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Features Live Action Movies

Timestalker

Director – Alice Lowe – 2024 – UK – Cert. 15 – 90m

*****

A reincarnated woman falls for the same man in different, historical time periods – hilarious romantic comedy of errors is out in UK cinemas on Friday, October 11th

Agnes (Alice Lowe) is a woman falling madly in love. Sadly, the object of her affection Alex (Aneurin Barnard from Dunkirk, Christopher Nolan, 2017) isn’t really interested. And her attempts at forming relationships seem to always end badly. Although not in the way you might expect – for instance, with her head being lopped off. Yet all is not lost: in the world of the Karmic cycle: you die one day only to be reborn in another time the next. However, Agnes seems destined to make the same mistakes over and over again, consistently falling for Alex the wrong man in each of her different lives at different times in history.

The whole thing plays out like a series of repeated cycles by the same characters in different generations. In that sense, it’s not entirely unlike The Beast (Bertrand Bonello, 2023), a serious art house science fiction costume drama mashup. Timestalker isn’t necessarily in the same league as that film, but then again, The Beast isn’t a comedy and Timestalker is really, really funny.… Read the rest

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Animation Features Movies

Transformers One

Director – Josh Cooley – 2023 – US – Cert. PG – 104m

***

The origin story of the hero and villain of the Transformers in a long-distant past on their home planet – animated prequel is out in UK cinemas on Friday, October 11th

In a city deep in the bowels of his planet, one of its Transformer residents, Orion Pax (voice: Chris Hemsworth), obsessed with learning all he can about the history of his people, breaches the security of an historical archive only to be chased by guards who find him as he starts reading. Like many others, Orion is a mining bot, and as such lacks the ability to transform that is possessed only by true Transformers. Trying to do the right thing even when it’s against regulations, he is often getting into trouble on his mining shift. His immediate superior Elita-1 (voice: Scarlett Johansson) consistently covers for him.

That doesn’t stop Orion Pax from breaking with tradition and getting himself and his friend D-16 (voice: Brian Tyree Henry) to participate in a Transformers race through the city, for participation in which, benevolent ruler Sentinel (voice: Jon Hamm) promises to reward them – although as it turns out, they are almost immediately sent to a deep level waste dump for stepping out of line.… Read the rest

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Features Live Action Movies

Air America

Director – Roger Spottiswoode – 1990 – US – Cert. 15 – 113m

*

Reviewed in What’s On in London, January 1991.

Released on 4K UHD, Blu-ray and DVD in the UK on Monday, 7th October, 2024.

One of the most accurate ways to judge whether or not a movie is worth seeing is to look at the credits. Air America‘s director is Roger Spottiswoode, whose career has spanned such diverse movies as the gripping political thriller Under Fire (1983) and the tedious Tom Hanks and dog cop buddy movie for children Turner & Hooch (1989).

Spottiswoode has Mel Gibson heading his cast, but it isn’t a great help with a script as dire as this. Worse, Gibson these days is getting more comedy roles, and he simply isn’t as good in these as he was in more serious parts earlier in his career. Here, he plays a pilot of Air America, the secret, CIA-owned airline network which flies covert missions and goods around the Far East.

This might well have been another Under Fire, but as it stands, I’m afraid, the resemblance to Turner & Hooch is more evident. Like that film, this bores rather than entertains, lumbering along without any overall sense of structure or direction.… Read the rest

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Documentary Features Live Action Movies

The Battle for Laikipia

Directors – Daphne Matziaraki, Peter Murimi – 2024 – US, Kenya, Greece – Cert. 12a – 94m

**

Disagreements in Kenya between indigenous, pastoralist herdsmen and white immigrant farmers come to a head during a severe drought exacerbated by climate change – out in UK cinemas on Friday, October 4th

Shot mostly between 2017 and 2019 – so before the COVID pandemic – this is a brave attempt to relate two opposing and seemingly irreconcilable sides to a specific conflict.

Laikipia is a large, wildlife conservation area of Kenya, and the film was made some 60 or so years after Kenyan independence.

On the one hand, indigenous Kenyan tribesmen have been grazing their herds of goats and cattle on the land, simply wandering around and letting the animals graze at any suitable pasture they find. There is no concept of land ownership, except the unspoken idea that this is their country and this is therefore their land, which seems reasonable enough.

On the other hand, the early part of the twentieth century saw white British settlers awarded large areas of land to set up farms on the more profitable, Western capitalist business model. These people have now lived in the country and run their farms as enclosed ranches for some four generations.… Read the rest

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Features Live Action Movies

Firebrand

Director – Karim Ainouz – 2023 – UK – Cert. 15 – 121m

*****

Henry VIII’s sixth wife Katherine Parr must navigate the increasingly treacherous waters between her desire for religious tolerance and Henry’s more authoritarian take on Christianity – out in UK cinemas on Friday, September 6th

With her husband Henry VIII away fighting wars abroad, the Queen – Henry’s sixth wife Katherine Parr (Alicia Vikander) – has been declared Regent. Yet, for all the power, at least temporarily, entrusted to her, she cannot go anywhere outside the castle without male guards. On the pretext of visiting a religious shrine to which only women can be admitted, she (and her loyal ladies in waiting) slip off to a forest glade where her old friend Anne Askew (Erin Doherty) is preaching on the fact that the Bible has recently been translated into English and therefore made available to the common people in their own language for the present time. “Where will it all end?”, Anne asks her small, gathered audience.

Where indeed? Katherine may be a reformer at heart, but she is also staunchly royalist and believes in the King both as an institution and Henry himself specifically.

And then Henry (Jude Law) comes back from the wars, bringing her time as Regent to an end.… Read the rest

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Features Live Action Movies

Firebrand

Directed by Karim Ainouz
Certificate 15
121 minutes
Released 6 September

Reviewed for Reform magazine.

History. The Tudors. King Henry VIII wanted a male heir to the throne. His first wife failed to deliver, so he divorced her. When the Pope excommunicated him, Henry set up the new, Protestant, Church of England. He kept marrying new wives who ended up, as a popular rhyme puts it, ‘divorced, beheaded, died, divorced, beheaded, survived’.

The wife who died, Jane Seymour, gave Henry his desired son – however, Edward (Patrick Buckley) later dies at age 15. The wife who survived, Katherine Parr (Alicia Vikander), is the subject of this movie, which deals with the later period of Henry’s sixth marriage… [Read the rest at Reform magazine]

[Read my longer, alternative review on this site.]

Firebrand is out in cinemas in the UK on Friday, September 6th.

Trailer:

Categories
Documentary Features Live Action Movies

Hollywoodgate

Director – Ibrahim Nash’at – 2023 – US, Germany – Cert. 12a – 89m

****

A Western documentary shot with the approval of the Taliban showing the eponymous air base in which the Americans abandoned large stocks of military hardware – out in UK cinemas on Friday, August 16th

An extraordinary exercise in both journalism and historical, socio-political filmmaking. A few days after the US military pulled out of Afghanistan in 2021, fearless, former journalist Nash’at entered the country as, to all intents and purposes, a one-man film crew. At first, it was a fruitless exercise, but then he somehow managed to get in with a soldier about to be deployed on a big airport.

Negotiating with Afghanistan’s airforce to be allowed to shoot documentary footage, Nash’at secured himself permission to follow and shoot not just the lieutenant, M.J. Mukhtar, but also the new head of the airforce, Mawlawi Mansour, with the proviso that anything Nash’at was told not to film, he was not to film and anytime he was ordered to stop filming, he had to stop filming. Refusal to do either would have meant big trouble. He played along, shooting whatever he could without breaking the air force head’s trust, knowing that the Taliban would have no control whatsoever over the footage when he left the country to edit what he’d shot.… Read the rest

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Features Live Action Movies

Freud’s Last Session

Director – Matthew Brown – 2023 – UK – Cert. 12a – 108m

****

Celebrated psychoanalyst Sigmund Freud is visited in the last month of his life, living in Britain, by young Oxford don and Christian apologist CS Lewis – out in UK cinemas on Friday, June 14th

September 1939. Chamberlain has issued his ultimatum to Hitler, and Britain waits to find out whether it will shortly be at war with Germany. Celebrated psychoanalyst Sigmund Freud (Anthony Hopkins), recently moved to Britain from Vienna to escape the Nazis, keeps turning the radio on and off in the hope of an update from the BBC. He is also expecting a visit from a young Oxford don, CS Lewis (Matthew Goode), “the Christian apologist”, with whose views he profoundly disagrees. 

Lewis has written books including a parody of Bunyan’s The Pilgrim’s Progress called The Pilgrim’s Regress, which is mentioned here, and the first book in his science fiction trilogy Out of the Silent Planet, which isn’t. He has however yet to either give his BBC broadcasts about the Christian faith, which will later form the basis of his most celebrated apologetic work Mere Christianity, or write his Narnia children’s fantasy novels.… Read the rest

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Documentary Features Live Action Movies

Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m

****

An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest

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Documentary Features Live Action Movies

Anselm
(Anselm
– Das Rauschen
Der Zeit)

Director – Wim Wenders – 2023 – Germany – Cert. PG – 93m

****

An exploration of the work of German artist Anselm Kiefer and the influences which lie behind it – 3D documentary plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, December 8th

Wim Wenders seems to step effortlessly between narrative and documentary feature films, and you never feel that he considers one or the other more important. To him, they are all movies. As with his earlier Pina (2011), similarly about an artist – the choreographer Pina Bausch – this is another portrait of an artist shot in 3D. Wenders’ subject here, again eponymously designated by Christian name, is Anselm Kiefer, a practitioner of the plastic rather than the performing arts.

From the outset, it’s clear that the film needs to be seen in 3D. Wenders’ camera moves deliberately and formally around maquettes that resemble life-sized women wearing dresses, but without the women in them so that they stand as empty objects, often with strange constructions in the space where you would expect their neck and heads to be. The forest setting in which Wenders films them seems almost as significant as the maquettes themselves as we slowly pass by an upright tree trunk between the sculpture and us.… Read the rest