Tag: romance

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Features Live Action Movies

The Fall Guy
(2024)

Director – David Leitch – 2024 – US – Cert. 12a – 126m

*1/2

A stuntman, who retired from the movies are sustaining an injury on set, is hired to trace the vanished star of the movie being directed by his former camera operator and girlfriend – out in UK cinemas on Thursday, May 2nd

Colt Seavers (Ryan Gosling) is a stunt double for big star Tom Ryder (Aaron Taylor-Johnson), who allegedly does his own stunts. Retakes are common – for instance, if Colt is showing too much face, and it can be seen in the take that it’s him, not the star. Colt is fine with that – it’s just part of the business.

Gail Meyer (Hannah Waddingham) is Tom’s regular producer and has managed his career so that his many bad habits never appear on the screen or where they can be seen by the public. He is currently the world’s most bankable action star.

Jody Moreno (Emily Blunt) is a camera assistant. Colt and Jody are a couple, although they try not to make it obvious on the set.

Colt’s work requires all sorts of safety protocols be followed. On one occasion, someone behind the scenes messes up, and Colt falls from a great height and breaks his back. … Read the rest

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Features Live Action Movies

Love Lies Bleeding
(2024)

Director – Rose Glass – 2024 – US – Cert. 15 – 104m

****

A small town member of staff at a gym falls hard for a bodybuilding drifter, both unaware that each has baggage which will cause the other considerable grief – out in UK cinemas on Friday, May 3rd

The 1980s. New Mexico. Night. Rising up from a crack in the Earth. Towards the stars. And looking out over the small town, over the Crater Gym. We follow a woman inside. (Who is she? We never find out.) Bodybuilders work out. As Lou (Kristen Stewart) works to unclog a lavatory blocked with something resembling small human body parts (!), she is hassled by Daisy (Anna Baryshnikov) who appears to have been sexually close to her at some time, and possibly still is now only Lou doesn’t care.

Elsewhere in the night, a couple are having sex in a car. He (Dave Franco) is definitely enjoying it; she (Katy O’Brian), it’s hard to tell. She wants to know if she’ll get that job now. He says he’ll sort it. He warns her to be careful where she sleeps; this is a dangerous town. She finds a place at the side of a bridge; in the morning, it’s hot and sunny, she gets up and does her exercises using the edge of the bridge for pull-ups.… Read the rest

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Features Live Action Movies

Cape Fear
(1991)

Director – Martin Scorsese – 1991 – US – Cert. 18 – 128m

*****

A vicious ex-con seeks revenge on the family of the lawyer he sees responsible for his incarceration in prison – review from Strait – the Greenbelt Newspaper, March 1992.

Directed by Martin Scorsese with characteristic and frenetic energy, Cape Fear is his best movie in years. It ranks not so much alongside The Last Temptation of Christ (1988, file under embarrassing personal projects along with Until the End of the World, Wim Wenders, 1991) but rather as a companion piece to early collaborations with actor Robert De Niro like Mean Streets (1973), Taxi Driver (1976) and Raging Bull (1980).

Here, the actor is first glimpsed from behind as a muscled torso tattooed with the Scales of Justice and numerous biblical verses. It’s a foretaste of things to come.

While the original Cape Fear (J. Lee Thompson, 1962) had Robert Mitchum as ex-con Max Cady who terrorises the lawyer (and his wife and daughter) responsible for his prosecution, Scorsese’s remake borrows religious elements from another Mitchum-as-villain vehicle, Night of the Hunter (Charles Laughton, 1955), in which his character justifies his actions in fundamentalist Christian terminology.

De Niro’s Cady is specifically a self-designated vessel of judgement upon the lawyer and his kin.… Read the rest

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Features Live Action Movies

The Beast
(La Bête)
(2023)

Director – Bertrand Bonello – 2023 – France – Cert. tbc – 146m

*****

Required to expunge her emotions by the ruling AI of 2044, a woman with a sense of dread revisits her past lives in 1910 and 2014 and their incarnations of the love of her life – curious mix of art house movie and science fiction plays Glasgow Film Festival which runs from Wednesday, February 28th to Sunday, March 10th, and is out in UK cinemas on Friday, May 31st

An actress (Léa Seydoux) against green screen rehearses a scene in a house – the director’s voice tells her where the stairs and other features are in relation to her position and marks on the floor. With these minimal visuals but with the addition of music and full sound effects, she works through the scene up to the point where she sees the terrifying shadow of the Beast on a wall and screams. Consciously or unconsciously, this echoes the screen test on the boat of Ann Darrow (Fay Wray) in King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933) as she is required to scream at an unseen, gargantuan monster for the camera.

As in Kong, this scene anticipates one that will play out later in the film.… Read the rest

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Features Live Action Movies

American Fiction

Director – Cord Jefferson – 2023 – US – Cert. 15 – 117m

*****

A black, American college Literature professor, unexpectedly finds celebrity via an anonymous alter-ego when he writes a cliché-ridden book about ‘the black experience’ – out in UK cinemas on Friday, February 2nd

College professor Thelonius ‘Monk’ Ellison (Jeffrey Wright) is a black academic at a white university. He teaches literature. While he’s teaching a class on the literature of the American South, a young, white, female student objects to the “N-word”, walks out of the class, and – in due course – gets him put on an unpaid Sabbatical. He’s a published novelist who hasn’t had anything published for years, including a manuscript currently doing the rounds through his agent Arthur, whereas other, white, faculty members publish work he considers beneath him yet which also sell in volume in airports.

His Sabbatical ties in with the fact of his going to a Literature Festival in his home city of Boston, where he finds his seminar poorly attended because it’s up against one by rising publishing sensation Sintara Golden (Issa Rae), author of We’s Lives in Da Ghetto, which, when he investigates her session, turns out to be what he considers pandering to black stereotypes of living in poverty, crime and misery.… Read the rest

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Animation Features Live Action Movies

The Peasants
(Chłopi)

Directors – DK Welchman, Hugo Welchman – 2023 – Poland, Serbia, Lithuania – Cert. 15 – 114m

****1/2

A rural drama of romance, adultery and inheritance is expressed through the remarkable, foot-in-two-camps medium of live action filmmaking turned into animated painting – out in UK cinemas on Friday, December 8th

A small rural village in the early 20th Century. Young woman Jagna Paczesiówna (Kamila Urzędowska) is in love with Antek Boryna (Robert Gulaczyk). Unfortunately, not only is Antek already married to Hanka (Sonia Mietielica), who is fed up with his philandering, but also the latter’s father Maciej (Mirosław Baka), who is the richest person in the village, is widowed and wants Jagda to marry him – against her will but in line with that of her parents, who know a good thing when they see it. Alas, after the marriage, she carries on with Antek and things slowly go from bad to worse.

It’s gripping if harrowing stuff and would probably work well enough in live action, although it might not look that dissimilar to many other period costume dramas. It can occasionally be hard to keep track of who’s who, which I suspect is down to the script, an adaptation of a 1906 novel originally written as four volumes covering one year through the seasons Autumn, Winter, Spring and Summer, a trajectory also followed by the screenplay.… Read the rest

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Eileen

Director – William Oldroyd – 2023 – US – Cert. 15 – 97 m

***** Most of the film

* The last five minutes

NSFW

In the 1960s, the life of a young woman working in a Boston boys’ correctional facility is turned on its head by the arrival of a radical, young woman prison psychologist from New York – out in UK cinemas on Friday, December 1st.

I don’t usually start with the ending of the film – and I’m not about to deliver a spoiler – but the ending of Oldroyd’s otherwise enthralling drama (if that’s the right term – I’m not sure it is) takes everything that has gone before which appeared to be building up to something and unceremoniously dumps it, as if there were another twenty minutes that had been written but not shot and an unsatisfactory ending had been tacked on.

There’s always that feeling with a truly extraordinary movie when you watch it for the first time that you don’t want the filmmakers to screw up and let go of whatever it is that’s working. Well, this one is extraordinary right up to the last five minutes, when it completely loses it. Prior to that, it starts out as one thing, turns into something else then swerves and moves about all over the place, taking the viewer with it on a strange, unpredictable journey.… Read the rest

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Features Live Action Movies

One Fine Spring Day
(Bomnaleun Ganda,
봄날은 간다)

Director – Hur JIn-ho – 2001 – South Korea – Cert. 15 – 113m

*****

The romance between a sound engineer and a radio DJ from winter through spring to its falling apart in summer – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Winter. Twentysomething sound recordist Sang-woo (Yoo Ji-tae) lives at home with his family including his grandmother, to whom he’s completely devoted. He is hired by a radio station in a nearby town and finds himself working alongside DJ and talk radio host Eun-su (Lee Young-ae), travelling there in his van. They spend time in the local countryside recording sounds such as the wind across the tall grass and she invites him to her flat for the night. One thing almost leads to another, but woken by his trying to kiss her as she lies on a mattress on the floor after she let him use her bed, she tells him, let’s wait until we know each other better.

They quickly become inseparable, with much walking together, holding and hugging, although she won’t shout about it from the rooftops because, as she explains to him, if the radio station found out they were in a relationship, he’d get the sack.… Read the rest

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My Big Fat Greek Wedding 3

Director – Nia Vardalos – 2022 – US – Cert. 12a – 91m

***

The Greek-American family from Chicago visit their late patriarch’s small village in Greece to honour his final wish – out in UK cinemas on Friday, September 8th

Once again written by and starring Vardalos as Toula, the daughter of the rumbunctious, Greek-American Portokalos family from Chicago, this third outing for the franchise is predictably another celebration of all things Greek, or, at least, Greek-American. The previous two films owed much to the character of Toula’s father Gus (Michael Constantine), the family patriarch insistent on all family members (a) getting married as soon as they come of age and (b) marrying Greek-Americans.

In the first film My Big Fat Greek Wedding (Joel Zwick, 2002), Toula had to bring him round to the idea of her marrying the non-Greek Ian (John Corbett). In the second film My Big Fat Greek Wedding 2 (Kirk Jones, 2016), Toula had become an interfering mother to teenage daughter Paris (Elena Campouris) while Gus and his wife Maria (Lainie Kazan) have another wedding celebration following the discovery that their marriage of 50 years was technically invalid.

The third instalment was to have been about Gus and the family visiting Greece to rediscover his roots.… Read the rest

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Features Live Action Movies

The Innocent
(L’innocent)

Director – Louis Garrel – 2022 – France – Cert. 15 – 99m

***1/2

A trusting woman marries a soon-to-be-released convict in prison only for her suspicious son to start following him after the man’s release and soon find himself out of his depth – out in UK cinemas on Friday, August 25th

Warning: plot spoilers.

Sylvie LeFranc (Anouk Grinberg) has fallen big time for Michel Ferrand (Roschdy Zem) and is about to marry him. Her son Abel (Louis Garrel) is less than happy about this, since Michel is the latest convict serving a prison sentence for whom his mother has fallen. He grudgingly attends their prison wedding. Shortly after, Michel is released and the couple embark on their new life together, with Michel promising to go straight and Sylvie, who likes to think the best of people, taking him at his word. She has always dreamed of opening a flower shop, and he gives her the funds to make it happen. They hire premises and start doing it up, getting Abel to help.

Although he can see that the romance is genuine – at least on his mother’s side – Abel understandably doesn’t trust his mum’s judgement and doesn’t trust Michel at all.… Read the rest