Tag: suburbia

Archipelago
(Archipel)

Director – Félix Dufour-Laperrière – 2021 – Canada – 72m

****

A journey along an estuary traversing its archipelago, perhaps real, perhaps imagined, a trip into an obscure territory of the mind – from the Annecy 2021 Animation Festival in the Official Competition Contrechamp section

Defying easy categorisation, this is a conversation between a woman on a journey and a man trying to convince her of her non-existence. The woman’s shape first appears as a framing device – through the moving shape that defines her we see locations, places and more. Eventually we see her too, as her representation changes from a moving window shape to a simple animated line drawing defining her features against what can be seen through the window of her shape.

Numerous elements jostle for attention as the film proceeds. On one level, it’s a journey along the Gulf of St Lawrence in the French-speaking part of Canada, the estuary of the river which connects the Great Lakes with the Atlantic Ocean. A train journey is represented by the view through a carriage window. There are numerous islands, some of which may be real. There are clips from black and white and occasionally colour travelogue documentary films.… Read the rest

Animation Movies Shorts

If Anything Happens
I Love You

Post author By Jeremy Clarke
Post date 25 March 2021
No Comments on If Anything Happens
I Love You

Directors – Will McCormack, Michael Govier – 2020 – US – 12m

*****

A couple and their spirit selves are haunted by a tragic loss from their family’s past in this beautifully economic, drawn animated short about grief and loss – on Netflix and winner of Best Animated Short at the 2020 / 2021 (93rd) Oscars

Drawn animation. A couple eat at home. Meatballs and spaghetti. Silently. Drawn in stark, gloomy black and white lines. Behind them, in sharply outlined areas of black smudge, the shadows of their spirit selves or perhaps their memories argue. This relationship is in trouble.

They go about the business of everyday living, in empty black and white, trying to snatch moments of individual joy where they can. He wanders round the outside of the house, noticing once again that bit of plasterwork he really should get fixed. She tends the potted plants and takes the laundry out of the machine, picking up the child-sized blue t-shirt. He sits watching the TV with a can of drink. She wanders into the bedroom with the empty bed and somehow the record player and a pop song gets turned on.

Happier times, playing football with their daughter (10) in the garden, the ball taking off a chuck of the wall cladding.… Read the rest

Features Live Action Movies

The Ice Cream Truck

Director – Megan Freels Johnston – 2018 – US – Cert. 15 – 96m

**1/2

A housewife newly moved in to a suburb is unnerved by the creepy, local ice cream man and van… with good reason, as it turns out – on VoD and DVD from Monday, March 1st

Having just moved back into the neighbourhood where she grew up, Mary (Deanna Russo) should probably be worried that it looks a lot like the location of classic shocker Halloween (John Carpenter, 1979) with its pavements bordering lawns and hedges around residential houses. (There’s now prowling, gliding camera here though – the shots are mostly static.)

The locality also now boasts the traditional American ice cream truck, a simple, slow moving van which still serves exactly the same traditional ice cream that it has for generations. The ice cream man himself (Emil Johnsen) seems almost a parody of his profession, addressing both children and adults alike with archaic lines like, “hello there, young fellow.”

She takes an immediate dislike to nosy next-door neighbour Jessica (Hilary Barraford) but nevertheless accepts an invitation to a barbecue where it’s promised drink will flow celebrating the recent graduation of local couple’s son Max (John Redlinger – who feels a lot older than 18) who she meets on her way to the party as he hangs out with his girlfriend Tracy (Bailey Anne Borders) to smoke pot.… Read the rest

Features Live Action Movies

Edward Scissorhands

Director – Tim Burton – 1990 – US – PG – 105 mins

*****

Burton’s first post-Batman outing is essentially a fairytale set in the modern world.

A rare fusion of big budget American Studio movie and highly personal vision, Tim Burton’s first post-Batman (Tim Burton, 1989) outing is essentially a fairytale set in the modern world. Its environment is a pastel-shaded suburbia inhabited by gossipy women, largely absent men (they’re at work during the day) and equally absent teenagers (away on a camping trip). This is clearly not so much a naturalistic representation so much as a paradigmatic equivalent, which is probably just as well since at the end of one predictable street is an equally unpredictable, gothic mansion towering into the heavens.

As Avon Lady Peg Boggs (the versatile Diane Wiest) traverses this route, she wanders about first the magnificent castle grounds – adorned with exquisitely sculptured bushes – and into the creepy interior where she finds Johnny Depp’s Edward, the boy previously described in the film’s frame story by an old aged Winona Ryder as “a boy who had scissors for hands”. He also has numerous tiny gashes on his face, to which Peg painstakingly proceeds to apply her craft!… Read the rest

Features Live Action Movies

Edward Scissorhands

Director – Tim Burton – 1990 – US – PG – 105 mins

*****

PLOT

An old lady tells her grandchild a story: “there once was a man who had scissors for hands.” His name was Edward (Johnny Depp), and he lived in the old mansion on the hill where an inventor (Vincent Price) was refining him into a real boy. But before the inventor could add the final touch – replacing the scissors with real hands – he died.

Meanwhile, Peg Boggs the local Avon Lady (Diane Wiest) is doing her rounds when she calls at the spooky mansion to discover the strange boy with the cut face who she makes up and brings home – to arouse the curiosity of the bored, local housewife community.

Edward soon demonstrates amazing creative abilities, carving hedges into statuesque forms and cutting hair on dogs and humans in unique styles. Housewife Joyce (Kathy Baker) is smitten with lust for Edward – with catastrophic results – while the boy himself falls hopelessly in love with Peg’s daughter Kim (Winona Ryder), who is taunted by her boyfriend (Anthony Michael Hall). Disastrous consequences follow.

OPINION

Having delivered a Batman (Tim Burton, 1989) far more satisfactory than anyone dared hope, and taking the inevitable (after all the hype) fortune at the box office, director Tim Burton is given free rein to do whatever he wants.… Read the rest