Tag: subterranean

Godzilla x Kong
The New Empire

Post author By Jeremy Clarke
Post date 29 March 2024
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The New Empire
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Director – Adam Wingard – 2024 – US – Cert. 12a – 115m

*****

Godzilla must leave the surface world to team up with Kong in the subterranean Hollow Earth below to defeat a powerful enemy – out in UK cinemas on Friday, March 29th

The latest movie in the Toho / Warner Bros. Godzilla / Kong Monsterverse is globetrotting in scope, with scenes of monsters wreaking havoc in Rome and Rio; its central conceit is that Godzilla roams the surface of the Earth fighting off other monsters which humanity would be unable to see off alone, while Kong, reconceived as a similar size to Godzilla, lives in the subterranean paradise of Hollow Earth.

With one beast on the outer rim of the planet and the other in a world beneath its surface, there is no possibility one will run into the other, which fight would be devastating for mankind. To make sure the two monsters remain isolated from one another, the huge Monarch organisation monitors both constantly.

Yet a terrible force is on the ascendant in Hollow Earth, one that neither Kong nor Godzilla would be able to contain let alone defeat on their own. And so, to save humanity, they must join forces and fight it.… Read the rest

Tags action, Adam Wingard, adventure, Alex Ferns, apes, Australia, Bryan Tyree Henry, cave lair, centre of the earth, CG animation, character animation, class, classroom, Coliseum, crack team, Cthulhu, culture, Daintree rainforest, Dan Stevens, dental treatment, dentist, despot, elasmosaurus, explorers, Fala Chen, fathers and sons, giant ape, globetrotting, Godzilla, helicopters, Hollow Earth, indigenous, island natives, isolation, Ivi, Japan, Kaiju, Kaylee Hottle, King Kong, Kong, man-eating plants, mayhem, military, monsters, Monsterverse, mothers and daughters, Mothra, naps, nuclear, nuclear plant, observation, podcaster, printer readouts, Queensland, radiation, Rebecca Hall, research facility, Rio de Janeiro; paradise, Rome, sea serpent, sedate, Skar King, Skull Island, special effects, subterranean, Suko, telepathy, three slashes, Titan, Toho, toothache, US, Warner Bros., waterhole

Features Live Action Movies

Il Buco

Post author By Jeremy Clarke
Post date 10 June 2022
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Director – Michelangelo Frammartino – 2021 – Italy – Cert. U – 93m

**1/2

A Calabrian cowherd nears the end of his life while a group of explorers journey down a deep hole to find out how deep into the ground it descends – out in cinemas on Friday, June 10th

Literally, ‘The Hole’. Frammartino again brings to the cinema the style that made his earlier Le Quattro Volte (2010) so special. He sets up the camera, often at a great distance from the action, then leaves it there to record whatever happens. The narrative of Il Buco is actually pretty simple, a recreation of an expedition by a group of young, amateur speleologists into a hole in the ground in Calabria. (Speleology is the branch of science involved in mapping and measuring the interiors of caves, natural underground systems, and the like.)

It’s 1961. We’re first introduced to the place in a shot looking out of the ground at the edge of the hole as, eventually, the heads of two bulls come into view over the ridge. An elderly cowherd watches over the grazing cattle from a position halfway up a forty degree incline hillside. As the bus leaves the rich, urban developments of Northern Italy for the still unspoiled Southern region of Calabria, we watch it slowly make its way along rounds, through a small rural town where the party stops for the night to bed down in sleeping bags in the local, Catholic Church alongside statues of monks and the crucified Christ lying on his back, across open country until it arrives at the vast plain where the explorers will set up camp.… Read the rest

Tags abyss, amateur, beam of light, bed down, Bifurto Abyss, Black, black and white TV, blackness, bulls, Calabria. Italy, camera feed, Catholic, Catholic Church, cattle, cave, cave system, cavers, caves, caving, Christ, church, construction, counterpoint, country, countryside, cowherd, crucified, crucified Christ, dark, darkness, depth, doctor, draw, economic miracle, edge, elderly, expedition, explorers, grazing, grotto, ground, group, helmet, hillside, hole, Illumination, interior, Italy, light beam, local Catholic Church, local church, mapping, measure, measuring, metre, Michelangelo Frammartino, multi-storey, natural, natural underground systems, negative image, night, North, Northern Italy, open country, out of sight, plain, pothole, pub, recreation, ridge, rural, science, set up camp, shaft, skyscraper, sleeping, sleeping bags, small town, South, Southern Calabria, Southern Italy, speleologists, speleology, statue, subterranean, sunlight, television, television presenter, thirty storey, torch, torchlight, traversing a cave system, tunnel, TV, TV presenter, two-edged sword, unconscious, underground, unspoiled, urban developments, villagers, watering hole, world record, young

Features Live Action Movies

Pan’s Labyrinth
(El Laberinto
Del Fauno)

Post author By Jeremy Clarke
Post date 24 November 2006
No Comments on Pan’s Labyrinth
(El Laberinto
Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest