Tag: Hong Kong

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Blades of the Guardians
Wind Rises in the Desert
(Biao Ren
Feng Qi Da Mo,
镖人
风起大漠)

Director – Yuen Woo-Ping – 2026 – China – Cert. 15 – 126m

*****

In ancient China, a bounty hunter with his small nephew in tow must transport a man across a desert to Chang’an – out in UK and Ireland cinemas on Friday, April 17th

The synopsis opening this review might make it sound like a bad film. It’s not. Humour me.

China’s Sui Dynasty (581 to 618 AD). Bounty hunter Dau Ma (Wu Jing from Ride On, Larry Yang, 2023; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021; The Wandering Earth, Frant Gwo, 2019; Wolf Warrior, Wu Jing, 2015) travels with his small nephew Xiao Qi (child actor unknown) in tow. At an incident at a village inn he demonstrates his considerable fighting skill against a mark and his thugs to force the man to pay Dau Ma triple the price on his head to leave him alone.

Dau Ma is summoned before the town’s Governor Chang (Jet Li from Hero, Zhang Yimou, 2002; Black Mask, Daniel Lee, 1996); Once Upon a Time in China, Tsui Hark, 1991), who wants him to sign on to train Chang’s cavalry – an offer Dau refuses because as an ex-cavalry officer he has long since decided he is better off outside than inside the military system.… Read the rest

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Kung Fu Hustle
(Kung Fu,
功夫)

Director – Stephen Chow Sing Chi – 2004 – China – Cert. 15 – 99m

*****

Set in the 1940s, this is at once a comedy, a romance, an effects fest, an action movie, a violent gangster thriller and a treatise on Buddhist values – out in UK cinemas on Friday, June 24th, 2005

An hilarious treat from start to finish, Kung Fu Hustle foregrounds Hong Kong’s ability to bend genres. At once a comedy, a romance, an effects fest, an action movie, a violent gangster thriller and a treatise on Buddhist values, it also manages to throw in a hugely enjoyable, first reel dance sequence and a speeded up chase sequence reminiscent of Warner Bros. classic Roadrunner cartoon shorts (Chuck Jones, 1949-1962) and The Wizard Of Speed And Time (Mike Jittlov, 1988). Which summary doesn’t even begin to do it justice.

Columbia gave director/star Stephen Chow Sing Chi a mega-budget for Kung Fu Hustle but have commendably neither pruned nor dubbed as Miramax (Disney) did on his previous outing Shaolin Soccer (Stephen Chow, 2001). Chow’s extraordinary vision is thus allowed full rein in his native Cantonese tongue to side-splitting effect.

The 1940’s plot involves landlord, landlady and tenants of down and out Pig Sty Alley confronted by the fearsome Axe Gang after low life hustler and loose cannon Sing (Chow) turns up there and throws his weight around pretending to be a Gang member.… Read the rest

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The Killer
(Dip Huet
Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Having accidentally blinded a nightclub singer in a hit, a gunman takes on one last job to fund the operation to restore her eyesight – back out in a 4K restoration in UK cinemas on Friday, March 20th

Following the success of A Better Tomorrow (1986), this secured John Woo the international interest that would eventually bring Hollywood offers. Woo further distils A Better Tomorrow’s themes of brotherhood, loyalty and betrayal through the device of a cop first facing off against and subsequently bonding with the assassin he’s pursuing; many consider The Killer Woo’s finest achievement.

Professional assassin Ah Jong (Chow Yun-fat) accidentally blinds nightclub singer Jennie (Sally Yeh) with a stray bullet in a hit to become the focus of his guilt. Detective Li Ying (Danny Lee) is trying to catch him.

The backdrop is already familiar Woo and Hong Kong gangster genre territory – triad hits and betrayals, working cops misunderstood by their superiors. The action set pieces rank among the director’s finest: the opening night club slaying, the Dragon Boat Festival hit followed by the fight on the beach, car chases and multi-storey car park shoot outs, all topped by the brilliantly choreographed and seemingly endless final shoot out wherein killer and cop join forces in a church surrounded by unfriendly gangsters.… Read the rest

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Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

One of the greatest action pictures ever made – back in a 4K Restoration in UK cinemas on Friday, March 6th

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).

Hard Boiled opens with a spectacular tea house shoot out where Insp.… Read the rest

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Top Ten Movies
(and more,
excluding re-releases)
2025

Work in progress – subject to change. Because I am still watching movies released in 2025, so it’s always possible that a new title could usurp the number one in due course.

All numbered films received either a theatrical, online or home media release in the UK between 01/01/25 and 31/12/25.

This version excludes re-releases (Battleship Potemkin, The Piano Teacher or Hard Boiled, among others) would top everything here). In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2025. For that even longer list, click here.

Finally, last year’s list is here.

Top Ten Movies (and more) 2025

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2024 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt.

*****

1=. Flow (2024, Belgium, France, Latvia)

1=. The Glassworker (2024, Pakistan, Spain)

1=. One Battle After Another (2025, US)

1=. Riefenstahl (2024, Germany)

1=. The Seed of the Sacred Fig (2024, Iran, Germany, France)

6=. Mars Express (2023, France)

6=. On Swift Horses (2024, US)

6=. … Read the rest

Categories
Animation Art Documentary Features Live Action Movies Music Shorts Top Ten

Top Ten Movies
(and more)
2025

Work in progress – subject to change. Because I am still watching movies released in 2025, so it’s always possible that a new title could usurp the number one in due course.

All numbered films received either a theatrical, online or home media release in the UK between 01/01/25 and 31/12/25.

This version includes re-releases, but those aren’t numbered. It’s hard to imagine movies improving on Eisenstein’s Battleship Potemkin, Haneke’s The Piano Teacher or Woo’s Hard Boiled.

In addition to re-releases, this version also includes films seen in festivals which haven’t had any wider UK release in 2025.

Finally, last year’s list is here.

Top Ten Movies (and more) 2025

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2024 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt.

*****

Babe (1995, Australia – reissue)

Battleship Potemkin / Music by Pet Shop Boys (1925, USSR – reissue, new score)

Brief Encounter (1945, UK – reissue; also in Film Tottenham’s BFI / Love & Obsession programme)

A Clockwork Orange (1971, US, UK – in Film Tottenham’s Cinema for All / 100 Years of Community Cinema programme)

The Devil’s Backbone (2001, Mexico, Spain – reissue)

Dogtooth (2009, Greece – reissue)

1=. … Read the rest

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Valley of the
Shadow of Death
(不赦之罪)

Directors – Jeffrey Lam Sen & Antonio Tam – 2024 – Hong Kong, China – Cert. 15 – 84m

***1/2

The lives of a Christian pastor and his wife become intertwined with that of a youth who believes himself responsible for their teenage daughter’s suicide some years ago – out in UK cinemas on Friday, November 14th

For roughly its first half, this delivers a narrative that sits squarely in an evangelical Christian framework. Unable to keep that up, it shifts focus in its second half to fire off in a number of directions.

Pastor Leung (Anthony Wong) and visits an old lady named Chan who is dying in hospital, asking her on her deathbed to accept Jesus as her Saviour. As he’s leaving, the nurse with him spots her grandson coming in, chained between two police officers. His granny is unconscious, and he finds her clasping a crucifix tight in one hand.

Praying alone, the Pastor talks about ”joining in the sufferings of Christ” as well he might: when interviewed by a lady journalist (Amber Van Cheung) about suffering and his experiences, something he is known for speaking about widely, it’s apparent that he and his family – pictured on a cupboard top photo as father, mother and daughter – suffered terrible grief a few years back.… Read the rest

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Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – out in UK cinemas on Friday, August 22nd

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

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Karate Kid
Legends

Director – Jonathan Entwhistle – 2025 – US – Cert. 12a – 94m

*****

Latest franchise entry plays by all the rules that you would expect, yet somehow manages to completely break the mould and come up with something fresh and original – out in UK cinemas on Wednesday, May 28th

All a Karate Kid movie has to do is put a boy in peril from a bully or similar, then have him schooled in martial arts by a trainer to discover his inner strength and ultimately overcome the bully in combat. This is facilitated by a fight competition at the end, in which the two come face to face with one another. While the original The Karate Kid (John G. Avildsen, 1984) clearly struck enough of a chord to spawn more films, some entries, such as The Karate Kid Part III (John G. Avildsen, 1989), have felt worn, tired and clichéd.

That changed with the genuinely brilliant idea of introducing Hong Kong’s clown prince of kung fu Jackie Chan as the trainer in the two decades later remake The Karate Kid (Harold Zwart, 2010), which breathed new life into the big screen franchise (there have also been live action and animated spin-offs made for television).… Read the rest

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Stuntman
(Mou Tai Do,
武替道)

Directors – Albert & Herbart Leung – 2024 – Hong Kong – Cert. 15 – 114m

****

20 years after a stuntman on his team was hospitalised when a stunt went wrong, an action choreographer takes on his first stunt job since the tragic incident – out on digital from Monday, 12 May 2025

This opens with a terrific cops and robbers fight in a shopping mall at the top of an escalator bearing remarkable resemblance to (and just as exciting as) the one towards the end of Police Story (Jackie Chan, 1985). However, while this might be an obvious homage to that film specifically and 1980s Hong Kong action cinema generally, it’s far from a mere attempt to retread the same ground: we suddenly cut from the cops and robbers scenario to reveal a film crew of that period shooting an action movie.

There is a particularly dangerous stunt coming up. A (stunt)man must jump off a bridge onto a lorry as it passes below, with a car immediately behind. (Again, this is remarkably similar to the stunt in Police Story II (Jackie Chan, 1988) where Chan leaps off a balcony onto a lorry passing in the street.) In the current film, for the stunt to come off, the stuntman must jump at exactly the moment the action choreographer Sam Lee (Lam Yiu Sing from The Goldfinger, Felix Chong, 2023; Where the Wind Blows, Philip Yung, 2022; Memories to Choke on, Drinks to Wash Them Down, Leung Ming Kai, Kate Reilly, 2019; Dream Home, Cheung Pang-ho, 2010) tells him; to wait until he can see the truck would be too late and cause considerable, possibly fatal, injury.… Read the rest