming in Ultra HD and from Monday, January 31st on BD and DVD in the UK

Hollywood loves sequels to or reboots of successful films. The original Ghostbusters (Ivan Reitman, 1984), in which three parapsychologists set up as a team to capture the many ghosts that have inexplicably begun appearing in New York City, was unlike anything that had gone before with its mixture of comedy, action and the paranormal. Deservedly a huge hit, it spawned the inevitable sequel Ghostbusters II (Ivan Reitman, 1989) which didn’t have a strong enough plot to maintain interest beyond the first 20 minutes or so. The reboot Ghostbusters (Paul Feig, 2016), recasting the parapsychologists as women, worked well enough.

Ghostbusters Afterlife, however, is another attempt at a sequel. A very brave attempt it is too, because sequels are often expected to basically rerun the original film in an attempt to serve the audience a second helping of what they enjoyed before. After seeing it, you might argue that Afterlife does that, but going in, you might wonder what on Earth is going on.… Read the rest

Live Action Series Television

Hellbound
(Jiok,
지옥,
lit. Hell)

Post author By Jeremy Clarke
Post date 18 November 2021
No Comments on Hellbound
(Jiok,
지옥,
lit. Hell)

Director – Yeon Sang-ho – 2021 – South Korea – 6 x 50m

*****

Angels state the time of death then demons come and cart people off to hell, generating a circus of fundamentalist, religious activity – series airs on Netflix from November 19th – reviewed for All The Anime

The new Netflix series Hellbound (2021) from South Korea’s Yeon Sang-ho, creator of zombie outings Seoul Station (2016) and Train To Busan (2016), began life as a webtoon some 11 minutes in length back in 2002. The first three x 50-minute episodes (out of six) have played a number of international film festivals.

Those first three episodes – screened at the London Film Festival where this writer saw them – explore notions of sin, eternal punishment and damnation. As in Belgian director Jaco Van Dormael’s hilarious and highly inventive comic, religious satire The Brand New Testament (2015), people are sent the date and time of their death then dazedly watch the moment approach on their mobile phones. After its announcement, when the time comes, three black and white, Hulk-like demons turn up to pound the person into a pulp, suck out their life force and burn the corpse… [Read more]

I review Hellbound (eps 1-3) for All The Anime.… Read the rest

Features Live Action Movies

Herself

Director – Phyllida Lloyd – 2020 – UK/Ireland – Cert. 15 – 97m

****

A woman leaves her abusive and violent husband and builds a new home for herself and her two young daughters – in UK cinemas from Friday, September 10th

Things come to a head in the marriage of Gary (Ian Lloyd Anderson) and Sandra (Clare Dunne, also co-screenwriter) when he violently assaults her and stamps on her hand, an incident witnessed by their younger daughter Molly (Molly McCann). Sandra has trained her kids well for such a situation and the eldest Emma (Ruby Rose O’Hara) knows what to do, rushing to the local shopkeeper with a lunch box inside the lid of which is the family address to give to the Garda.

Like her mother before her, Sandra works as a cleaner to retired and physically disabled local doctor Peggy O’Toole (Harriet Walter). To make ends meet, Sandra also works in a local pub as a barmaid alongside Amy (Ericka Roe) who lives in a nearby squat. After separating from Gary, she and he have joint custody of the kids while the council put her and her kids up in temporary accommodation in a hotel room.

As it’s four years on the housing list to get a home, Sandra investigates other alternatives and, surreptitiously using Peggy’s internet, discovers that she could build a house for only slightly more than a year’s rent to the council.… Read the rest

Tags abuse, abusive marriage, bar work, barmaid, box-ticking, build, build a home, build a house, builder, building, building site, Cathy Belton, children, Clare Dunne, cleaner, cleaning, Conleth Hill, custody, decent home, disabled, doctor, domestic violence, Dublin, emergency, family, family court, female empowerment, government policy, Harriet Walter, home, house, housebuilding, housing need, husbands and wives, Ian Lloyd Anderson, injury, innovation, Ireland, jobs, local authority, Molly McCann, multiple jobs, parents and children, Phyllida Lloyd, physical assault, pub, retired, Ruby Rose O’Hara, school, self-help, separation, single mum, single parent, single parent family, social welfare system, temporary accommodation, two jobs, UK, welfare system, work

Features Live Action Movies

Herself

A house of her own

Herself
Directed by Phyllida Lloyd
Certificate 15, 97 minutes
Released 10 September

Herself has a brutal opening in which Sandra (Clare Dunne), a mother of two girls in Dublin, is physically assaulted by her husband Gary (Ian Lloyd Anderson), an incident witnessed by her youngest daughter, Molly (Molly McCann), while her eldest, Emma (Ruby Rose O’Hara), races across the estate to the local shop to deliver a pre-written emergency message.

From here, it becomes a tale about a single mum’s struggle to find a decent home for her and her kids in the face of a social welfare system that can’t cope with either the level of need or any innovation through which people try to legitimately help themselves… [Read more]

Full review published in Reform.

See my alternative review of the film here.

Trailer:

Tags abuse, abusive marriage, bar work, barmaid, box-ticking, build, build a home, build a house, builder, building, building site, Cathy Belton, children, Clare Dunne, cleaner, cleaning, Conleth Hill, custody, decent home, disabled, doctor, domestic violence, Dublin, emergency, family, family court, female empowerment, government policy, Harriet Walter, home, house, housebuilding, housing need, husbands and wives, Ian Lloyd Anderson, injury, innovation, Ireland, jobs, local authority, Molly McCann, multiple jobs, parents and children, Phyllida Lloyd, physical assault, pub, retired, Ruby Rose O’Hara, school, self-help, separation, single mum, single parent, single parent family, social welfare system, temporary accommodation, two jobs, UK, welfare system, work

Animation Features Movies

Marona’s Fantastic Tale
(L’Extraordinaire Voyage
De Marona)

Post author By Jeremy Clarke
Post date 19 June 2019
No Comments on Marona’s Fantastic Tale
(L’Extraordinaire Voyage
De Marona)

Director – Anca Damian – 2019 – France – 92m

****

Winner of the André-Martin Award for a French Feature Film at Annecy 2021.

Marona’s Fantastic Tale opens with a device straight out of film noir. The main character has been hit by a car and is dying in the arms of an old friend who got to him a few seconds too late to prevent disaster. Him isn’t correct though: both characters are female. Marona is a dog while late teenager Solange is her owner.

The narrative flies in the face of the idea that people take on pets and everything is hunky dory thereafter. Marona never has a stable life. She’s the last of nine puppies in the litter, so her mother names her Nine as if knowing that her daughter may not be around long and that a new owner will likely give her a new name.

The last to be born is the first to be given away as Marona is placed with her father, a haughty Argentianian mastiff of high birth. Marona only lasts about a day there and ends up walking the streets.

As part of my Annecy 2019 coverage, I review Marona’s Fantastic Tale for DMovies.org… Read the rest

Tags acrobat, Annecy, Annecy 2019, bitch, construction worker, dog, film noir, France, garrett, girl, hit by a car, park, pet, puppy, single parent, teenager, wife

Documentary Features Movies

Bazaar Jumpers
(Pao Ku Shao Nian,
跑酷少年)

Post author By Jeremy Clarke
Post date 7 May 2021
No Comments on Bazaar Jumpers
(Pao Ku Shao Nian,
跑酷少年)

Director – Zhiqiang Hao – 2012 – China – Cert. N/C PG – 61m

***

Two Uyghur boys and their parkour team in Northern China hone their skills for an upcoming “China proper” tournament in Beijing – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Approaching Reality documentary strand until Wednesday, May 12th

NB.

(1) Please read this review before watching because the recommended N/C PG certificate, while completely legal, perhaps ought to be higher because of one particular sequence (detailed in the final Spoiler Alert paragraph).

(2) The title seems to vary between Bazaar Jumper (singular) and Bazaar Jumpers (plural) on the film’s promotional literature. I’ve gone with the plural as that’s what’s on the film print. The singular is on the trailer below.

Urumqi, Xinjiang, one of the parts of Northern China with a large Uyghur section of the population. That’s not really writ large here, and as I was watching I was wondering what the spoken language was until I worked out it was Uyghur. The film is ostensibly about a group of late teenage, Muslim boys obsessed with parkour (free running), a physical craze in which obstacles such as buildings, walls and street furniture are climbed or traversed rather than gone around.… Read the rest

Documentary Features Live Action Movies

Daughter
Of Shanghai

Directors – Michelle Chen Miao, Hilla Medalia – 2019 – China – Cert. N/C 15+ – 90m

****1/2

A chronicle of the life and on-off career of Chinese-born, RADA-trained actress and screen legend Tsai Chin – available to rent online until Wednesday, May 12th in the UK & Ireland in the Chinese Cinema Season 2021 as part of the Approaching Reality documentary strand

“I was born in a trunk when my parents were on tour in Tianjin.” The daughter of legendary Peking Opera star Zhou Xinfang, Tsai Chin came to London towards the end of her seventeenth year when she was the first Chinese person to be accepted at RADA where she found herself alongside the likes of high-born, Welsh socialite Elizabeth Rees-Williams who in footage alongside her now husband Jonathan Aitken is one of the main interview subjects here. As well as a recent interview with Tsai Chin herself, the other main interviewee is the late lawyer Carlo Colombotti, a personal friend and a wealthy lawyer who moved in the same London circles in the sixties.

Her story, although it contains specific international and cross-cultural reference points, is, basically, an actor’s life: early success on stage and screen through the fifties and sixties, followed by a period in the seventies and eighties in relative obscurity and a later period when her rediscovery by Hollywood in the nineties restarted her career.… Read the rest

Features Live Action Movies

Better Days
(Shaonian De Ni,
少年的你)

Post author By Jeremy Clarke
Post date 13 December 2020
No Comments on Better Days
(Shaonian De Ni,
少年的你)

Director – Derek Tsang – 2019 – China – 12A – 135m

***1/2

A bullied exam student is protected from her tormentors by and seeks solace in the company of a small time street criminal – from the London East Asia Film Festival (LEAFF), on now, and Hong Kong’s entry for the 2020/2021 Oscars

The combination of impending exams and bullying by her peers causes student Hu to throw herself off the rooftop of a school building. Feeling guilty because she never stood up for the girl, fellow student Chen Nian (Zhou Dongyu) covers the dead girl’s face to protect it from prying eyes and smartphone cameras. The next thing Chen knows, the late girl’s three bullies, led by the well-heeled and vindictive Wei Lai (Zhou Ye) have it in for her.

Not that Chen is having an easy time of it anyway. In the short term she’s being questioned by police about Hu’s death and like everyone else there’s the huge pressure of impending Gaokao university entrance exams, doing well in which is packaged in school rally chants as not failing the country or your parents. Her single parent mum (Wu Yue), beset with parental inadequacy as she tries to scrape a living from selling illegal goods away from home, has successfully convinced Chen that studying hard and getting excellent exam results is a way out of the poverty trap in which the family find themselves.… Read the rest

Features Live Action Movies

Adoration

Director – Fabrice du Welz – 2019 – Belgium – 107m

*****

Boy meets girl. Alas, girl is in a psychiatric hospital convinced that the world is out to get her… in this filthy genius Belgian movie – from the BFI London Film Festival and available on BFI Player from Friday, December 11th

Twelve-year-old Paul (Thomas Gioria, familiar here as the child in Custody (Xavier Legrand, 2017) likes caring for animals. Such as, for example, the fallen chaffinch he discovers at the bottom of the tree in which he’s building a treehouse. He’s used to foraging outside for food. He spends much time in the woods surrounding the mental institution where his single parent mum works and has their accommodation. One of her conditions of employment, stressed by her female boss Dr. Loisel (Gwendolyn Gourvenec), is that Paul not have any contact with any of the institution’s patients.

One day, his playing is interrupted by the arrival of a girl about his own age in a red dress. The staff are looking for Gloria (Fantine Harduin). Before they find her and take her back into their care, she and Paul have made friends. Aware of the rules, he has admonished her that the institution must not even so much as see them together.… Read the rest

Tags accommodation, animals, bad choices, Belgium, Benoît Poelvoorde, boss, children, cross-country, Fabrice du Welz, mental institution, on the run, parents and children, river, single parent, spiral staircase, Thomas Gioria, woods