Tag: culture

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Documentary Features Live Action Movies

The Marbles

Director – David Nicholas Wilkinson – 2025 – UK – Cert. 12a – 114m
****

The Parthenon Marbles – were they stolen from Greece, and should they be sent back? – Opening Night Film (World Premiere) Central Scotland Documentary Festival in Stirling, Scotland on Thursday, October 30th; out in UK cinemas on Thursday, November 6th.

This starts with director Wilkinson, who previously made the excellent Getting Away With Murder(s) (2021), writing a letter to the Head of the British Museum asking him for an interview outlining the Museum’s position on the Parthenon Marbles. He never receives a reply.

The historical and legal background is helpfully unpacked by Alexander Herman, a historian and legal expert who has written and spoken widely on the Marbles controversy, and Mark Stephens, the UK’s foremost Art & Cultural Property lawyer.

The eponymous Marbles were Ancient Greek statues and artefacts removed from the Acropolis in Athens by Lord Elgin in the early part of the 19th Century and brought over to England to adorn his newly built stately home in Scotland. In 1816, following a Parliamentary debate on the matter, they were purchased from Elgin by the British Museum where they have resided ever since, on display to the public.… Read the rest

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Features Live Action Movies

The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hacked – The Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

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Features Live Action Movies

The Last Dance
(Po Dei Juk,
破·地獄)

Director – Anselm Chan – 2024 – Hong Kong – Cert. 12a – 130m (extended version – Cert. 15 – 140m)

**** (regular version) / unseen (extended version)

A failed, professional wedding planner joins a Taoist funeral director as a partner in his company as various crises come to a head in the latter’s family – engaging drama is back out in UK cinemas in an extended version on Friday, April 24th following the original version’s release on Friday, November 15th 2024

There have been movies about undertakers and funeral parlours before, but never one quite like this. Whether or not one is at a stage in life where one has had much experience of bereavement, at some point, each one of us is going to die – and, before that, in all likelihood, have to deal with our nearest and dearest dying and, by extension, undertakers and funeral directors in whatever culture we happen to live. Consequently, there is a universal fascination with such matters.

Hong Kong has a very specific cultural take on this phenomenon in its Taoist priests and rituals. While these have over the years supplied the basis for much beloved and fantastical Hong Kong action or horror fare such as Zu Warriors From the Magic Mountain (Tsui Hark, 1983) or the Mr.… Read the rest

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Art Documentary Features Live Action Movies

War Paint
Women at War

The Crying Game. Between a Rock and a Hard Place 2017 by Marcelle Hanselaar

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

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Animation Features Movies

Chang’an
(Chang’an San Wan Li,
长安三万里,
lit. 3 000 Miles from Chang’an)

Directors – Xie Junwei, Zou Jing – 2023 – China – Cert. 12a – 168m

****

General Gao Shi of the Tang dynasty recounts his life, his struggle to become a poet and his friendship with Li Bai, a more renowned poet – animated epic is out in UK cinemas on Friday, February 28th

Set roughly halfway through the Tang dynasty (618-907 A.D.), this lengthy, animated epic starts off like an historical war movie in the vein of the live action Red Cliff (John Woo, 2008, 2009) but swiftly morphs into something else entirely as this initial narrative about the capture and interrogation of an enemy soldier turns into a frame story – which is rather more than that, popping up repeatedly throughout the narrative with the frame story’s resolution taking centre stage towards the end of the proceedings. Even this is deceptive; while military strategy and conflict is covered, the narrative is far less interested in that than in the overall life of main protagonist and minor poet Gao Shi, his meetings and friendship through the years with secondary character and major poet Li Bai, and the wider poetry of the period.

Believing himself about to be punished for the failure of his well planned and fought military campaign against the Tubos (the Tibetans, their ethnic identity never clarified within the film itself – at least, not in the English subtitles, presumably because the film is aimed at a Chinese audience who would already know this ethnic, historical; background), the ageing General Gao Shi (voice: Wu Junquan) falls neck first on his spear before receiving the Emperor’s emissary who wants to question him, it turns out, about not his military campaign but, rather, Li Bai.… Read the rest

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Animation Features Movies

The Lord
of the Rings:
The War
of the Rohirrim

Director – Kenji Kamiyama – 2024 – US – Cert. 12a – 134m

****

A story of J.R.R. Tolkien’s Middle-earth, set around 200 years before The Lord of the Rings – English language anime is out in UK cinemas on Friday, December 13th

This narrative is based on one of the appendices in J.R.R. Tolkien’s The Lord of the Rings, (although checking my copy of the 1979 Unwin paperback edition, it’s not there, so it’s unclear when this appendix first appeared). The Kingdom of Rohan and the Battle of Helm’s Deep are familiar from Peter Jackson’s LOTR trilogy, as is the character of Éowyn (voice: Miranda Otto, reprising her role) who serves here as a narrator, the tale taking place around 200 years before the events in LOTR.

Wulf (voice: Elijah Tamati) and Hèra (voice: Bea Dooley) are childhood friends, sweethearts even. She is something of a tomboy, riding out of the small fiefdom – from where her father Helm Hammerhand (voice: Brian Cox) rules his Kingdom of Rohan – to feed a giant eagle, or engage in friendly, hand-to-hand, sword and shield combat with Wulf, at which task she bests him.… Read the rest

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Features Live Action Movies

DÌDI (弟弟,
translates as
‘little brother’)

Director – Sean Wang – 2023 – US – Cert. 15 – 94m

*****

A young, Taiwanese-American teenager must deal with issues of ethnicity, family and love in 2008, when social media has become a significant element of growing up – out in UK cinemas on Friday, August 2nd

2008. California. Summer. 13-year-old Taiwanese-American Chris (Izaac Wang), who prefers to go by the nickname Wang Wang, is rebelling. Mandarin is spoken at home by Nai Nai (‘grandma’; Chang Li Hua) and mum (Joan Chen), but that doesn’t stop mega-sweary English language shouting contests at the supper table between Wang Wang and elder sister Vivian (Shirley Chen) who is due to attend UCSD later in the year. When she’s out, Wang Wang hangs out in her room and posts as her on her Facebook (about which, amazingly, she never comes back to him). In the bathroom, he pees into her moisturising cream (leading to her threatening to period him in the mouth if he ever does it again).

Outside the house, he hangs out with his peers Farhad Mahmood (Raul DIal) and Jimmy Kim aka SOUP (Aaron Chang). Egged on by them in the manner of pubescents everywhere, he attempts to hang out with Madi (Mahaela Park), the girl he fancies.… Read the rest

Categories
Animation Features Live Action Movies

Godzilla x Kong
The New Empire

Director – Adam Wingard – 2024 – US – Cert. 12a – 115m

*****

Godzilla must leave the surface world to team up with Kong in the subterranean Hollow Earth below to defeat a powerful enemy – out in UK cinemas on Friday, March 29th

The latest movie in the Toho / Warner Bros. Godzilla / Kong Monsterverse is globetrotting in scope, with scenes of monsters wreaking havoc in Rome and Rio; its central conceit is that Godzilla roams the surface of the Earth fighting off other monsters which humanity would be unable to see off alone, while Kong, reconceived as a similar size to Godzilla, lives in the subterranean paradise of Hollow Earth.

With one beast on the outer rim of the planet and the other in a world beneath its surface, there is no possibility one will run into the other, which fight would be devastating for mankind. To make sure the two monsters remain isolated from one another, the huge Monarch organisation monitors both constantly.

Yet a terrible force is on the ascendant in Hollow Earth, one that neither Kong nor Godzilla would be able to contain let alone defeat on their own. And so, to save humanity, they must join forces and fight it.… Read the rest

Categories
Documentary Features Live Action Movies

Sound Of Nomad:
Koryo Arirang

Director – Kim So-young (as Kim Jeong) – 2017 – South Korea – 87m

****

How an indigenous theatre company kept the culture of the Koryo people alive after they were deported by the Soviet authorities from Far East Russia to Kazakhstan in 1937 – in the documentary season: Korean Film Nights: In Transit presented by LKFF, the London Korean Film Festival

The Beijing Treaty (of 1860 although the date isn’t mentioned) ceded to Russia the so-called Maritime Province – an area of land stretching down to Vladivostock. The territory bordered on the Northwestern tip of Choson (Joseon), today’s Korea, and Chosons stated migrating into the Maritime Province, calling themselves the Koryo people. In late 1937, the Soviet authorities decided that the Koryos could potentially be Japanese spies and deported them in boarded up trains to Ushtobei, Kazakhstan, Central Asia.

The journey took two days and many children died, their corpses thrown unceremoniously out of the train at night. After the journey, the deportees faced a harsh winter, the eventual death toll rising to 40 000.

This story has been documented in Korea, but little else about the Koryos has. The first Kazakhstan Koryo settlement in Ushtobei is today marked by a memorial.… Read the rest

Categories
Features Live Action Movies

A Quiet Passion

Nonconformist poet

A Quiet Passion
Directed by Terence Davies
Certificate 12a, 126 minutes
Released 7 April 2017

A stern matriarch divides a school room of young women into those who are saved on one side and those who hope to be saved on the other. This leaves Emily Dickinson (Cynthia Nixon) in the middle because she hasn’t got as far as that yet. Rescued from the seminary by her father Edward (Keith Carradine), Emily confesses that she was suffering from ‘evangelism’.

Thus begins the latest film from the British, Catholic director Terence Davies – a biopic of the 19th-century, US poet Emily Dickinson, from her leaving school, through her life as a single woman in an era when women were supposed to marry and have children, to her death. Directed with Davies’ usual visual, cinematic rigour and punctuated by large chunks of Dickinson’s poetry in voice-over, the film also drips Christianity. It never attempts to convert anyone, but neither does it shy away from portraying a household in the southern states where faith and theology are everyday discussion topics. [Read more…]

Full review in Reform magazine, April 2017.

Trailer: