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Animation Features Live Action Movies

Capital
In The
21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest

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Features Live Action Movies

Nocturnal

Director – Natalie Biancheri – 2019 – UK – Cert. 15 – 84m

***

A man becomes obsessed with a schoolgirl and starts spending more and more time with her at night – in cinemas and on BFI Player and Curzon Home Cinema from Friday, September18th

A Yorkshire seaside town. Teenage schoolgirl Laurie (Lauren Coe) is training to be a sprinter and spends much of her time training at the school track. She’s spotted by odd job painter and decorator Pete (Cosmo Jarvis) whose regular girlfriend has just moved out of his apartment. Pete starts to take an interest in Laurie, eventually driving her out to a club then talking with her for hours in his flat.

From Laurie’s life at home with her mother Jean (Sadie Frost), it’s clear that they’ve only recently moved into the area. The girl has a healthy distrust of the older man who starts stalking her. She points out that he might be a serial killer, which he turns into a running joke. His interest seems pretty creepy though, so you do wonder if there’s any truth behind this banter. She’s a teenager playing at being an adult. When he takes her to a bar and they drink shots of whiskey, she is being sick soon after.… Read the rest

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Features Live Action Movies

Rocks

Director – Sarah Gavron – 2019 – UK – Cert. 12 – 93m

****

A 15-year-old, East End London schoolgirl must look after her seven-year-old brother when their mother abandons themin cinemas from Friday, September 18th

From its opening, in which a bunch of ethnically diverse, 15-year-old girls from Hackney in London’s East End clown around together, lean on a balcony and film each other on a mobile phone, it’s clear that this is something very different. It’s been made with a young, mostly female cast many of whom have little or no acting experience via intensive workshopping and improvisation. Thrown into this mix somewhere along the process a highly personal script outline has emerged from Theresa Ikoko, one of two writers involved in the lengthy development process, which seems a perfect fit for the young cast.

Although the story source was Ikoko, I’m guessing that the input of co-writer Claire Wilson is just as significant. And while I believe you can never underestimate the importance of a good script which lays the foundations of a production, in this particular instance many other collaborators both behind and in front of the cameras have also contributed a great deal, with director Gavron and her producers holding it all together.… Read the rest

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Features Live Action Movies

Real

Director – Aki Omoshaybi – 2019 – UK – Cert. 15 – 78m

***

Boy meets girl but both are embarrassed by their economic circumstances so pretend to be much better off than they arein cinemas and on BFI Player and Sky Store from Friday, September 11th

Kyle (director Aki Omoshaybi) and Jamie (Pippa Bennett-Warner) first meet in a newsagents in the city centre. Her credit card is stopped. He helps her out and pays the bill. She works in a local community centre, he in a solicitor’s. Actually, both of them are lying, desperate to make a good first impression and reluctant to reveal their true circumstances for fear of judgement.

They start dating. Jamie is the first to crack. She admits she has a child Felix (Taye Matthew). And works in a convenience store. However,  Kyle can’t bring himself to come clean. Unfortunately for him, Jamie’s best mate Tash (Amy Manson from Run, Scott Graham / 2019) has had dealings with him and knows he’s an ex-offender. So it’s only a matter of time before Jamie finds out.

Kyle has become homeless, so begs his alienated mum (Karen Bryson) to let him stay at hers for a while.… Read the rest

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Features Live Action Movies

Misbehaviour

Director – Philippa Lowthorpe – 2020 – UK – Cert. 12a – 106m

*****

Women’s Liberation activists disrupt the 1970 Miss World contest in London, in a real-life story starring Keira Knightley – on DVD from Monday, September 7th. Also on Amazon and iTunes.

One of the great achievements of the British historical drama Misbehaviour is that it recreates a single event on which two separate stories hang. The 1970 Miss World competition coincided with the rise of not only the nascent women’s liberation movement but also increasing international unease with South Africa’s Apartheid regime.

The pitfall awaiting anyone writing a script about all this (or directing one) is that it means constantly walking a tightrope, getting the balance right so that justice is done to both intertwining narratives. It is to Misbehaviour’s great credit that it manages to pull off this difficult feat.

The two narratives are very much an insider’s and an outsider’s view of the contest… Read the rest

Originally published in DMovies.org. Misbehaviour is available on DVD from Monday, September 7th. Also on Amazon and iTunes.

Trailer:

Categories
Animation Documentary Features Live Action Movies

Coup 53

Director – Taghi Amirani – 2019 – UK – Cert. 15 – 120m

*****

In cinemas from Friday, August 21st

Virtual premiere Wednesday August 19th, Q&A Thursday August 20th. Film available to view at https://coup53.com/

A documentary begun in 2009 interviewing many people who died before the film’s completion some ten years later, this covers the 1953 coup in Iran backed by President Eisenhower in the US and Prime Minister Churchill in the UK which replaced Iran’s democratically elected, left-wing Prime Minister Mossadegh with the Shah. The UK has never officially acknowledged its role in this coup.

Amirani’s researches lead him to a basement of documents held by Mossadech’s grandson in Paris comprising archive material from the Granada TV 1985 End Of Empire documentary series, for which he is gets access to the rushes from the BFI. Iran was included because it had been controlled by British interests for so long (because of its oil reserves). Amirani’s editor, helping pull all this together, is the legendary Walter Murch (Gimme Shelter / 1970, The Conversation / 1974, Apocalypse Now / 1979, The English Patient / 1996).

The name which keeps coming up in Amirani’s research is that of Norman Darbyshire who reportedly asked for his interview footage to be removed from the film following a pre-transmission screening at the BBC.… Read the rest

Categories
Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review of the UK DVD was originally published in What DVD. See also my review for the Arts Centre Group’s member’s newsletter.

Sold as a sex and car crash (and by implication action) movie, Crash is in reality something very different: intelligent, grown-up science fiction. The former description being an easy sell, especially with the added (ridiculous) controversy surrounding the film’s (eventual) UK release, the inevitable resultant popcorn sensation‑seeking mass audience was largely disappointed.

That said, for those viewers prepared to engage brain, deal with tough subject matter and go the distance, it’s a masterpiece. But if you’re someone to whom the concept of sex scene as narrative device sounds too much like hard work, you probably shouldn’t touch it.

On the other hand, admirers of director Cronenberg (The Brood, Scanners, Dead Ringers, eXistenZ) or novelist J.G.Ballard (Empire of the Sun) will appreciate the film’s uncompromising vision. Although Crash is not especially unnerving by Cronenberg standards, it’s extremely shocking by those of mainstream movies and has the potential to confuse or overwhelm an average audience.

While it brims with sex scenes, they’re not particularly arousing in tone being close to the emotionally cold experience of watching laboratory experiments.… Read the rest

Categories
Features Live Action Movies

Make Up

Director – Claire Oakley – 2019 – UK – Cert. 15 – 85m

***1/2

In cinemas and on Curzon Home Cinema from Friday, July 31st.

Q&A with director Claire Oakley (recorded Monday, August 3rd).

I liked this a lot as it started off but less as it wore on. It has an enigmatic plot, a striking female cast and an intriguing location / setting. For me sadly the plot descended into cliché when it promised so much more. Other elements compensate however.

Ruth (Molly Windsor) heads down from Derby to join boyfriend Tom (Joseph Quinn) in the coastal Cornwall caravan park where he works on site in maintenance during the off-season, (cara)van provided. He’s delighted she can make it. Cue bedroom scenes. Ruth learns from facility manager Shirley (Lisa Palfrey) that Tom’s job is ideal for couples who live on site, which suits Ruth fine.

She’s less happy though when she tidies up the van and finds a red hair on an item of Tom’s clothing. Does he know someone with red hair? He never answers the question. But Ruth becomes obsessed with it. She imagines a red head disappearing round the side of a van. She goes paddling with 11 year old Kippa (Elodie Wilton) – to a depth of about four feet which when you can’t swim is not a smart move in surfing seas where the waves are high.… Read the rest

Categories
Features Live Action Movies

Military Wives

Director – Peter Cattaneo– 2019 – UK – Cert.12A – 112m

**

Available on Blu-ray and DVD from Monday, July 6th.

Currently streaming on iTunes, Amazon Prime and Curzon Home Cinema.

Twenty and a bit years after the hilarious British comedy The Full Monty (Peter Cattaneo, 1997) in which a group of unemployed male steelworkers reinvent themselves as a striptease act, director Cattaneo tries something similar with a group of soldiers’ wives on a British army base at the time of the Afghanistan War who, in order to deal with their isolation from their active service husbands, reinvent themselves as a ladies choir.

Where the men in the earlier film underwent a crisis of identity when they lost their jobs, the women here are by default defined by their absent husbands, waiting for the text messages that inform them their men are out of satellite contact until further notice or, worse, the knock on the door bringing news of their loved one’s death.

I review Military Wives for DMovies.org.

Available on Blu-ray and DVD from Monday, July 6th.

Currently streaming on iTunes, Amazon Prime and Curzon Home Cinema.

Categories
Features Live Action Movies

Fanny Lye Deliver’d

The new normal?

Fanny Lye Deliver’d
Directed by Thomas Clay
Certificate 18, 110 minutes
Released digitally on 26 June

Shropshire, 1657. The aftermath of the English Civil War and a time when ideas about politics, relationships, religion and society are up for grabs. Fanny (Maxine Peake) is the young wife of Captain John Lye (Charles Dance) who fought under Cromwell and has been given a farmhouse by way of thanks. The puritan couple have a son, Arthur, who is too young to have lived through the war. The God-fearing and articulate John takes the family to chapel weekly (we never see them there, just going and returning) and keeps his son and, particularly, his wife in order using a mixture of Scripture reading, prayer and corporal punishment.

I review Fanny Lye Deliver’d for Reform.

Here’s the trailer: