screen Archives - Jeremy C. Processing

Directors – Kenna Harris, Andrew Stanton – 2026 – US – Cert. PG – 102m

***1/2

The toys become sidelined when their child is given a screen-based tech device and she abandons them to spend all her time interacting with it – out in UK cinemas on Friday, June 19th

After a damaged package of High-Tech edition Buzz Lightyear action figures causes a veritable battalion of them to fall from the sky, regular group of toys belonging to young girl Bonnie (voice: Scarlett Spears from Wicked for Good, John M.Chu, 2025) are the subject of her make believe games, switching satisfyingly from romantic wedding to murder mystery.

Leading toy character Cowgirl Jessie (voice: Joan Cusack from Toy Story 2–4; High Fidelity, Stephen Frears, 2000; Grosse Pointe Blank, George Armitage, 1997) takes it upon herself to turn up, ring pull voice self-activated, outside Bonnie’s garden fence, in an attempt to get Bonnie to make friends with the kids next door. Something Bonnie has been avoiding for months.

Jessie has, however, reckoned without tech. Bonnie is the exceptional child who still plays with toys; most of the kids are glued to electronic devices, and have no need for traditional, physical toys or the type of play they inspire.… Read the rest

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.