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The Beast
(La Bête)
(2023)

A Fatal Belief

The Beast
Directed by Bertrand Bonello
Certificate 15, 146 minutes
Released 31 May

As satisfying as it is infuriating, this French genre-bender is part science fiction, part period costume drama and part literary adaptation. It’s based on Henry James’ 1903 novella The Beast in the Jungle, in which a man refuses to marry the woman he loves to spare her from the attack he believes will be perpetrated upon him at some point by a horrible beast.

About a third is, as you might expect, a period costume drama, sumptuously shot on film. However, the co-writer and director Bonello introduces two more separate timelines set in 2014 and 2044 and shot on harsher digital technology for a more modern feel.

He also switches the gender roles round, so that… [Read the full review in Reform]

[Read my longer review on this site]

Trailer:

Categories
Animation Features Live Action Movies

IF

Director – John Krasinski – 2024 – US – Cert. U – 104m

****

A 12-year-old staying with her grandma in New York meets many imaginary friends forgotten by the adults who befriended them as children – out in UK cinemas on Friday, May 17th

This follows the time-worn children’s story template of a child whose father in hospital and is worried that they might not ever come home. In this instance, the child’s fear is grounded in her previous experience of this happening to her mother, who went into hospital and never came out.

Thus, 12-year-old Bea (Cailey Fleming) is sent to stay with her grandmother (Fiona Shaw) in New York while her single-parent dad (John Krasinski) goes to the hospital for what he assures Bea will be a routine operation. Dad is an inveterate practical joker of a gentle sort, performing impromptu song and dance routines with his treatment drip on a stand or staging a tableau of his escape out of the window via a rope made of knotted bedsheets. As you can probably tell, director Krasinski is clearly having a lot of fun playing this role, and fortunately for us that fun translates onto the screen. As a bonus, likeable child actor Alan Kim (Minari, Lee Isaac Chung, 2020) plays the patient in a nearby ward.… Read the rest

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Features Live Action Movies

Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest

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Features Live Action Movies

Nightwatch:
Demons Are Forever
(Nattevagten –
Dæmoner Går i Arv)

Director – Ole Bornedal – 2023 – Denmark – 110m

****1/2

A law student’s daughter takes on his old morgue nightwatchman’s job to find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th

WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.

SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.

Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.

Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.

Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest

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Animation Features Live Action Movies Shorts

Tsukamoto

Killing
(Zan, 斬、)

Haze
(ヘイズ)

The Adventures
of Denchu Kozo
(Denchu Kozou
no Boken,
電柱小僧の冒険)

Killing (Sawamura)

Director – Shinya Tsukamoto – 2018 – Japan – Cert. 18 – 79m

***

[Update: The Adventures of Denchu Kozo streams on the Arrow Channel from Friday, May 3rd 2024.]

The Adventures of Denchu Kozo (Denchu kozo no boken)

Director – Shinya Tsukamoto – 1987 – Japan – 45m

****

Haze

Director – Shinya Tsukamoto – 2005 – Japan – Cert. 15 – 48m

*****

Shinya Tsukamoto’s latest feature, the samurai movie Killing comes to UK Blu-ray in a two-disc edition, along with two fascinating shorts: the Super-8 epic The Adventures of Denchu Kozo and the later masterpiece Haze. All three feature informative audio commentaries by Tom Mes, author of Iron Man: The Cinema of Shinya Tsukamoto (2005). The director is probably best known for cyberpunk epics Tetsuo: The Iron Man (1989) and its sequel/reboot Tetsuo II: Body Hammer (1992) which concern the fusion of flesh and metal into a new evolutionary human weapon form. His new film similarly explores the samurai and his metal blade becoming as one in a deadly human fighting machine. Read the rest…

Review published in All The Anime.

Categories
Features Live Action Movies

Immaculate

Director – Michael Mohan – 2023 – US – Cert. – 89m

***

A virginal, American, novice nun cloistered in an Italian convent finds herself mysteriously pregnant – out in UK cinemas on Friday, March 22nd

A young nun attempts to flee a convent in the middle of the night, but before she can gate the gate open with a key on a large bunch is caught by mysterious nuns with red coverings over their faces, and finds herself buried alive in a coffin. This opening sequence doesn’t bode well for any new nun entering the convent such as the novice Sister Cecilia (Sydney Sweeney, also the film’s producer, from Reality, Tina Satter, 2023), a young woman from a parish in the US that closed down, forcing her to seek a position elsewhere, and who believes God wants her to enter this particular convent, which doubles as a care home for ageing nuns run by Father Tedeschi (Álvaro Morte) and the incumbent Mother Superior (Dora Romano). The premises are built over a network of catacombs.

Before taking her vows on the day she arrives – of which she is told she could opt out beforehand if she doesn’t want to go through with them – Sister Cecilia is entrusted into the care of Sister Isabelle (Giulia Heathfield Di Renzi), an embittered type who doesn’t feel anything like a woman who has given herself to the service of God.… Read the rest

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Animation Movies Shorts

Pachyderm
(Pachyderme)

Director – Stéphanie Clément – 2022 – France – 11m

*****

A nine-year-old struggles with the trauma that befalls her at her grandpa’s – nominated for Best Animated Short at the 2024 Academy Awards, VoD details below review

She’s nine (voice-over: Christa Theret), and in the Summer she goes to stay with granny and grandpa. She plays on a swing, missing mum and dad, she watches a cabbage white butterfly in the garden. The house is tidy, ordered, perhaps obsessively so. It smells of polish; the kitchen smells of bleach. Tomorrow, grandpa will take her to the lake, where he likes to fish. To get to her bedroom, she must pass the big, intimidating horn mounted at the top of the stairs, a hunting trophy from a pachyderm. In her room, she can see eyes watching her from the wood grain of the ceiling timbers. She doesn’t sleep by counting sheep; she kills monsters. As the floorboards creak outside her door, she hides in the wallpaper, in the flowers, in sleep. After all, as grandma says, what could happen?

Before the trip, she accidentally pricks a finger on one of grandpa’s fishing hooks – lures, as they call them – but grandpa kisses the cut better with the kiss that heals all things.… Read the rest

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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

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Features Live Action Movies

The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest

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Features Live Action Movies

There’s Something
in the Barn

Director – Magnus Martens – 2023 – Norway – Cert. 15 – 100m

*

An American family immigrates to Norway where a relative has died and left them a farmhouse with a barn… and there’s something in the barn – badly misjudged horror comedy is out in UK cinemas and on digital download from Friday, December 1st

I have watched this film so that you don’t have to.

Incidentally, it has some of the best film stills I’ve ever seen. They are truly great. Don’t let that fool you: it’s a rotten movie.

One year after the unpleasant death of their Norwegian relative, the Californian nuclear family of dad, step-mum, son and daughter arrive at his farmhouse and barn in Norway which they’ve inherited. The unpleasant death is intriguing and workable if unoriginal horror fare; there is indeed something in the barn, and it’s not happy. So not happy, that it kills the relative.

But once the Californian family appear, the film undergoes a huge shift of tone from straight horror to pretty embarrassing comedy. Or, more accurately, alleged comedy because the laughs (or laugh – I think I may have laughed once) are (is) few and far between. Dad Bill (Martin Starr) is a happy-go-lucky, irritating, nerdy caricature; his new wife – and therefore step-mum to his kids – Carol (Amrita Acharia) is an equally annoying, former self-help guru.… Read the rest